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Albrecht Durer, Apparition of Jesus to his Mother, woodcut

70,00 

Apparition of Jesus to his mother It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Albrecht Durer, Ecce Homo, woodcut

70,00 

Behold the Man It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Slightly browned
  • Monogram: Monogrammed in plate

Albrecht Durer, Jesus Crucified, woodcut

70,00 

Jesus Crucified It is a woodcut made by Albrecht Dürer, one of the most important artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Albrecht Durer, Jesus before Caiaphas, woodcut

70,00 

Jesus before Caiaphas It is a woodcut made by Albrecht Dürer, a master of Renaissance engraving.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent
  • Technique: Woodcut

Albrecht Durer, Jesus before Pilate, woodcut

70,00 

Jesus before Pilate It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: It features Durer's monogram plate

Albrecht Durer, Jesus Mocked, woodcut

70,00 

Jesus mocked It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Slightly browned
  • Technique: Woodcut

Albrecht Durer, Jesus nailed to the cross, woodcut

70,00 

Jesus nailed to the cross It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning

Albrecht Durer, Jesus Crowned with Thorns, woodcut

70,00 

Jesus crowned with thorns it is an engraving of Albrecht Dürer, made between 1510 and 1511, part of the series The Little Passion.
This woodcut, dating back to the nineteenth century, is an anonymous copy that reflects the art and spirituality of the Renaissance period.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent

Albrecht Durer, Jesus in the Garden of Olives, woodcut

70,00 

Jesus in the Garden of Olives It is a woodcut made by Albrecht Dürer, a master of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Albrecht Durer, The Last Judgement, woodcut

70,00 

Il Giudizio Universale It is a woodcut made by Albrecht Dürer, a master of Renaissance engraving.
Questa opera è una copia anonima ottocentesca dalla serie The Little Passion, datata 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Technique: Woodcut

Albrecht Durer, The Ascension, woodcut

70,00 

L’Ascensione It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Technique: Woodcut

Albrecht Durer, The Flagellation, woodcut

70,00 

La Flagellazione It is a woodcut made by Albrecht Dürer, uno dei più celebri artisti del Rinascimento.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning

Albrecht Durer, Pilate Washing His Hands, woodcut

70,00 

Pilate washes his hands It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Technique: Woodcut

Albrecht Durer, Last Supper, woodcut

70,00 

Last Supper It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Battle, Cosmographia, 1588

20,00 

Battle, Cosmographia, 1588 è una xilografia pubblicata da Sebastian Munster nel celebre volume Cosmography, uno dei libri più popolari del XVI secolo.
Questa illustrazione, con scritta in gotico antico, proviene dall’edizione “Von dem Teutchen Lande” del 1588.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 12×14 approx.
  • Support: Handmade laid paper
  • Condition: Bad

Council of Basel, Cosmographia, 1588

30,00 

Concilio di Basilea It is an engraving made in woodcut nel 1588, pubblicata da Sebastian Munster nel celebre volume Cosmography.
Questa opera, una delle più popolari del XVI secolo, presenta una scritta in ancient gothic and comes from the edition From the German Lands.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 12×12 circa
  • Support: Handmade laid paper
  • Condition: Bad

from Albrecht Durer, Calvary with three crosses

550,00 

Calvario con tre croci è una delle stampe più celebri di Albrecht Dürer, realizzata tra il 1471 e il 1528.
In questa incisione, l’artista costruisce una scena ricca di personaggi, disposti intorno alla croce in modo dinamico.

  • Il Salvatore occupa il centro della composizione, con piccoli teschi ai suoi piedi che simboleggiano il Golgota, il luogo di sepoltura di Adamo.
  • Intorno a lui si percepisce una forte atmosfera di passione, sofferenza e brutalità.
  • La Croce di Gesù, elevata sopra tutte, trionfa sul peccato, rappresentando il compimento delle scritture.

Questa incisione, di maestro ignoto, è una copia della xilografia originale di Dürer.

  • Dimensions: mm 215×145 alla linea marginale, senza margini.
  • Technique: Xilografia su carta vergellata.
  • Condition: Buone, con due piccole pieghe dovute alla stampa e leggere macchie di foxing.

Bibliography: Riferimento catalogo: Bartsch 59, Meder 180, Strauss 82, Schoch, Mende, Scherbaum 131.

F. Glissenti, Adam and Eve at Work, 1596

35,00 

Adam and Eve at work It is a woodcut made by Fabio Glissenti In the 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This print represents a significant example of the cultured thought of the late sixteenth century, addressing the theme of death with an approach that is at times ironic and irreverent.

  • Sheet size: cm. 21×15 approx.
  • Image size: cm. 5×6,5 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

F. Glissenti, The Child and Death, 1596

35,00 

The Child and Death It is a woodcut made by Fabio Glissenti In the 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This print is part of an iconographic cycle that explores the theme of death with an approach that is at times ironic and irreverent, reflecting the cultured thought of the late sixteenth century.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

The work of Glissenti, a doctor and philosopher, addresses death in a provocative way, challenging the censorship and conformism of his time.
His main work, Athanatophilia, is a vast work composed of dialogues and short stories, which addresses the sorrow of death with a critical and profound vision.

Fabio Glissenti, Autopsia, 1596

35,00 

Fabio Glissenti, Autopsia di un Cadavere è una xilografia realizzata nel 1596, parte dell’opera Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa pagina, non firmata, misura circa cm. 6,5×10 sull’intero foglio di cm. 21×15.

  • Era: XVI
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora la mortalità attraverso cinque dialoghi e un trattato.
Queste rare stampe offrono uno sguardo profondo sul pensiero colto della fine del ‘500, rendendo omaggio alla tradizione iconografica della Danza Macabra.

Fabio Glissenti, Comedian and Death, 1596

35,00 

Fabio Glissenti, Commediante e la Morte è una xilografia realizzata nel 1596, tratta dall’opera Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This unsigned print measures approximately cm. 6,5×10 e fa parte di un foglio di dimensioni cm. 21×15.

  • Era: XVI
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora il dispiacere della morte attraverso dialoghi e novelle, rendendo questa stampa un’importante testimonianza del pensiero colto del tardo Cinquecento.

Fabio Glissenti, Contemplazione della Morte, 1596

35,00 

Contemplazione della Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa stampa, non firmata, è parte del ciclo della ‘Danza Macabra’ e riflette il pensiero colto del tardo Cinquecento, affrontando il tema della morte con un approccio a volte ironico e irriverente.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Support: Paper
  • Condition: Excellent

Fabio Glissenti, I Cortigiani e la Morte, 1596

35,00 

I Cortigiani e la Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa stampa è un esempio significativo del pensiero colto del tardo Cinquecento, affrontando il tema della morte con un approccio a volte ironico e provocatorio.

  • Sheet size: cm. 21×15 approx.
  • Engraving size: cm. 6,5×10 circa
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

L’opera di Glissenti, medico e filosofo, è composta da cinque dialoghi e trenta novelle, affrontando la morte con uno sguardo critico e disincantato. Nonostante le censure e le controversie, la sua visione rimane un’importante testimonianza del pensiero intellettuale del suo tempo.

Fabio Glissenti, I Cortigiani e la Morte, 1596

35,00 

I Cortigiani e la Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This unsigned woodcut measures approximately cm. 6,5×10 e fa parte di un foglio di dimensioni cm. 21×15.

  • Era: XVI
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. Le sue opere, tra cui l’Athanatophilia, sono un’importante testimonianza del pensiero colto del tardo Cinquecento, arricchite da bellissime figure che accompagnano i dialoghi e le novelle.

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