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da Sadeler, Spiridionis, 1850

40,00 

Spiridionis It is an engraving made by Joannis and Raphael Sadeler in 1850, taken from the work Solitudo sive vitae patrum Eremicolarum.
This work represents the life of hermits and is set in the context of the 16th-17th century.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

da Sadeler, Theonas, 1850

40,00 

Theonas It is an etching made by Joannis and Raphael Sadeler in 1850, taken from the work Solitudo sive vitae patrum Eremicolarum.
Questa incisione rappresenta la vita degli eremiti e si colloca probabilmente in una edizione del XIX secolo.

  • Sheet size: cm. 26×42 approx.
  • Engraving size: cm. 17×21 approx.
  • Support: Medium thickness unlaid paper
  • Condition: Excellent

David Deuchar (1743-1808), Caricature

30,00 

Caricature It is an engraving made by David Deuchar in 1803, part of the work Seal Engraver to His Royal Highness, pubblicata a Edinburgo.
This engraving, made in etching and burin, presenta un’immagine di dimensioni cm. 6×9 circa, su un supporto di carta molto sottile, controcollata su carta pesante color paglierino di dimensioni cm. 20×25.

  • Sheet size: cm. 20×25 approx.
  • Engraving size: cm. 6×9 approx.
  • Support: Paper
  • Condition: Excellent

David Deuchar (1743-1808), Uomo con bastone da A. Ostade

30,00 

Uomo con bastone It is an engraving made by David Deuchar in 1803, taken from the work Seal Engraver to His Royal Highness.
This engraving, made in copper etching and burin, presenta un’immagine di dimensioni circa cm. 8×6 e si trova su carta molto sottile, controcollata su carta pesante color paglierino di dimensioni cm. 20×25.

  • Condition: Excellent impression and excellent preservation
  • Support: Paper

David Deuchar (1743-1808), Faces of Old Men

30,00 

Faces of old It is an engraving made by David Deuchar in 1803, part of the work Seal Engraver to His Royal Highness, published in Edinburgh.
This engraving, made with the technique ofetching And burin, presents an image measuring approximately 6x8 cm, on a very thin paper support, backed by glue on heavy straw-coloured paper measuring 20x25 cm.

  • Condition: Excellent impression and preservation

David Deuchar, Monk Reading the Bible, 1786

80,00 

Monk reading the Bible It is an engraving made by David Deuchar in 1786, which represents a monk immersed in reading the Bible in his cell.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt, Ostade, Cornelius Bega and Van Vliet.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 13,5×10,5 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

David Teniers, La Fumatrice, 1786

50,00 

La Fumatrice è un’incisione realizzata da David Teniers nel 1786.
Questa opera è un’acquaforte su carta vergellata, senza filigrana, che misura cm. 24×37, inclusa la cornice editoriale.

  • Taken from: Gallery of the Palais Royal
  • Description: Gravée d’après les tableaux des différentes écoles qui la composent, con un abrégé de la vie des peintres e una descrizione storica di ogni quadro da parte di Mr l’abbé de Fontenai.
  • Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
  • Publisher: J. Couche; Paris; 1786
  • Condition: Excellent condition, nice proof with good contrast

​De Loubeau Pierre, Mediterranée Pittoresque, 1894

230,00 

Mediterranée Pittoresque It is a work of De Loubeau Pierre, pubblicata a Paris from Colin In the 1894.
Questo volume di cm. 32, composto da pp. xv e 500, è arricchito da numerose incisioni, molte delle quali a piena pagina, che ritraggono vedute e scorci delle città del Mediterraneo.

  • Località trattate: Les Colonnes d’Hercule, L’Algerie, La Tunisie, Alexandrie, La cote de Syrie, Smyrne, Les Dardanelles, Le Golfe de Corinthe, Les Iles Ionniennes, Les cotes de Dalmatie, La Sicile, La Sardaigne, La Corse, Les Iles Baleares, Malaga.
  • Condition: Ottimo stato di conservazione, con qualche macchia ma complessivamente ben conservato.

Diderot and D'Alembert, 1778, lead working, rolling mill, foundry, trades

25,00 

Diderot and D'Alembert è un’incisione realizzata da Fortunato Bartolomeo De Felice nel 1778, che esplora il tema della lavorazione del piombo, del laminatoio e della fonderia.
This work is taken from the important Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, nota per la sua influenza nel campo delle arti e dei mestieri.

  • Sheet size: cm. 24×42
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back and editorial fold

Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.2

25,00 

Diderot and D'Alembert, 1778 It is an engraving illustrating the processing of lead, with a focus on rolling mills and foundries.
This work is taken from the important Encyclopédie or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×42
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back and editorial fold
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

This engraving is part of the edition of Diderot and D'Alembert's Encyclopédie, known as the Encyclopedie d'Yverdon, which stands out for its less French and less anti-religious approach, earning it the nickname of Protestant encyclopédie and a strong circulation in Northern Europe.

Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.6

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema della lavorazione del piombo, rappresentando un laminatoio e una fonderia.
This work is taken from the important Encyclopédie or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×42
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Questa incisione è parte dell’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, che si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.7

25,00 

Diderot and D'Alembert, 1778 è un’incisione che esplora il tema delle arti e mestieri, in particolare la lavorazione del piombo, il laminatoio e la fonderia.
This work is taken from the important Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×42
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, che si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert, 1771, arts and crafts needlework

25,00 

Diderot and D'Alembert, 1771 It is a burin engraving that explores the theme of arts and crafts, in particular needlework.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×30
  • Engraving size: cm. 24×30
  • Technique: Burin
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent

This engraving is part of the edition of the Encyclopédie by Diderot and D'Alembert, known as the Encyclopédie d'Yverdon, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition earned the nickname of Protestant encyclopedia, ensuring a strong diffusion in Northern Europe.

Diderot e D’Alembert, 1771, arti e mestieri lavorazione degli aghi 2

25,00 

Diderot and D'Alembert, 1771 è un’incisione al bulino che rappresenta un interessante tema legato agli arti e mestieri, in particolare la lavorazione degli aghi.
Questa opera è tratta dall’illustre Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×30
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent state of preservation

The 1771 engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
Questa versione, meno influenzata dal pensiero francese e antireligioso, è conosciuta come enciclopedia protestante, il che ne ha favorito la diffusione nel Nord Europa.

Diderot e D’Alembert, 1771, arti e mestieri lavorazione degli aghi 3

25,00 

Diderot and D'Alembert, 1771 è un’incisione al bulino che rappresenta le arti e mestieri, in particolare la lavorazione degli aghi.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×30
  • Engraving size: not specified
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent state of preservation

Questa incisione, realizzata nel 1771, proviene dall’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Encyclopédie d’Yverdon, pubblicata in Svizzera.
A differenza della versione originale, questa edizione è meno influenzata dal pensiero francese e presenta un approccio meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e assicurando una forte diffusione nel Nord Europa.

Diderot and D'Alembert, 1771, Astronomy, Armillary Sphere

130,00 

Diderot and D'Alembert, 1771, Astronomy, Armillary Sphere è un’incisione al bulino realizzata da Fortunato Bartolomeo De Felice, parte della celebre Encyclopédie ou Dictionnaire Universel Raisonné des connaissances.
Questa incisione, pubblicata nel 1771, è un esempio significativo della diffusione del sapere scientifico dell’epoca, in particolare nel campo dell’astronomia.

  • Sheet size: cm. 24×30
  • Engraving size: cm. 24×30
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Encyclopédie d’Yverdon, pubblicata in Svizzera.
Its different approach, less French and less anti-religious, gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Donna di Alatri, 1840

60,00 

Donna di Alatri è un’acquaforte acquarellata realizzata nel 1840, part of the series Costumi di Roma e suoi contorni, disegnata da vari artisti e incisa da Salvatore Marroni.
Questa pregevole opera è stata pubblicata a Roma presso l’editore e calcografo Tommaso Cuccioni, situato in Via della Croce N.88.

  • Sheet size: cm. 32×22 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Woman of Albano, 1830

60,00 

Woman from Albano it is an engraving made in 1830, which portrays a young woman in typical costume of the Albano region.
This valuable work is characterized by a beautiful period coloring and from a exquisitely crafted folk costume, extremely well executed and uncommon.

  • Sheet size: mm. 260×330
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Egitto, Nubia e Abissinia, 1865

60,00 

Egitto, Nubia e Abissinia è una carta geografica acquarellata realizzata nel 1865.
Drawn by Naymiller and engraved by Allodi, this map is from theAtlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

Enea Vico – Vaso con manici, 1543

80,00 

Vaso con manici It is an engraving made by Aeneas Vico in 1543, a work that is part of the series “Different subjects of Vases from the ancient”.
Questo esemplare, datato e monogrammato in lastra in basso, presenta teste di satiro sui manici.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Support: Contemporary laid paper
  • Condition: Excellent state of preservation

Enea Vico – Vaso con manico a forma di uomo con serpente, 1543

80,00 

Vaso con manico a forma di uomo con serpente It is an engraving made by Aeneas Vico nel 1543.
Questo lavoro fa parte della serie “Different subjects of Vases from the ancient”, ed è un esemplare del secondo soggetto.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Excellent state of preservation

Questa splendida prova è impressa su carta vergellata coeva priva di filigrana e presenta buoni margini.

Enea Vico (1523 -1567) – Vaso alto e decorato con scene mitologiche, 1543

80,00 

Enea Vico (1523 – 1567) – Vaso alto e decorato con scene mitologiche è un’incisione realizzata nel 1543, parte della serie Differenti soggetti di Vasi dall’antico.
Questa opera rappresenta un esemplare del secondo soggetto della serie, caratterizzato da una splendida decorazione mitologica.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Support: Contemporary laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523 -1567) – Vaso con manico a forma di cane, 1543

80,00 

Vaso con manico a forma di cane It is an engraving made by Aeneas Vico nel 1543.
Questo pezzo fa parte della serie “Different subjects of Vases from the ancient” ed è un esemplare del secondo.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523 -1567) – Vase decorated with naked men, 1543

80,00 

Enea Vico (1523 – 1567) – Vase decorated with naked men it is an engraving made in 1543, dated and monogrammed on the plate at the bottom.
This work is part of the series “Different subjects of Vases from the ancient”, representing the second specimen.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Support: Contemporary laid paper
  • Condition: Excellent state of preservation

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