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Siege of Jerusalem, etching ca. 1650
40,00 €Assedio di Gerusalemme è un’acquaforte realizzata intorno al 1650, che rappresenta l’assedio della città sotto Antioco Sidete.
Questa opera è stampata su carta spessa vergellata senza filigrana, con una dimensione alla battuta del rame di cm. 43×30 e un foglio di cm. 46×38.
- Sheet size: cm. 46×38
- Engraving size: cm. 43×30
- Support: Carta spessa vergellata
- Condition: Excellent condition
Gabriel Perelle, Landscape, 1660
60,00 €Landscape with Roman Ruins It is an engraving made by Gabriel Perelle in 1660.
This work, signed lower left, is a fine example of his skill in engraving.
- Image size: cm. 25×34 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
- Era: XVII
- Dimensions: Great
This engraving is probably taken from the Collection of views of Paris, the surrounding castles and Rome, published in Paris in 1660.
Gabriel Pérelle, a well-known French engraver, created numerous engravings depicting landscapes of the Paris region, enriched by ruins and architectural details.
Jacques Callot, The New Testament, 1635
450,00 €The New Testament It is a complete series of 10 tables made by Jacques Callot in 1635, the year of his death.
This series includes a frontispiece engraved later by Abraham Bosse.
- Sheet size: mm 70/72×93/95
- Dimensions of the tables: mm 60/63×83/86
- Technique: Etching
- Condition: Excellent
- Support: Laid paper without watermark
The proofs are in the 2nd state of 2, with the writing in the lower margin and the number. The margins vary from thin to small, with minimal paper residue and traces of old tape on the upper verso. For the rest, the work is in excellent condition.
Lavoratore di Avorio, Caspar e Jan Luyken, 1694
15,00 €Lavoratore di Avorio It is a woodcut made by Caspar e Jan Luyken In the 1694.
This work is taken from the volume Spiegel van het Menselyk Bedryf (Mirror of Human Activities), e presenta un’illustrazione dettagliata del mestiere di lavorazione dell’avorio.
- Sheet size: mm. 75×120
- Engraving size: mm. 60×64
- Support: Laid paper without watermark
- Condition: Excellent
Oltre alla xilografia, il foglio include note esplicative in olandese e presenta una stampa anche sul retro.
Mappa della città di Ninive, 1650 ca
40,00 €Mappa della città di Ninive è un’incisione realizzata da Diodoro Siculo, datata circa 1650.
Questa mappa rappresenta la città di Ninive secondo le descrizioni di Diodoro Siculo e del famoso erudito E.P. Kircherus.
- Sheet size: cm. 46×38 circa
- Engraving size: cm. 43×30 approx.
- Technique: Etching
- Support: Carta spessa vergellata senza filigrana
- Condition: Excellent condition
Mappa di Perpignan, Francia, da Cosmografia di S.Munster, 1614
Map of Perpignan, France It is a woodcut made by Sebastian Munster in 1614, taken from his work Cosmography Universalis.
This map features the historic city of Perpignan, capital of the Pyrénées-Orientales department and once capital of the County of Roussillon.
- Sheet size: cm. 36×22 approx.
- Image size: cm. 12.5x15.5 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Salvator Rosa Ceres and Phytalos 1662
250,00 €Ceres and Phytalo It is an engraving made by Salvator Rosa (Arenella 1615 – Rome 1673) in 1662.
This work, which represents a significant moment in mythology, is performed in etching and drypoint, signed on the lower plate with the words 'Salvator Rosa Inu.Scul.'.
- Sheet size: cm. 50×37 approx.
- Engraving size: cm. 35×23 approx.
- Support: Thick laid paper with watermark
- Condition: Excellent state of preservation
The engraving was made between 1662 and 1663, but it is assumed that the impression is from the 18th century.
This work is documented in several publications, including:
- G. BOZZOLATO, The engravings of Salvator Rosa, 1973
- O. THEODOLI, Salvator Rosa 1615-1673, Etchings, Bergamo, 1992
- Salamon S., Salvator Rosa. The Graphic Work. Catalogue Raisonné, Turin, 1993
Stefano Della Bella, Three Studies of Heads, 1646
60,00 €Tre studi di teste It is an engraving made by Stephen Of The Beautiful nel 1646, un’opera che riflette la maestria dell’artista fiorentino.
Questa acquaforte, monogrammata in lastra in basso a sinistra, è un esemplare su laid paper databile alla prima metà del XVII secolo.
- Sheet size: mm. 38×118
- Condition: Exceptional state of preservation
- Technique: Etching
- Era: 17th century
This work is part of the series Raccolta di diversi schizzi e prove all’acquaforte, catalogata come De Vesme-Massar 406.
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