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Il Giovane Falconiere, 1850-60

20,00 

Il Giovane Falconiere It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata prodotta utilizzando la tecnica dell’Etching and Burin e fa parte della pubblicazione Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il lavaggio dei piedi, 1850

20,00 

Il Lavaggio dei Piedi è un’incisione realizzata nel 1850, che rappresenta una scena delicata e significativa, tratta dalla collezione reale.
Questa opera è stata prodotta con la tecnica dell’Etching and Burin e fa parte dell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il Monastero, 1850-60

20,00 

Il Monastero It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
This engraving, made with the technique ofetching and burin, è stata pubblicata nel Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Il Montanaro, 1850

20,00 

Il Montanaro è un’incisione realizzata nel 1850, tratta da Art Journal Engraving.
Questa opera, che rappresenta un montanaro, è stata realizzata con la tecnica dell’Etching and Burin.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Il Mulino a Vento, 1850-60

20,00 

Il Mulino a Vento It is an engraving made between 1850 and 1860, coming from the royal collection.
Questa opera è stata pubblicata nell’Art Journal Engraving e presenta una combinazione di etching and burin.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il Paggetto Negro, 1850-60

20,00 

Il Paggetto Negro è un’incisione realizzata tra il 1850 e il 1860, tratta dalla collezione reale e pubblicata nell’Art Journal Engraving.
This work, which combines the technique ofEtching and of the Burin, presenta un soggetto affascinante e di grande impatto visivo.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il Pascolo, 1850

20,00 

Il Pascolo è un’incisione realizzata nel 1850, tratta dall’opera Art Journal Engraving.
Questa opera, che rappresenta un paesaggio sereno, è stata realizzata con la tecnica dell’Etching and Burin, ed è parte della collezione reale.

  • Sheet size: cm. 32×24 approx.
  • Support: Strong engraving paper
  • Condition: Excellent general condition

Il Penseroso, 1850

20,00 

Il Penseroso è un’incisione realizzata nel 1850, proveniente dalla collezione reale.
Questa opera è stata realizzata utilizzando la tecnica dell’etching and burin and it is taken from theArt Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Il Pescivendolo, 1806

30,00 

Il Pescivendolo è un’incisione del 1806, conosciuta anche come The Fishmonger.
Realizzata con la tecnica dell’acquaforte e acquatinta colorata all’acquarello, questa opera è stampata su carta spessa bianca al verso.

  • Sheet size: cm. 27×35 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Portsmouth Harbour, 1850

20,00 

Portsmouth Harbour It is an engraving made in 1850, which represents the famous British port.
This work is taken from the Art Journal Engraving and presents a fascinating view of Portsmouth Harbour, preserved in the Royal Collection.

  • Sheet size: cm. 32×24 approx.
  • Engraving size: unspecified
  • Support: Strong engraving paper
  • Condition: Excellent state of preservation

Il principe Napoleone, 1859

30,00 

Il Principe Napoleone è una xilografia realizzata nel 1859, tratta dall’opera Wars of Italy.
Questa stampa, di grande impatto visivo, è estratta dal libro e non presenta scritte al verso, rendendola un pezzo unico per collezionisti e appassionati di storia.

  • Sheet size: cm. 37×25 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Prince Rupert, Van Dick, 1850

20,00 

Prince Rupert It is an engraving made by Anton Van Dyck in 1850, which portrays the young prince full-length.
This work is an interpretation of a famous portrait by the Flemish painter, Anthony van Dyck, known for his distinctive style and skill in portraying nobility.

  • Sheet size: cm. 111×198 approximately, plus margins
  • Engraving size: cm. 111×198 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Dante's stone in Duino in exile, 1884

30,00 

Dante's stone in Duino in exile it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents an important artistic testimony of the period and will be shipped in full format, including writing on the back.

  • Sheet size: cm. 25×35
  • Support: Paper
  • Condition: Excellent

Il trasporto della salma di Carlo Cattaneo al Famedio, 1884

30,00 

Il trasporto della salma di Carlo Cattaneo al Famedio it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un momento significativo della storia italiana e viene fornita con scritte al verso.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

The launching of the steamship San Gottardo, 1884,

30,00 

The launching of the steamship San Gottardo It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents a significant moment in the history of navigation and will be shipped in full size, with writing on the verso.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

In riva al fiume, 1850-60

20,00 

In riva al fiume It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione, tratta dall’Art Journal Engraving, combina la tecnica dell’acquaforte e del bulino, offrendo un’immagine suggestiva di un paesaggio fluviale.

  • Sheet size: cm. 32×24
  • Support: Strong engraving paper
  • Condition: Excellent general condition

Inaugurazione del Canale Villoresi, 1884

30,00 

Inaugurazione del Canale Villoresi it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un’importante testimonianza storica e verrà spedita con il foglio intero contenente la stampa.

  • Sheet size: cm. 25×35
  • Condition: Excellent
  • Support: Paper

Inauguration of the Viterbo-Attigliano railway, 1886

30,00 

Inauguration of the Viterbo-Attigliano railway It is a historical engraving published in 1886 on The Italian Illustration, published in Milan by the Treves Brothers.
This work represents an important moment in the history of Italian transport, with accurate details and writings that enrich the context.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Ingelheim, St.Munster, 1614

60,00 

Ingelheim, St.Munster, 1614 It is a watercolour woodcut representing a view of Ingelheim, taken from the famous work Cosmography Universalis by Sebastian Munster.
This page, published in Basel in 1614, offers a fascinating look at the city of Ingelheim, with accurate details and a back enriched with additional images.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 9×12,5 approx.
  • Support: Laid paper
  • Condition: Excellent

Insettivori, 1890

15,00 

Insettivori It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
Questa opera, realizzata dal Bibliographischen Instituts, è un esempio significativo della produzione editoriale del XIX secolo.

  • Sheet size: cm. 29×23
  • Engraving size: cm. 29×23
  • Support: Paper
  • Condition: Fair condition, with light yellowing and central crease

The sheet has a central fold because it was originally inserted folded into the volume from which it was taken.
L’immagine rappresenta vari insettivori, tra cui il Maulwurf, Igel, Wasser-Spitzmaus e il Südafrikanischer Rohrrüssler.

Interior of the Colosseum, Cottafavi, 1843

70,00 

Interno dell’Anfiteatro Flavio detto il Colosseo It is an engraving made by Gaetano Cottafavi in 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa del Colosseo, incisa con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation
  • Technique: Burin

Questa incisione è caratterizzata da un buon contrasto e un retro bianco, rendendola un pezzo pregiato per collezionisti e appassionati d’arte.

JC Rugendas, After the battle, 1740

80,00 

Dopo la battaglia è un’incisione realizzata da Johann Christian Rugendas nel 1740, ispirata a un dipinto di Georg Philipp Rugendas I.
This work is part of the series Scene di battaglia con cavalli, pubblicata ad Augusta.

  • Sheet size: cm. 23×42 circa
  • Engraving size: cm. 20×38 circa
  • Technique: Burin
  • Support: Carta vergata
  • Condition: Excellent state of preservation

JC Rugendas, After the battle, 1740

80,00 

Dopo la battaglia It is an engraving made by Johann Christian Rugendas In the 1740, ispirata a un dipinto di Georg Philipp Rugendas I of the 1698.
This work is part of the series Scene di battaglia con cavalli, pubblicata ad Augusta.

  • Sheet size: cm. 23×42 circa
  • Engraving size: cm. 20×38 circa
  • Technique: Mezzotinta e acquaforte stampata color seppia
  • Support: Carta vergata
  • Condition: Buone condizioni, con un strappo di 7 cm riparato al verso

Sotto il bordo dell’immagine si legge: (a sinistra) “G. P. Rugendas questo fece in Roma Ao. 1694.”; (a destra) “Christiano Rugendas sculp. et excudit. Aug Vind”.

J. Houbraken, Sir Walter Ralegh, 1734

60,00 

Sir Walter Ralegh It is an engraving made by J. Houbraken In the 1734, part of the series Heads of Illustrious Persons of Great Britain di Thomas Birch.
Questa opera, eseguita con etching and burin, misura cm. 22,5×34 alla battuta del rame e presenta margini assenti.

  • Artist: Jacobus Houbraken, incisore olandese noto per i suoi ritratti.
  • Condition: Excellent
  • Support: Carta spessa vergellata
  • Era: XVIII
  • Dimensions: Great

Sir Walter Ralegh, figura emblematica del Rinascimento, è stato poeta, esploratore e cortigiano, noto per le sue spedizioni in Nord America e per le sue opere letterarie, tra cui la Storia del Mondo.

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