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Showing 1–24 of 805 results

1712, Ancient map of Verona

50,00 

Ancient map of Verona from 1712 is a copper engraving that represents one of the most fascinating historical maps of the city.
This map is taken from the volume The Delights of Italy by De Rogissart and presents accurate details of the Veronese topography of the time.

  • Sheet size: cm. 16×17 approx.
  • Engraving size: cm. 11×14 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation
  • Rarity: Rare

1718, Southern Italy, C.Weigel

220,00 

1718, Southern Italy it's a lithography with contemporary watercolour, made by C. Weigel.
This map represents ancient Italy from Octavian Augustus in Regions XI described.

  • Place of publication: Nuremberg
  • Year of publication: 1718
  • Sheet size: cm. 39×47
  • Condition: Excellent, with editorial center fold
  • Rarity: Rare representation, with excellent colouring

1718, Southern Italy, C.Weigel

280,00 

Map of Southern Italy It is a lithograph made by C. Weigel in 1718, characterised by a contemporary coloring which enhances its beauty.
This map, titled Magna Graecia Description, was published in Nuremberg with the privilege of the SC Majest.

  • Sheet size: cm. 38×45
  • Technique: Lithography
  • Condition: Excellent, with editorial center fold
  • Support: Paper

Rare and valuable representation, with high quality colouring.

18th century aquatint

40,00 

18th century aquatint It is an anonymous engraving dating back to the mid-1700s, which represents a historical scene of considerable interest.
This work is made in aquatint and measures 15x17 cm at the edge, on medium-thickness paper with white backing.

  • Sheet size: Small
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Adriaen van Ostade, 1770

30,00 

Adriaen van Ostade It is an engraving made in 1770, executed with the technique ofetching.
This work is printed on laid paper and features a white back.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Condition: Excellent state of preservation

Agrigento, Ancient Ruins, Saint-Non, 1781-86

90,00 

Agrigento, Ancient ruins It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The animated view offers a fascinating look at the ancient ruins of Agrigento, making this engraving a valuable piece for collectors and art enthusiasts.

Agrigento, Castor and Pollux, Saint-Non, 1781-86

40,00 

Agrigento, Castor and Pollux It is a magnificent engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This view represents the remains of the Temples of Castor and Pollux in Sicily and is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Agrigento, Pools, Saint-Non, 1781-86

40,00 

Agrigento, Swimming Pools It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

The engraving offers a beautiful animated view of the water supply pools in Agrigento, Sicily, and represents an important historical and artistic testimony of the 18th century.

Agrigento, Athenian Rock, Saint-Non, 1781-86

90,00 

Agrigento, Athena Rock It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The animated view offers a fascinating glimpse of Sicily, highlighting the beauty of the Rupe Atenea or Scala dei Franceschini.

Agrigento, Temple of Concord, Saint-Non, 1781-86

90,00 

Agrigento, Temple of Concordia It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21x34 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent

The view represents a lively scene of the Temple of Concordia, testifying to the artistic ability and archaeological interest of the author.

Agrigento, Temple of Concord, Saint-Non, 1781-86

90,00 

Agrigento, Temple of Concordia It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies, a work that combines art and archaeology.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

This engraving offers a beautiful animated view of the Temple of Concord, testifying to Saint-Non's artistic skill and his contribution to the documentation of historical sites in Sicily.

Agrigento, Temple of Aesculapius, Saint-Non, 1781-86

40,00 

Agrigento, Temple of Aesculapius It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18x25 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent condition

The engraving offers a beautiful animated view of the Temple of Asclepius, representing an important artistic and cultural testimony of Sicily.

Agrigento, Temple of Juno, Saint-Non, 1781-86

90,00 

Agrigento, Temple of Juno It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The engraving offers a beautiful animated view of the ruins of the Temple of Juno in Sicily, representing an important artistic and historical testimony of the eighteenth century.

Agrigento, Tomb of Theron, Saint-Non, 1781-86

40,00 

Agrigento, Tomb of Theron It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent engraving is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18x25 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent

The work offers a beautiful animated view of the Tomb of Theron, representing the art and culture of Sicily in the 18th century.

Agrigento, View of the port and the pier, Saint-Non, 1781-86

40,00 

Agrigento, Veduta del porto e del molo It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La veduta è animata e offre uno scorcio affascinante del porto di Agrigento, rendendola un pezzo prezioso per collezionisti e appassionati d’arte.

Albani, Audran, Diana and Love, 1770

130,00 

Diana and Love It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is an example of an etching on heavy laid paper, signed on the plate with the following indications: Franc. Albanus in and pinx And Well. Audran ex cum privilege. Regis.

  • Dimensions of the figured part: cm. 32×26 approx.
  • Engraved part dimensions: cm. 34×30 approx.
  • Condition: Excellent state of preservation
  • Support: Heavy laid paper

Albani, Audran, Venus and Adonis, 1770

130,00 

Venus and Adonis It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is a fine example of etching on heavy laid paper, signed on the plate by Albani and Audran.

  • Sheet size: cm. 34×30 approx.
  • Dimensions of the figured part: cm. 32×26 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Heavy laid paper

Alimena, Mountains of the Salt Pans, Saint-Non, 1781-86

40,00 

Alimena, Saline Mountains It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The animated view offers a fascinating glimpse into Sicily, making this engraving a valuable piece for collectors and art enthusiasts.

Andrea Schiavone, Dead Christ, 1786

70,00 

Cristo Morto it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
È tratta dalla Gallery of the Palais Royal, che presenta opere delle diverse scuole artistiche, accompagnata da un riassunto della vita dei pittori e una descrizione storica di ciascun quadro, a cura dell’abbé de Fontenai.

  • Sheet size: cm. 24×37 approx.
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper
  • Published by: J. Couche; Parigi; 1786

Andrea Schiavone, Jesus Before Pilate, 1786

70,00 

Jesus Before Pilate it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper with watermark, coming from the Gallery of the Palais Royal.

  • Engraving size: cm. 24×37 (including the editorial frame)
  • Margins: Good irregular margins
  • Condition: Excellent condition, nice proof with good contrast
  • Published by: J. Couche, Paris, 1786

Architecture, capital bases, various styles, 1771

30,00 

Architettura, basi dei capitelli, vari stili è un’incisione al bulino realizzata da Fortunato Bartolomeo De Felice nel 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. not specified
  • Support: Medium thickness laid paper
  • Condition: Excellent

Questa incisione è particolarmente interessante poiché proviene dall’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopédie d’Yverdon, pubblicata in Svizzera.
Its difference from the original, less French and less anti-religious, gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Architecture, capitals, five orders 1771

30,00 

Architecture, capitals, five orders It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

The engraving represents an interesting example of architecture, highlighting the five orders.
De Felice's version, known as Yverdon Encyclopedia, is distinguished by a less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and ensuring a strong diffusion in Northern Europe.

Architecture, capitals, various orders 1771

30,00 

Architecture, capitals, various orders It is an engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Technique: Burin
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent

This engraving is particularly interesting because it comes from the edition of Encyclopedia of Diderot and D'Alembert known as Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition is known as the Protestant encyclopedia and had a strong diffusion in Northern Europe.

Architecture, capitals, various orders 1771

30,00 

Architecture, capitals, various orders It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Technique: Burin
  • Support: Medium thickness laid paper
  • Condition: Excellent

This engraving represents an interesting example of architecture and is notable for its connection with the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
Its different approach, less French and less anti-religious, gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

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