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Girondini, 1889
40,00 €Girondini, 1889 è una xilografia che rappresenta l’appello dei Girondini nella prigione della Congiergerie, ispirata a un quadro di Fr. Hameng.
Questa opera è stata pubblicata nel 1889 su The Italian Illustration and is characterized by an editorial fold.
- Sheet size: mm. 540×370 (doppia facciata)
- Support: Paper
- Condition: Excellent
I Girondini erano membri di un gruppo politico rivoluzionario nato in Francia nel 1791, noti per il loro ruolo nell’Assemblea legislativa e nella Convenzione nazionale.
Provenienti principalmente dalla borghesia provinciale dei grandi porti costieri, furono fautori della guerra contro l’Austria e del decentramento amministrativo, ma si scontrarono con i Montagnardi, portando alla loro dissoluzione nel 1793.
Giuseppe Garibaldi e Nini Bixio a Calatafimi, 1884, disegno di E. Matania
30,00 €Giuseppe Garibaldi e Nini Bixio a Calatafimi è una xilografia realizzata da E. Matania nel 1884.
Questa opera è estratta da The Italian Illustration, published in Milan by Fratelli Treves Editori.
- Sheet size: cm. 25×35
- Condition: Excellent
- Support: Paper
- Notes: Il foglio verrà spedito intero, contenente la stampa e con scritte al verso.
Giuseppe Garibaldi in Napoli disegno di E. Matania
30,00 €Giuseppe Garibaldi in Napoli It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un’importante testimonianza storica e artistica del periodo.
- Sheet size: cm. 25×35 approx.
- Support: Paper
- Condition: Excellent
- Notes: Written on the back
The entire sheet containing the print will be sent.
Giuseppe Garibaldi, la battaglia del Volturno, 1884
30,00 €Giuseppe Garibaldi, la battaglia del Volturno It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un momento significativo della storia italiana, catturando l’eroismo di Garibaldi durante la battaglia del Volturno.
- Sheet size: cm. 25×35
- Support: Paper
- Condition: Excellent
Il foglio verrà spedito intero, completo di scritte al verso.
Giuseppe Garibaldi, lo sbarco dei mille a Marsala, 1884
30,00 €Giuseppe Garibaldi, lo sbarco dei mille a Marsala è un’incisione in xilografia realizzata nel 1884, estratta dalla celebre rivista The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un momento cruciale della storia italiana, immortalando l’eroico sbarco di Garibaldi e dei suoi mille a Marsala.
- Sheet size: cm. 25×35
- Support: Paper
- Condition: Excellent
- Notes: Written on the back, the entire sheet containing the print will be sent.
Giuseppe Ribera, Gesù tra i Dottori, 1786
70,00 €Gesù tra i Dottori è un’incisione realizzata da Giuseppe Ribera, noto come Lo Spagnoletto, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approximately (including the editorial frame)
- Support: Laid paper
- Condition: Excellent condition, nice proof with good contrast
Giuseppe Ribera, The Philosopher Democritus, 1786
60,00 €Il Filosofo Democrito It is an engraving made by Giuseppe Ribera, noto come Lo Spagnoletto, nel 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, e rappresenta un’importante testimonianza dell’arte del XVIII secolo.
- Sheet size: cm. 24×37 approx.
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
Gondolas on a Canal, Egidio Sadeler 1600
80,00 €Gondolas on a canal It is an engraving made by Egidio Sadeler around 1600.
This work, part of the series Scenes in Bohemia, is a charming imaginary view of a city with a gondola in the foreground.
The engraving was made based on a drawing by Peter Stevens, who in 1594 became court painter to Emperor Rudolf II in Prague.
- Sheet size: cm. 24×37 approx.
- Engraving size: cm. 24×37 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
The print is signed lower left, “Petrus Stephani Inuen.”, and lower right, “Egid: Sadeler excud”.
The preparatory drawing for this engraving is preserved at the Nasjonalgalleriet in Oslo.
Grafschaft Tyrol, S.Munster, 1614
County of Tyrol it is a view extracted from the Cosmography Universalis by Sebastian Munster, published in Basel in 1614.
This engraving represents an important geographical testimony of the time, offering a detailed vision of the Tyrol region.
- Sheet size: cm. 36×22 approx.
- Image size: cm. 14.5x18 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Gruppo di prigionieri, 1850-60
20,00 €Gruppo di prigionieri It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata prodotta utilizzando la tecnica dell’etching and burin, ed è stata pubblicata nel Art Journal Engraving.
- Sheet size: cm. 32×24
- Condition: Excellent general condition
- Support: Strong engraving paper
Guerra, 1850
20,00 €Guerra, 1850 è un’incisione realizzata con la tecnica dell’acquaforte e bulino, proveniente dalla galleria Vermon.
This work was published in Art Journal Engraving in 1850.
- Sheet size: cm. 32×24
- Condition: Excellent general condition
- Support: Strong engraving paper
Guido Reni, The Virgin and Child Jesus, 1786
70,00 €The Virgin and the Child Jesus it is an engraving made by Guido Reni in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, and represents one of the most significant works of the period.
- Sheet size: cm. 24×37 approx.
- Support: Laid paper
- Condition: Excellent condition, nice proof with good contrast
Hammelburg, St.Munster, 1614
Hammelburg, St.Munster, 1614 it's a map view of the city of Hammelburg, located in the Franconia region of Bavaria, Germany.
This map was extracted from the famous work Cosmography Universalis by Sebastian Munster, published in Basel in 1614.
- Image size: cm. 23×38 approx.
- Full page size: cm. 35×44 approx.
- Technique: Woodcut on laid paper with watercolour
- Condition: Excellent
Helena Faucit, 1850
20,00 €Helena Faucit It is an engraving made in 1850 from a work taken from theArt Journal Engraving.
This engraving features the English stage actress Helena Saville Faucit, known for her contribution to the theatre.
- Sheet size: cm. 32×24
- Engraving size: not specified
- Technique: Etching and burin
- Condition: Excellent
- Support: Strong engraving paper
Hertel, Göz, Ingenuity and Audacity, 1740-55
80,00 €Ingegno e Audacia è un’acquaforte realizzata da Johann Georg Hertel e Gottfried Bernhard Göz tra il 1740 e il 1755.
Questo straordinario lavoro fa parte di una suite che rappresenta personaggi leggendari e storici, disposti in coppie antitetiche, evidenziando le caratteristiche contrastanti di virtù e vizi.
- Sheet size: cm. 32×22 approx.
- Technique: Etching
- Support: Thick laid paper
- Condition: Excellent
HOGARTH WILLIAM Heads from the Cartoons, 1822
70,00 €Heads from the Cartoons It is an engraving made by William Hogarth in 1822.
This work is an example of original etching, which shows the artist's mastery in capturing expressions and characters.
- Sheet size: cm. 48×64
- Engraving size: cm. 26×35
- Support: Thick paper without watermark
- Condition: Excellent condition
HOGARTH WILLIAM (London 1697-1764) Antiquities, 1822
70,00 €Antiquity It is an engraving made by William Hogarth in 1822, a work that reflects his distinctive style and skill in the art of etching.
This engraving, of great visual impact, measures cm. 38×50 and it is presented on a sheet of cm. 48×64.
- Sheet size: cm. 48×64
- Engraving size: cm. 38×50
- Support: Thick paper without watermark
- Condition: Excellent condition
HOGARTH WILLIAM (London 1697-1764), The Cockpit 1822
70,00 €The Cockpit It is an etching made by William Hogarth in 1822.
This work represents a cockfight, with the crowd in the centre Lord Albemarle Bertie († 1765), set in Royal Cockpit in Birdcage Walk, St James's Park. Hogarth captures a moment of chaos, with a crowd gathered to watch two birds fight.
The shadow of a debtor suspended in a basket is cast across the pit, while a
HOGARTH WILLIAM The Politician, 1822
70,00 €The Politician è un’incisione all’acquaforte realizzata da William Hogarth nel 1822, basata su uno dei suoi schizzi.
Pubblicata per la prima volta nel 1775 dalla vedova di Hogarth, Jane, questa opera satirica ritrae il suo amico miope, Ebenezer Forrest, un merlettaio e politico, mentre legge il giornale e inavvertitamente si dà fuoco al cappello.
- Sheet size: cm. 48×64
- Engraving size: cm. 33×26
- Support: Thick paper without watermark
- Condition: Excellent condition
Questa incisione proviene dall’edizione Heath pubblicata nel 1822.
HOGARTH WILLIAM THE SECOND STAGE OF CRUELTY, 1822
90,00 €The Second Stage of Cruelty It is an engraving made by William Hogarth nel 1822, parte del ciclo The Four Stages of Cruelty, pubblicato nel 1751.
Questa opera rappresenta una critica sociale, mostrando un uomo che maltratta una pecora morta e un ragazzo che colpisce un cavallo legato a una carrozza, mentre sullo sfondo si intravedono altre scene di crudeltà.
- Sheet size: cm. 48×64 circa
- Engraving size: cm. 35×30 circa
- Support: Thick paper without watermark
- Condition: Excellent condition
- Technique: Etching
HOGARTH WILLIAM, Chairing the Member 1822
70,00 €Chairing the Member It is an etching made by William Hogarth in 1822.
Questa opera rappresenta una vivace scena di una cittadina di campagna, in cui due membri del parlamento neoeletti vengono trasportati in trionfo.
- Sheet size: cm. 48×64 circa
- Engraving size: cm. 38×50 circa
- Support: Thick paper without watermark
- Condition: Excellent condition
L’opera cattura un momento di festa e caos, con un violinista cieco che guida la processione, mentre una folla eterogenea assiste.
Tra i vari personaggi, si notano un orso danzante, ragazzi del camino e un soldato impegnato in un incontro di boxe, tutti elementi che rendono questa incisione un’affascinante rappresentazione della vita sociale dell’epoca.
Hogarth William, Hudibras Cycle, 1822
Hudibras Cycle It is a complete series of 12 etchings made by William Hogarth in 1822.
This series, contained in 7 plates, illustrates the satirical poem of Samuel Butler, which tells the comic adventures of Hudibras, a colonel in Cromwell's army.
- Engraving dimensions: cm. 27×34
- Sheet Size: cm. 63×46 (10 prints on 5 sheets)
- Support: Medium thickness paper
- Condition: Excellent
The engravings have English captions and the signature W. Hogarth inv. and sculp..
Hudibras It is a satire on Cromwell's supporters and the Presbyterian Church, composed between 1660 and 1680, which highlights the misadventures of Hudibras and his squire Ralpho, revealing their stupid and dishonest character.
HOGARTH WILLIAM, CRUELTY IN PERFECTION, 1822
90,00 €CRUELTY IN PERFECTION It is an etching made by William Hogarth in 1822.
Questa opera fa parte del ciclo I quattro stadi della crudeltà, pubblicato nel 1751, e rappresenta una scena drammatica in cui un uomo sgozza la sua amante, una donna di servizio.
L’ambientazione notturna è caratterizzata da un arresto convulso, con il volto dell’assassino stravolto dalla follia, mentre il corpo della donna giace a terra con la gola squarciata.
- Sheet size: cm. 48×64
- Engraving size: cm. 35×30
- Support: Thick paper without watermark
- Condition: Excellent condition
HOGARTH WILLIAM, France 1822
70,00 €HOGARTH WILLIAM (Londra 1697-1764) è un’incisione all’acquaforte realizzata in Francia nel 1822.
This work, which measures cm. 30×37 per l’immagine e cm. 48×64 per il foglio, è stampata su carta spessa senza filigrana.
- Technique: Acquaforte originale
- Condition: Excellent condition
- Dimensions: Great
- Support: Paper
Le tavole complementari Inghilterra e Francia, pubblicate per la prima volta nel 1756 e ripubblicate nel 1759, riflettono l’atteggiamento xenofobo delle relazioni anglo-francesi nel XVIII secolo, culminato durante la Guerra dei Sette Anni.
L’incisione rappresenta i preparativi sulla costa francese per un’invasione, con soldati riluttanti e donne che simboleggiano la miseria e la fame causate dall’invasione.
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