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Showing 1–24 of 1736 results

1575 Universal Cosmography, Proportions

20,00 

1575 Universal Cosmography, Proportions it is a page taken from the famous work Universal Cosmography by Sebastian Münster, published in 1575 in Paris.
This French edition, produced by Michel Sonnius, features detailed images of the proportions in the drawings, highlighting the importance of geometric representation in the context of cosmography.

  • Sheet size: cm. 21×34 approx.
  • Image size: cm. 3×3 and cm. 16×3.5 approximately
  • Support: Paper
  • Condition: Excellent state of preservation

1712, Ancient map of Verona

50,00 

Ancient map of Verona from 1712 is a copper engraving that represents one of the most fascinating historical maps of the city.
This map is taken from the volume The Delights of Italy by De Rogissart and presents accurate details of the Veronese topography of the time.

  • Sheet size: cm. 16×17 approx.
  • Engraving size: cm. 11×14 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation
  • Rarity: Rare

1860, Colored map of Central and Southern Italy

80,00 

1860, Colored map of Central and Southern Italy is a steel engraving published in 1860 by Blackie & Son, London, for The Imperial Atlas of Modern Geography by Walter Graham Blackie.
This map has been hand colored with watercolor and features a central editorial fold.

  • Sheet size: cm. 54×37
  • Support: Strong paper
  • Condition: Excellent condition

The back is white.

Abraham Casting Out Hagar, 1839

15,00 

Abraham Casting Out Hagar It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print illustrates a significant moment in Genesis, in which Abraham is forced to send away Hagar and her son Ishmael because of Sarah's jealousy.

  • Sheet size: cm. 9×13 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, the print is contained within the book page with writing on the back.

Acerra, Naples, 1841

30,00 

Acerra, Naples, 1841 è un’incisione in rame che offre una bella veduta della città di Acerra.
This work is taken from Memorie della Storia d’Italia considerata nei suoi Monumenti, raccolte e scritte da Giuseppe Checchetelli, edita da Domenico Parente nel 1841 a Roma.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 180×120
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Excellent

Water carrier, 1835

30,00 

Water carrier It is an engraving made in 1835 by C. Vogel and engraved by Gautier.
This work, performed with the technique of burin, represents a lively scene of a Neapolitan water-carrier's stall.
It is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 120×164 approx.
  • Support: Medium paper
  • Condition: Perfect state of preservation

Africa, Otto Petri, 1853

50,00 

Africa It is a hand-engraved and hand-colored map, made by Otto Petri in 1853.
This map measures cm. 22×27 on a sheet of paper cm. 26×34 and it is printed on medium thickness paper with white back.
It has an editorial fold and is in excellent condition.
The map is taken from the School Atlas Alle Deelen Der Aarde, published by J. Van Den Bosch in Rotterdam.

  • Sheet size: cm. 26×34
  • Map dimensions: cm. 22×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Hagar and Ishmael in the Desert

25,00 

Hagar and Ishmael in the Desert It is an engraving made by F. Baroccio and engraved by J.Rogers between 1830 and 1850.
This work is taken from the Scripture Gallery of Engraving and it was published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame and vignettes

Hagar and Ishmael, 1850

20,00 

Hagar and Ishmael It is an engraving made in 1850, inspired by the work present in the Vernon Gallery.
This work is an example of etching and burin, published in Art Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Agnano, Phlegraean Fields, 1835

25,00 

Agnano, Campi Flegrei è un’incisione in rame del 1835 che ritrae il suggestivo Lago di Agnano.
This work is taken from The Wundermappe oder Sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs by C. Strahlheim, published in Frankfurt am Main.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent condition

Augustine of Saragossa, 1843

15,00 

Augustine of Saragossa It is a copper engraving made in 1843, taken from thePicturesque Omnibus.
This work depicts Agustina Raimunda María Saragossa Domènech, a Spanish patriot known for her courage during the Peninsular War.
Known as “the Spanish Joan of Arc,” Agostina has been the subject of folk tales and iconography, inspiring artists such as Francisco de Goya and poets such as Lord Byron.

  • Sheet size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Agrigento, 1829

30,00 

Agrigento, 1829 It is a copper engraving by Carl Frommel, depicting a suggestive view of the historic city of Agrigento, also known as Girgenti.
This work, measuring 107x75 mm, is printed on a sheet of 260x210 mm, made of medium paper with a white back.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper
  • Condition: Excellent condition

Agrigento, 4 Views, 1835

40,00 

Agrigento, 4 Views It is a series of four burin engravings made in 1835, depicting important Sicilian monuments: the Temple of the Giants, Segesta, Temple of Concordia And Selimonte.
Each engraving measures 90x60 mm and is part of a 270x160 mm sheet.
These works are printed on medium paper with white backing and are found in perfect condition.
They are taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 270×160
  • Engraving dimensions: mm. 90×60 each
  • Support: Medium paper
  • Condition: Perfect

Agrigento, Ruins of the Temple of Zeus, 1835

20,00 

Agrigento, Ruins of the Temple of Zeus It is an engraving made with the technique of burin on steel in 1835.
This work represents the ruins of the Temple of Olympian Zeus and comes from the volume L'Univers, histoire et description de tous les peuples by M. Le Chevalier Artaud.

  • Size of the joke: mm. 90×132
  • Support: Medium paper with white back
  • Condition: Excellent

Agrigento, Times, 1835

20,00 

Agrigento, Times It is an engraving made with the technique of burin on steel in 1835.
This work is part of the volume L'Univers, histoire et description de tous les peuples by M. Le Chevalier Artaud.

  • Sheet size: mm. 132×90
  • Support: Medium paper with white back
  • Condition: Excellent

Agrigento, Temple of Concord, 1835

20,00 

Agrigento, Temple of Concordia It is an engraving made with the technique of Burin in 1835.
This work is taken from L'Univers, history and description of all people by M. Le Chevalier Artaud.

  • Sheet size: mm. 132×90
  • Support: Medium paper with white back
  • Condition: Excellent

Agrigento, Temple of Juno, 1840

35,00 

Agrigento, Temple of Juno It is an engraving made by WL Leitch in 1840, representing the temples of Juno Lucina and Concordia in Girgenti.
This work is a fine example of engraving burin on steel, characterised by refined details and a harmonious composition.

  • Sheet size: mm. 284×252
  • Engraving size: mm. 190×125
  • Support: Medium paper, white back
  • Condition: Excellent

Alatri, Frosinone, 1843

20,00 

Alatri, Frosinone, 1843 it is a copper engraving representing the ancient city of Alatri.
This work comes from Picturesque Omnibus, an artistic and literary encyclopedia edited by Vincenzo Torelli, published in Naples in 1843.
The engraving, cut from the book, features writing on the back and offers a beautiful decorative view of the city.

  • Sheet size: cm. 16×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation
  • Era: 19th century
  • Technique: Burin
  • Dimensions: Small

Alba Longa, 1829

30,00 

Alba Longa è un’incisione realizzata da Carl Frommel nel 1829, che offre una suggestiva veduta della storica città.
This work is performed in burin su rame, con dettagli raffinati che catturano l’attenzione.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper with white back
  • Condition: Excellent condition

Albano, 1840

30,00 

Albano, 1840 it is a steel engraving representing a splendid view of Lake Albano.
Made in 1840 for the volume Picturesque Italy, published by Ernst Kollmann in Leipzig, this work is distinguished by its sharpness and well-defined contrast.

  • Sheet size: mm. 140×230 approx.
  • Engraving size: mm. 102×155 approx.
  • Support: Paper
  • Condition: Excellent general condition

Albano, Albunea, 1829

30,00 

Albano, Albunea è un’incisione realizzata da Carl Frommel nel 1829, che rappresenta una suggestiva veduta del lago d’acqua dolce Albunea.
This work is made with the technique of burin su rame, offrendo un’eccellente qualità dei dettagli.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper with white back
  • Condition: Excellent condition

Albano, Tomb of Pompey, 1834-1837

25,00 

Albano, Tomb of Pompey It is a double steel engraving made between 1834 and 1837.
This work, from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, Paris, presents animated and decorative views of great charm.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Light paper
  • Condition: Excellent state of preservation

Albenga, Coast of Genoa, 1833

30,00 

Albenga, Genoa Coast It is a steel engraving made by J.D. Harding in 1833.
This work is taken from The Landscape Annual, published in London in the same year.
The press offers a suggestive view of the coast, characterized by a sharp contrast and lively animation.

  • Sheet size: cm. 12×19 approx.
  • Size of the joke: mm. 140×95 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Albert Dürer, 1839

20,00 

Alberto Durer it is an engraving made by Brienza in 1839, which represents a half-length portrait of the German artist.
This work is taken from The Picturesque Omnibus, published in Naples.

  • Sheet size: mm. 160×150 approx.
  • Support: Paper
  • Condition: Excellent

The engraving has writing on the back and is shipped with the entire page containing the print.

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