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A.Tempesta (attr.), Hare Hunting, 1600
40,00 €Hare hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presents a hunting scene rich in detail and dynamism.
- Sheet size: cm. 22×8 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
- Notes: Refined on the marginal line, unsigned; at the bottom there is a Latin inscription.
Antonio Tempesta (attr.), Deer Hunt, 1600
40,00 €Deer hunting it is an engraving attributed to Antonio Tempesta, made in 1600.
This work, performed in etching on laid paper, measures approximately 22x8 cm and has been trimmed to the marginal line.
The engraver, Antonio Tempesta, did not sign the work, but at the bottom there is a Latin inscription attesting to its authenticity.
- Sheet size: cm. 22×8 approx.
- Technique: Etching
- Condition: Excellent
- Support: Laid paper
Antonio Tempesta (attr.), Leopard Hunt, 1600
40,00 €Caccia al leopardo it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line.
In basso è presente una scritta in latino, che aggiunge un tocco di storicità all’opera.
- Sheet size: cm. 22×8 approx.
- Condition: Excellent state of preservation
Antonio Tempesta (attr.), Bear Hunt, 1600
40,00 €Bear hunting it is an engraving attributed to Antonio Tempesta, made in 1600.
This work, characterised by a lively representation of the hunt, is a significant example of the art of the period.
- Sheet size: cm. 22×8 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Antonio Tempesta (attr.), Fox Hunting, 1600
40,00 €Caccia alla volpe it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare il movimento e l’energia del momento.
- Sheet size: cm. 22×8 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Antonio Tempesta (attr.), Duck Hunting, 1600
40,00 €Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line. The engraver, Antonio Tempesta, did not sign the work, but there is a Latin inscription at the bottom.
- Sheet size: cm. 22×8 approx.
- Support: Laid paper
- Condition: Excellent
Antonio Tempesta (attr.), Duck Hunting, 1600
40,00 €Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare momenti dinamici.
- Sheet size: cm. 22×8 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
- Notes: Riflato alla linea marginale, non firmato, con scritta in latino in basso.
Antonio Tempesta (attr.), Ibex Hunting, 1600
40,00 €Hunting the ibex it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, represents a hunting scene and stands out for its dynamic and detailed style.
- Sheet size: cm. 22×8 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Antonio Tempesta (attr.), Ostrich Hunt, 1600
40,00 €Ostrich Hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line.
The engraver, known for his highly detailed works, left a Latin inscription at the bottom of the engraving.
- Sheet size: cm. 22×8 approx.
- Condition: Excellent
- Support: Laid paper
Antonio Tempesta (attr.), Animal Market, 1600
40,00 €Mercato degli animali it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di un mercato di animali, riflettendo la vita quotidiana dell’epoca.
- Sheet size: cm. 22×8 approx.
- Support: Laid paper
- Condition: Excellent
- Notes: Refined on the marginal line, unsigned; at the bottom there is a Latin inscription.
Callot, Military Exercises
60,00 €Military Exercises It is a series of two engravings made by Jacques Callot (1592-1635), a well-known French engraver.
These works are part of the series Military Exercises and are performed in etching, unsigned, and date back to an unknown era.
- Sheet size: cm. 8×5 at the copper edge for each engraving
- Support: Laid paper without watermark
- Condition: Excellent
Initial letter from the 15th-16th century
60,00 €Initial letter from the 15th-16th century è un’affascinante lettera A miniata, proveniente da un antifonario di area italiana, attribuita probabilmente a Filippo di Matteo Torelli.
Questa opera, ritagliata alla figura, misura mm. 74×81 ed è realizzata su parchment paper con tempera e penna.
Sul retro si trova una parte leggibile dell’antifonario, rendendo questo pezzo una vera rarità per collezionisti e appassionati di arte antica.
- Sheet size: Small
- Technique: Tempera
- Condition: Excellent
- Support: Parchment paper
Claens Jansz Visscher, Darius and Xerxes, ca. 1600
80,00 €Darius and Xerxes It is an engraving made by Claens Jansz Visscher around 1600.
This work represents the two powerful Persian kings, Darius and Xerxes, full-length standing.
- Sheet size: cm. 24×31 approx.
- Engraving size: cm. 21×27 approx.
- Technique: Etching
- Support: Laid paper with watermark
- Condition: Excellent, with vertical crease and small stain in the center
Correggio, Jan Van Troyen, La Maddalena,
60,00 €The Magdalene It is an engraving made by Jan Van Troyen, inspired by the work of the famous painter I correct.
This etching, measuring 17x21 cm at the copperplate strike, is printed on a sheet of 26x44 cm, made of thick laid paper without watermark.
- Artists: Correggio (1489-1534) and Jan Van Troyen (1610-1666)
- Condition: Excellent condition
- Price: €60,00
Antonio Allegri, known as I correct, was an important Italian painter of the sixteenth century, influenced by the great masters of the fifteenth century.
Jan Van Troyen, an engraver from Brussels, created works of religious and genre subjects, contributing to the artistic tradition of his time.
Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575
180,00 €The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575, a fundamental work for the study of ancient architecture.
This etching on laid paper measures approximately cm. 16×28 and is trimmed to the marginal line. At the bottom, there is a detailed description of the monument and the site depicted, which offers important historical testimony.
- Description of the monument: Remains of the Septizonium of Emperor Severus I, a tomb located along the Appian Way, designed to be visible to those coming from Africa.
- Architectural details: Corinthian style building, with columns of different stones, some striated and others smooth, and marble decorations.
- Popular name: Also known as Virgil's school.
Du Perac Etienne, architect and engraver, began his career in Venice before moving to Rome, where he made drawings of ancient monuments. His work, The Vestiges of Ancient Rome, is composed of a frontispiece and 39 plates, accompanied by historical-descriptive inscriptions that provide information on the monuments represented.
Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575
180,00 €The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575. This work represents an important collection of ancient monuments, executed with great attention to detail.
The work includes a description of the monument and the site represented, with an illustration of the Baths of Constantine in the Quirinal Hill.
- Sheet size: cm. 16×28 approx.
- Engraving size: trimmed to the marginal line
- Support: Laid paper
- Condition: Excellent
Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575
180,00 €The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575.
This work is an important collection of drawings of ancient monuments, executed with great precision and attention to detail.
- Sheet size: cm. 16×28 approx.
- Engraving size: trimmed to the marginal line
- Support: Laid paper
- Condition: Excellent state of preservation
At the bottom, the engraving contains a description of the Antonine Column, with historical and architectural details that enrich the work.
Du Pérac, architect and engraver, dedicated his life to the study of antiquity, creating a volume that is a precious document for the history of Roman art and architecture.
Gerard de Jode Il Re che risponde al popolo 1585
80,00 €Il Re che risponde al popolo It is an engraving made by Gerard de Jode nel 1585, un’opera che rappresenta Geroboamo in piedi su una piattaforma mentre si rivolge agli israeliti.
Questa incisione è stata pubblicata da Gerard de Jode, un noto cartografo e incisore fiammingo, e si basa su un disegno di Ambrosius Francken.
- Sheet size: cm. 22×31 approx.
- Engraving size: cm. 21×30 approx.
- Technique: Etching
- Support: Laid paper with watermark
- Condition: Excellent
Questo lavoro è un esempio significativo della tradizione incisoria fiamminga, con riferimenti bibliografici nel catalogo New Hollstein che documenta le incisioni olandesi e fiamminghe dal 1450 al 1700.
Giulio Campagnola, Gesù e la Samaritana, 1510, XIX secolo
50,00 €Gesù e la Samaritana It is an engraving made by Giulio Campagnola In the 1510, un’opera che riflette la maestria dell’artista nel rappresentare scene bibliche.
This engraving, made in etching, misura cm. 15×20 alla battuta del rame, su un foglio di cm. 28×19, ed è stampata su laid paper.
- Era: 19th century
- Condition: Excellent
- Dimensions: Small
Giulio Campagnola, originario di Padova, è stato un importante pittore e incisore del Rinascimento italiano.
La sua formazione avvenne tra Padova e Ferrara, ma si stabilì principalmente a Venezia, dove entrò in contatto con artisti come Dürer e Giorgione.
La sua vasta cultura umanistica e il suo talento artistico gli garantirono un posto di rilievo nei circoli culturali veneziani.
Gondolas on a Canal, Egidio Sadeler 1600
80,00 €Gondolas on a canal It is an engraving made by Egidio Sadeler around 1600.
This work, part of the series Scenes in Bohemia, is a charming imaginary view of a city with a gondola in the foreground.
The engraving was made based on a drawing by Peter Stevens, who in 1594 became court painter to Emperor Rudolf II in Prague.
- Sheet size: cm. 24×37 approx.
- Engraving size: cm. 24×37 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
The print is signed lower left, “Petrus Stephani Inuen.”, and lower right, “Egid: Sadeler excud”.
The preparatory drawing for this engraving is preserved at the Nasjonalgalleriet in Oslo.
H. Cock (1518-1570) , Scenografia, 1560
40,00 €Scenografia è un’acquaforte realizzata da Hans Vredeman de Vries nel 1560, parte di una suite di venti vedute che ritraggono strade, cortili del palazzo, interni e colonnati, intitolata ‘Scenographiae Siue Perspectiuae’.
This work is printed on laid paper and measure cm. 16×21 più margini.
- Sheet size: Small
- Condition: Excellent state of preservation
- Era: XVI
- Technique: Etching
- Support: Paper
H. Cock (1518-1570) , Scenografia, 1560
40,00 €Scenografia it is an etching made by Hans Vredeman de Vries nel 1560, pubblicata da Hieronymus Cock.
Questa opera fa parte di una suite di venti vedute che rappresentano strade, cortili del palazzo, interni e colonnati, intitolata ‘Scenographiae Siue Perspectiuae’.
- Sheet size: cm. 16×21 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Hieronymus Cock (1518-1570) , Scenografia, 1560
40,00 €Scenografia it is an etching made by Hans Vredeman de Vries nel 1560, parte di una suite di venti vedute che ritraggono strade, cortili del palazzo, interni e colonnati, intitolata ‘Scenographiae Siue Perspectiuae’.
This work is printed on laid paper e presenta dimensioni di cm. 16×21, escluse le margini.
- Era: XVI
- Technique: Etching
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Jean Cousin, Christ in the Tomb, 1520, 19th century
30,00 €Christ in the Tomb It is an engraving made by Jean Cousin the Elder in 1520, reproduced by Amand Durand in the 19th century.
This work represents a dramatic and significant moment in Christian tradition, highlighting Cousin's mastery of religious themes.
- Sheet size: cm. 28×19 approx.
- Engraving size: cm. 13×20 approx.
- Support: Laid paper without watermark
- Condition: Excellent
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