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Showing 5617–5640 of 7168 results

Rome, Villa of Maecenas, 1843

70,00 

Entrance Hall in the Villa of Maecenas It is an engraving made by Gaetano Cottafavi in 1843, which represents an important view of Rome, in particular of the ancient Via Tiburtina.
This work is part of the Collection of the Principal Views of Rome and its Surroundings, drawn from life and engraved by Cottafavi himself.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation
  • Notes: Excellent proof with good contrast, white back, animated and decorative view, diffuse stain.

It will be shipped in a rigid tube.

Rome, Villa Medici, 1798

40,00 

Rome, Villa Medici It is an engraving made in 1798, which offers a splendid view of the famous villa.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Condition: Excellent
  • Support: Paper

The print features a beautiful, lively and well-contrasted view, with an explanation on the back.

Roma, Villa Medici, 1835

20,00 

Rome, Villa Medici It is a burin engraving made in 1835, taken from the work Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE, published in Paris.
This engraving offers a beautiful view of the eternal city, rendendola un pezzo decorativo affascinante.

  • Sheet size: cm. 13×20 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Roma, Villa Medici, Viilla Borghese, 1834-1837

30,00 

Roma, Villa Medici e Villa Borghese It is a double steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.
Le incisioni, di dimensioni cm. 11×8 circa ciascuna, sono stampate su un foglio di cm. 25×16.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11×8 approx.
  • Support: Light paper
  • Condition: Excellent condition

Le vedute sono animate e decorative, rappresentando un’importante testimonianza della bellezza di Roma.

Romano of Lombardy, Bergamo, 1890

20,00 

Romano of Lombardy, Bergamo, 1890 it's a woodblock print representing La Rocca, built at the end of the 19th century.
This work is characterized by a large-sized image cm. 12×8 approximately, with text around and further text on the back of the sheet.
The complete sheet measures cm. 30×20 and will be shipped in its entirety, preserving the integrity of the print.

  • Sheet size: cm. 30×20
  • Image size: cm. 12×8
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Romanian, Castle, Arezzo, 1890

20,00 

Romanian, Castle, Arezzo It is a woodcut made in 1890, coming from a French book from the late 19th century.
This beautiful print is animated and comes in excellent condition, even though it was cut from the original book and has writing on the back.
The full page containing the print will be sent, ensuring a complete user experience.

  • Sheet size: cm. 10×13 approx.
  • Technique: Woodcut
  • Support: Paper
  • Condition: Excellent

Rompendo il ghiaccio, Leitghton Brothers

30,00 

Rompendo il ghiaccio It is a chromolithograph made by the Leitghton Brothers in the 20th century.
This work is distinguished by its lively representation and the use of bright colours, typical of the chromolithography technique.

  • Sheet size: cm. 22×15 approx.
  • Support: Thick paper, white back
  • Condition: Excellent

Rondine (Martin), 1853

15,00 

Rondine (Martin) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un soggetto decorativo e affascinante, perfetto per gli amanti della natura e degli uccelli.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper, white back
  • Condition: Excellent condition

Rondine (Swallow), 1853

15,00 

Rondine (Swallow) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un’affascinante illustrazione di un uccello, perfetta per gli amanti della natura e della decorazione d’interni.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper, white back
  • Condition: Excellent condition

Swallow (Swift), 1853

15,00 

Swallow (Swift) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
This small print is an example of 19th century decorative art.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper, white back
  • Condition: Excellent condition

Rondine riparia (Sand Martin), 1853

15,00 

Rondine riparia (Sand Martin) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
This print, which measures mm. 135×100, è stampata su carta di medio spessore con retro bianco.

  • Condition: Excellent condition
  • Decoratività: Molto decorativa

Rosa Govona, 1844

15,00 

Rosa Govona It is a copper engraving made in 1844, proveniente dall’opera Picturesque Omnibus of Naples.
Questa stampa, con dimensioni di cm. 12×14 alla battuta, è stata estratta da un libro e presenta scritte al retro.

  • Sheet size: Small
  • Engraving size: cm. 12×14 approx.
  • Technique: Burin
  • Support: Paper
  • Condition: Excellent

Rosa Govona è una figura storica significativa, nota per il suo animo generoso. Nata a Mondovì nel 1716 e morta a Torino nel 1776, nel 1742 aprì la sua casa per accogliere ragazze orfane e di famiglie povere, istruendole al lavoro e avviandole alla fede cristiana.
Con l’aiuto di Carlo Emanuele III, fondò nel 1755 un importante istituto a Torino, dando vita a una comunità di ragazze chiamate “rosine”, che vivevano liberamente senza vincoli religiosi.

Rose D'Albret, 1840

20,00 

Rose D'Albret It is a lithograph made in 1840, representative of the 19th century.
This work, of small dimensions, is glued on cardboard and is presented in excellent condition.

  • Sheet size: cm. 10×13 approx.
  • Technique: Lithography
  • Support: Cardboard
  • Condition: Excellent

Rose D'Albret, 1840

20,00 

Rose D'Albret è un’incisione realizzata nel 1840, che rappresenta un esempio pregevole dell’arte del XIX secolo.
This work is made in etching e presenta dimensioni di cm. 10×13.

  • Era: 19th century
  • Dimensions: Small
  • Support: Cardboard
  • Condition: Excellent

Rosini Giovanni, 1840

15,00 

Rosini Giovanni è una litografia realizzata nel 1840, raffigurante il professore Giovanni Rosini, pubblicata a Napoli da G. Riccio.
Questa opera è accompagnata da note biografiche di Cesare Malpica, tratte dal Picturesque Polyorama.

  • Sheet size: cm. 12×14 approx.
  • Support: Paper
  • Condition: Excellent

Verrà spedito l’intera pagina del libro contenente la stampa.

Rosini, 1840

20,00 

Rosini, 1840 è una litografia realizzata dal professore Giovanni Rosini a Napoli, con la litografia di G. Riccio.
Questa opera è accompagnata da note biografiche di Cesare Malpica tratte dal Picturesque Polyorama.

  • Sheet size: cm. 12×14 approx.
  • Support: Paper
  • Condition: Excellent

Rouen, Monumento a Giovanna D’Arco, 1850

25,00 

Rouen, Monumento a Giovanna D’Arco è un’incisione realizzata nel 1850, che rappresenta una bella veduta del monumento dedicato a una delle figure più emblematiche della storia francese.
This work is an etching on light paper, from a book from the mid-19th century.

  • Sheet size: cm. 20×15 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Light paper

Rovegno Paolo (Cremona, 1942)

20,00 

Rovegno Paolo It is a work created by the artist Paolo Rovegno nel 1942, noto per il suo stile ispirato a Caravaggio.
This engraving is made in aquatint e presenta un soggetto che riflette l’arte caravaggesca.

  • Sheet size: mm. 171×125
  • Support: Heavy paper
  • Client: Aldo e Giusi Puerari
  • Condition: Excellent

Rovegno Paolo (Cremona, 1942)

15,00 

Rovegno Paolo è un’incisione realizzata nel 1942 dall’artista cremonese Paolo Rovegno.
Questa opera, firmata e numerata, presenta un delicato soggetto che ritrae fiori e farfalle, esprimendo la bellezza della natura.

  • Sheet size: mm. 111×150
  • Engraving size: mm. 111×150
  • Support: Heavy paper
  • Condition: Excellent
  • Client: Erika and Andreas Selle

Roveredo, Svizzera, 1832

25,00 

Roveredo, Svizzera è un’incisione realizzata nel 1832, che cattura la bellezza di questo luogo svizzero.
The work was printed by C. Stanfield and published in the volume Picturesque Annual, based on a drawing by Clarkson Stanfield.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Technique: Etching and Burin
  • Condition: Excellent state of preservation

Rovigo, Mori Palace, 1890

20,00 

Rovigo, Mori Palace it's a woodblock print built in 1890, which represents the Mori Palace and the Municipal Tower.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Rovigo, Castle Tower, 1890

20,00 

Rovigo, Torre del Castello it's a woodblock print built in 1890, which represents an important testimony of the late nineteenth century.
Questa opera è caratterizzata da un’immagine di dimensioni cm. 9×12 circa, circondata da testo e con ulteriore testo al verso del foglio. Il foglio completo misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Rovine a Miseno, 1889

15,00 

Rovine a Miseno è una stampa xilografica realizzata nel 1889, tratta dall’opera Naples and Sicily di Jules Gourdault.
Questa affascinante opera misura cm. 10×8 nella parte stampata, con margini più piccoli, ed è stata ritagliata dal libro, presentando un retro stampato.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Rovine Acquedotti ad Albano, 1885

30,00 

Rovine Acquedotti ad Albano è un’incisione realizzata nel 1885 da Adolphe Francois Pannemaker, che ritrae le rovine degli acquedotti di Claudio, situati lungo la strada di Albano.
Questa xilografia è parte dell’opera Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

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