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Showing 1–24 of 667 results

Moorlanders, 1850

20,00 

Inhabitants of the moors It is a lithograph from 1850 which represents figures on stilts, evoking the atmosphere of the moors.
This work is made on thick paper and glued to another paper support, making it an interesting piece for collectors and art enthusiasts.

  • Sheet size: cm. 27×18 approx.
  • Era: 19th century
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

Abruzzo, Young Peasant, 1877

20,00 

Abruzzo, Young Farmer It is a woodcut made by Ferdinand Keller in 1877.
This work is part of the volume L'Italy illustrée de 450 engravures sur wood, edited by Gourdault Jules and published in Paris by Hachette.

  • Sheet size: mm. 140×180
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back

Abruzzo, Young Girl, 1877

20,00 

Abruzzo, Giovane Ragazza è una xilografia realizzata nel 1877 da Ferdinand Keller, un noto pittore tedesco.
This work is part of the volume L'Italy illustrée de 450 engravures sur wood, pubblicato a Parigi da Hachette.

  • Sheet size: mm. 140×180
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back

Norman Hairstyles, 1850

20,00 

Acconciature Normanne It is a lithograph made in 1850, che rappresenta le eleganti acconciature tipiche dell’epoca normanna.
Questa opera è un esempio significativo della moda del XIX secolo, incollata su un altro supporto cartaceo per garantire la sua conservazione.

  • Sheet size: cm. 21×15 approx.
  • Technique: Lithography
  • Condition: Good
  • Support: Thick paper

Acton Ferdinand, 1887

20,00 

Acton Ferdinand It is a woodblock print made in 1887, which portrays Vice Admiral Ferdinando Acton.
This work is taken from The Italian Illustration, published by the Treves Brothers of Milan.

  • Size of the joke: mm. 155×165
  • Margins: Almost absent
  • Condition: Good, with writing on the back

Lamb of God, 1850

15,00 

Agnello di Dio It is an engraving made in 1850, rappresentante il celebre soggetto dell’Agnello di Dio.
Questa opera è stata pubblicata dalla casa editrice Serz & co. Edits Nurnberg in Germania.

  • Sheet size: cm. 8×12 approx.
  • Support: Cardboard
  • Condition: Buono stato, con qualche piccola mancanza e cartoncino applicato sul retro per coprire una scritta

Agostino Carracci, The Deposition from the Cross, 1838

15,00 

The Deposition from the Cross It is an engraving made by Augustine Carracci In the 1838.
This work is taken from Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.

  • Sheet size: cm. 11×15 approx.
  • Support: Paper
  • Condition: Good state of preservation

The print has been cut from the book and has writing on the back; the entire page containing the print will be sent.
Omnibus It was a magazine founded in Naples in 1833, among the first and longest-running periodicals of the Kingdom of the Two Sicilies, whose publications continued until 1882.

Agrigento, 1834

30,00 

Agrigento, 1834 It is a burin engraving that offers a splendid view of the city.
Made in 1834, this work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins, C. Nodiers and others, published in Paris.

  • Sheet size: mm. 183×115, plus margins
  • Support: Lightweight paper, white back
  • Condition: Good condition

This engraving is a decorative piece of great charm.

Alberti Leon Battista, 1857

30,00 

Alberti Leon Battista it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work measures 140x180 mm on a sheet of 23x32 cm, made on strong paper with a white back.

  • Condition: Good, with some light rust stains at the edges, which do not affect the engraving.
  • Dimensions: Small
  • Support: Strong paper

Alcamo, 1877

15,00 

Paesaggio di Alcamo it is a woodcut made in 1877, taken from the work Italian by Kaden.
Questa bella veduta di Alcamo presenta dimensioni di mm. 190×120, con margini quasi assenti.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Good

The print was cut from the book and has writing on the back.

Ensigns Victor, 1872

20,00 

Ensigns Victor, 1872 it is an original woodcut engraving depicting Vittorio Alfieri while declaiming the Myrrh to the Countess of Albany.
This work is taken from The Popular Illustration, published in Milan by the Treves Brothers in 1872.

  • Sheet size: mm. 110×140
  • Support: Light paper
  • Condition: Good, with writing on the back

Amalfi, 1835

25,00 

Amalfi, 1835 It is an engraving made at burin su acciaio, che cattura la bellezza di Amalfi.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Amalthea, 1832

20,00 

Amalthea It is a burin engraving made in 1832, depicting the Almathea butterfly.
This work was taken from the volume Book of Butterflies, Sphinxes & Moths by Captain Thomas Brown.

  • Engraving size: mm. 88×120
  • Support: Lightweight paper with white backing
  • Condition: Good condition

Disdained Love, 1850

25,00 

Disdained Love it is a lithograph made in 1850, which represents a marble sculpture by Tito Angelini.
This work is taken from theLiterary and Artistic Register by Vittoria Colonna, published in Naples.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Good, with some stains and a slightly worn sheet

Amphitheatre of Syracuse, 1865

20,00 

Amphitheatre of Syracuse It is a woodcut made in 1865, taken from Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with about 1000 colored municipal weapons and was published by Vallardi Editore in Milan.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Anzio, 1834

25,00 

Anzio, 1834 It is an engraving made with the technique of burin on steel, which represents a fascinating forest interior with animals.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×110 plus margins
  • Condition: Good condition
  • Support: Lightweight paper, white back

Eagles, 1800

30,00 

Eagles It is a chromolithograph made in 1800, characterized by a fascinating and detailed design.
This work is printed on medium paper with smaller margins and features a white back.

  • Sheet size: cm. 20×13 approx.
  • Technique: Chromolithography
  • Condition: Good condition
  • Printed by: Lit.Central-Tryckeriet, Stockholm

Lobster, 1890

20,00 

Lobster It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, a German encyclopedic work published by the Bibliographischen Instituts.
This series of antique prints was created to illustrate the famous encyclopedia, which had several editions starting from the second half of the 19th century.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions with slight yellowing of the sheet

Ardea, 1846

25,00 

Ardea, 1846 è una litografia che rappresenta una veduta del castello di Ardea, situato in South Apulia.
This work is taken from the volume Picturesque Polyorama, published in Naples in 1846.

  • Sheet size: mm. 155×90
  • Condition: Buone, con margini quasi assenti e una macchia di umido che interessa anche la stampa
  • Support: Paper
  • Notes: La stampa presenta scritte al retro ed è una bella veduta, non comune.

Ariccia, Chigi Palace, 1834

30,00 

Ariccia, Chigi Palace It is an engraving made with the technique of burin on steel in 1834.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in the same year.

  • Sheet size: mm. 119×185 plus margins
  • Condition: Good
  • Support: Lightweight paper, white back

The view offers a clear and decorative representation of the castle, making it a fascinating work for lovers of art and history.

Arlesiana, Woman of Arles, 1850

20,00 

Arlesiana, Donna di Arles è una litografia realizzata nel 1850, che cattura l’essenza della figura femminile tipica della regione di Arles.
This work, from the period 19th century, è stampata su carta spessa e presenta dimensioni di cm. 24×13.

  • Sheet size: Small
  • Support: Thick paper glued to another paper support
  • Condition: Good

Arona, Isola Bella, 1834

30,00 

Arona, Beautiful Island It is a double burin engraving made in 1834, which offers two fascinating views of this enchanting place.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 120×85 approximately for each engraving
  • Support: Light paper
  • Condition: Good condition (has some widespread stains)

Assumption of the Virgin 1877

25,00 

Assumption of the Virgin It is an engraving made in 1877, which represents an important work of art of the period.
This print is taken from a late 19th century French text and attributed to the author from Perugino.

  • Sheet size: cm. 28×19 approx.
  • Print Size: cm. 22×14 approx.
  • Support: Thick, white paper
  • Condition: Good condition, with small shadows on the white part of the print

Avellino, 1835

35,00 

Avellino, 1835 è un’incisione al bulino su acciaio acquarellata, realizzata nel 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

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