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Showing 1–24 of 248 results

Abraham Bloemaert, Sleeping Shepherds 1630

80,00 

Sleeping Shepherds It is an engraving made by Abraham Bloemaert between 1625 and 1630.
This work, performed with the technique of Burin, is printed on heavy laid paper with lily and crown filigree.
The image measures mm. 140×200 at the copper strike, with a slight bleed on the right side.
At the bottom is the wording Mariette excud cum Regis Privilege, accompanied by a French inscription that reads: Ayant le ciel pour couverture et la terre pour matelas… Additionally, there is a dry stamp from an unknown collector.

Lamb of God, 1850

15,00 

Agnello di Dio It is an engraving made in 1850, rappresentante il celebre soggetto dell’Agnello di Dio.
Questa opera è stata pubblicata dalla casa editrice Serz & co. Edits Nurnberg in Germania.

  • Sheet size: cm. 8×12 approx.
  • Support: Cardboard
  • Condition: Buono stato, con qualche piccola mancanza e cartoncino applicato sul retro per coprire una scritta

Agostino Carracci, The Deposition from the Cross, 1838

15,00 

The Deposition from the Cross It is an engraving made by Augustine Carracci In the 1838.
This work is taken from Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.

  • Sheet size: cm. 11×15 approx.
  • Support: Paper
  • Condition: Good state of preservation

The print has been cut from the book and has writing on the back; the entire page containing the print will be sent.
Omnibus It was a magazine founded in Naples in 1833, among the first and longest-running periodicals of the Kingdom of the Two Sicilies, whose publications continued until 1882.

Agrigento, 1834

30,00 

Agrigento, 1834 It is a burin engraving that offers a splendid view of the city.
Made in 1834, this work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins, C. Nodiers and others, published in Paris.

  • Sheet size: mm. 183×115, plus margins
  • Support: Lightweight paper, white back
  • Condition: Good condition

This engraving is a decorative piece of great charm.

Amalfi, 1835

25,00 

Amalfi, 1835 It is an engraving made at burin su acciaio, che cattura la bellezza di Amalfi.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Amalthea, 1832

20,00 

Amalthea It is a burin engraving made in 1832, depicting the Almathea butterfly.
This work was taken from the volume Book of Butterflies, Sphinxes & Moths by Captain Thomas Brown.

  • Engraving size: mm. 88×120
  • Support: Lightweight paper with white backing
  • Condition: Good condition

Anzio, 1834

25,00 

Anzio, 1834 It is an engraving made with the technique of burin on steel, which represents a fascinating forest interior with animals.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×110 plus margins
  • Condition: Good condition
  • Support: Lightweight paper, white back

Ariccia, Chigi Palace, 1834

30,00 

Ariccia, Chigi Palace It is an engraving made with the technique of burin on steel in 1834.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in the same year.

  • Sheet size: mm. 119×185 plus margins
  • Condition: Good
  • Support: Lightweight paper, white back

The view offers a clear and decorative representation of the castle, making it a fascinating work for lovers of art and history.

Arona, Isola Bella, 1834

30,00 

Arona, Beautiful Island It is a double burin engraving made in 1834, which offers two fascinating views of this enchanting place.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 120×85 approximately for each engraving
  • Support: Light paper
  • Condition: Good condition (has some widespread stains)

Avellino, 1835

35,00 

Avellino, 1835 è un’incisione al bulino su acciaio acquarellata, realizzata nel 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Avernus, Lake, Phlegraean Fields, 1835

20,00 

Avernus, Lake, Phlegraean Fields It is a burin engraving made in 1835, which captures the beauty of the Phlegraean landscape.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Good state of preservation

Babiana, 1852

20,00 

Babiana, 1852 è un’incisione che rappresenta una composizione floreale decorativa.
Realizzata con la tecnica del burin e colorata a mano all’acquerello, questa opera è stampata su carta media.

  • Sheet size: mm. 130×220
  • Support: Paper
  • Condition: Good condition

L’incisione proviene da Ladies' Wreath an illustrated annual, pubblicato a New York da J.C. Burdick, datato 1852.

Baia, Temple of Venus, 1834

20,00 

Baia, Temple of Venus it is a burin engraving made in 1834, which represents the famous Temple of Venus in Baia.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.

  • Sheet size: mm. 117×90
  • Support: Light glued paper
  • Condition: Good state of preservation

Baia, Temple of Venus, Phlegraean Fields, 1835

20,00 

Baia, Tempio di Venere, Campi Flegrei è un’incisione realizzata nel 1835, che rappresenta un’importante testimonianza artistica dei Campi Flegrei.
Questa opera è stata realizzata da STRUTT e fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Engraving size: mm. 105×73 circa
  • Technique: Burin
  • Support: Medium paper
  • Condition: Good state of preservation

Bartolomeo Pinelli, Acquavitaro, 1810

40,00 

Acquavitaro It is an engraving made by Bartholomew Pinelli in 1810, executed with etching and coloured with watercolour.
This work is taken from the New Collection of fifty Picturesque Motifs and Costumes of Rome, published in Rome by Lorenzo Lazzari.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Technique: Burin
  • Condition: Good
  • Support: Paper

Benevento, Caudine Forks, 1835

25,00 

Benevento, Forche Caudine è un’incisione realizzata nel 1835 da Vogel.
Questa opera, che rappresenta il Vallo di Caudium, è eseguita in burin on copper and is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 circa
  • Support: Medium paper
  • Condition: Good state of preservation

Bologna, 1840

30,00 

Bologna, 1840 è un’incisione realizzata da Frommel nel 1840, che offre una beautiful animated view of the city.
Questa opera è stata realizzata con la tecnica del burin su acciaio ed è parte del volume Picturesque Italy, pubblicato a Lipsia.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Bolzano, 1840

30,00 

Bolzano, 1840 è un’incisione realizzata da Frommel, che combina abilmente l’arte del disegno e della scultura.
Questa incisione al bulino su acciaio presenta una beautiful view di Bolzano, catturando l’essenza del paesaggio italiano dell’epoca.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Cagliari, 1834

30,00 

Cagliari, 1834 It is an engraving made with the technique of burin su acciaio, che misura mm. 183×114 più margini.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 183×114 circa
  • Support: Light paper
  • Condition: Good condition

The press offers a bella veduta di Cagliari dal mare, con i monti sullo sfondo, rendendola un pezzo affascinante per collezionisti e appassionati di arte.

Champs Elysees, 1835

35,00 

Campi Elisei è un’incisione realizzata nel 1835, eseguita con la tecnica del burin on copper.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 circa
  • Condition: Good state of preservation
  • Support: Medium paper

Canivet, Jesus, 1879

20,00 

Canivet, Jesus è un’incisione realizzata nel 1879, che rappresenta il soggetto di Gesù.
Pubblicata dalla casa editrice A.W. Sehulgen a Parigi, Francia, questa opera è un esempio di arte sacra del XIX secolo.

  • Sheet size: cm. 8×12 approx.
  • Technique: Burin
  • Condition: Good
  • Support: Paper
  • Prayer: presente in tedesco
  • Notes: angolo inferiore destro ricostruito

Canivet, Jesus, Communion, 19th century

25,00 

Canivet, Jesus, Communion It is an engraving made in 19th century, precisely in 1881.
This fascinating subject represents Jesus during Communion, accompanied by an Angel, and was published by the publishing house R. Pannier in Paris, France.

  • Sheet size: cm. 8×12
  • Support: Paper
  • Condition: Good, with some shortcomings
  • Prayer: Yes

Canivet, Preghiera, 1830-50

20,00 

Canivet, Preghiera è un’incisione realizzata tra il 1830 e il 1850, che rappresenta il tema dell’Amore Divino attraverso l’immagine di Gesù in preghiera.
This work is published by the publishing house L.Turgis from Paris, France.

  • Sheet size: cm. 8×12
  • Technique: Burin
  • Condition: Buone, con spellature al verso
  • Support: Paper

Canivet, First Communion, 1890

15,00 

Canivet, First Communion It is an engraving made in 1890, representing The Communion of Mary, a first communion souvenir.
Published by the publishing house Ch. Letaille in Paris, France, this piece is a significant example of religious art of the period.

  • Sheet size: cm. 8×12 approx.
  • Condition: Good, with repair to the edge on the back
  • Support: Paper
  • Prayer included: Yes

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