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Showing 1–24 of 57 results

Abraham Bloemaert, Sleeping Shepherds 1630

80,00 

Sleeping Shepherds It is an engraving made by Abraham Bloemaert between 1625 and 1630.
This work, performed with the technique of Burin, is printed on heavy laid paper with lily and crown filigree.
The image measures mm. 140×200 at the copper strike, with a slight bleed on the right side.
At the bottom is the wording Mariette excud cum Regis Privilege, accompanied by a French inscription that reads: Ayant le ciel pour couverture et la terre pour matelas… Additionally, there is a dry stamp from an unknown collector.

Assembly of the Council of Trent, 1707

15,00 

Assemblea del Concilio di Trento It is an anonymous engraving made in 1707.
This work is taken from The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: cm. 7×12 approx.
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Paper

Bologna, 1707, Bocchiana Academy

35,00 

Bologna, 1707, Bocchiana Academy è un’incisione al bulino su rame che rappresenta la facciata principale della nota accademia bolognese.
Questa graziosa e decorativa incisione settecentesca è tratta dall’opera Les délices de l’Italie di De Rogissart, pubblicata a Parigi nel 1707.

  • Sheet size: mm. 70×120
  • Condition: Perfect state of preservation
  • Support: Carta in epoca coeva, retro bianco

Frontespizio dell’Itinerario, Scoto, 1659

60,00 

Frontespizio dell’Itinerario è un’incisione realizzata da Francesco Scoto nel 1659.
Questo frontespizio è parte dell’opera Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×10 approx.
  • Engraving size: cm. 12×8 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

John Lanfranco, 1638

40,00 

Giovanni Lanfranco It is a copper engraving made in 1638 da Sisto Badalocchi e Giovanni Lanfranco.
This frontespizio è parte della History of the Old Testament, painted in Rome in the Vatican by Raphael of Urbino and carved in copper by Sisto Badalocchi and Giovanni Lanfranchi for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Support: Laid paper with watermark
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Dio crea il Sole e la Luna è un’incisione realizzata da Giovanni Lanfranco nel 1638, in collaborazione con Sisto Badalocchi.
This work is a frontispiece of theHistory of the Old Testament, dipinta da Raffaello nel Vaticano e incisa in rame da Sisto Badalocchi e Giovanni Lanfranco per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

È interessante notare che, essendo pubblicata per un pubblico ebraico, questa stampa presenta un’alterazione della figura di Dio, cancellata e sostituita con una scritta in ebraico, in conformità a un divieto che negava la rappresentazione di Dio sotto forme umane.

John Lanfranco, 1638

40,00 

Noè nel Diluvio It is an engraving made by Giovanni Lanfranco nel 1638, in collaborazione con Sisto Badalocchi.
This work is a frontispiece of the History of the Old Testament, dipinta a Roma nel Vaticano da Raffaello di Urbino e incisa in rame da Sisto Badalocchi e Giovanni Lanfranco per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

The animals come out of the Ark it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of the History of the Old Testament, painted by Raphael in the Vatican and carved in copper by the two artists.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Noè offre un sacrificio al Signore it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is part of the frontispiece of History of the Old Testament, dipinta a Roma nel Vaticano da Raffaello di Urbino e incisa in rame da Sisto Badalocchi e Giovanni Lanfranchi per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Copper engraving
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Sodoma e Gomorra It is an engraving made by Giovanni Lanfranco And Sisto Badalocchi nel 1638.
This work is a frontispiece of the History of the Old Testament, dipinta da Raffaello nel Vaticano e intagliata in rame.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Abimelech surprises Isaac and his wife it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is part of the frontispiece of History of the Old Testament, painted by Raphael in the Vatican and carved in copper by the two artists.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper with watermark
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Isaac and Esau it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of the History of the Old Testament, painted in Rome in the Vatican by Raphael of Urbino and carved in copper by Sisto Badalocchi and Giovanni Lanfranchi for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Moses on Mount Sinai it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of theHistory of the Old Testament, painted by Raffaele di Urbino and engraved in copper by Badalocchi and Lanfranco for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good

The Kiss of Judas, by Jacques Callot (1592-1635) – The Little Passion

30,00 

The Kiss of Judas It is an engraving made by Jacques Callot (1592-1635), part of the series The Little Passion.
This work is performed at burin on a sheet of 9x11.5 cm, printed on white laid paper on the back.
At the bottom, a Latin phrase from the New Testament is reported, adding further cultural value to the work.
It has small scattered foxing spots, but is found in good condition.

Jacques Callot, The Great Miseries of War

900,00 

The Great Miseries of War It is a complete series of 18 engravings made by Jacques Callot in 1633, published by Israel Henriet.
This series, known as Les Misères et les Malheurs de la guerre, represents in a crude and realistic way the atrocities and suffering caused by war conflicts.

  • Engraving dimensions: mm. 75×185
  • Support: Unlaid paper
  • Condition: Excellent, except for board no. 9 with a small repaired tear
  • Era: 17th century
  • Technique: Burin
  • Dimensions: Small

The series includes plates illustrating various aspects of war, such as conscription, battles, plunder and public executions, culminating in a reflection on the human condition in times of war.
Each panel is a powerful visual commentary on the brutality of the conflict and the suffering of civilians, making this work an important historical and artistic testimony.

Jacques Callot, Varie Figure, 1611-1621

650,00 

Varie Figure è una serie di incisioni realizzate da Jacques Callot tra il 1611 e il 1621. Questa collezione comprende 14 tavole su un totale di 16, tutte incise in etching on laid paper.
Ogni tavola misura circa cm. 9×9 and it is presented on a sheet of cm. 16×11. Le incisioni mostrano piccole tracce di carta gommata al verso, sul margine superiore, che non influenzano la qualità visiva dell’opera. Due tavole presentano un piccolo strappo riparato con carta al verso, ma nel complesso sono in excellent condition e conservano ampi margini.

  • Era: XVII
  • Technique: Burin
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Questa selezione di incisioni è di grande valore e raramente si trova sul mercato, rendendola un’importante aggiunta per collezionisti e appassionati di arte.

Jean Lepautre (1618-1682). Architectural Ornaments, 1650

40,00 

Architectural ornaments It is an engraving made by Jean Lepautre In the 1650.
This work, which represents a significant example of the architectural art of the 17th century, was engraved on copper and printed on laid paper.

  • Sheet size: cm. 19×14 approx.
  • Support: Laid paper
  • Condition: Excellent

Jean Lepautre (1618-1682). Architectural Ornaments, 1650

40,00 

Architectural ornaments It is an engraving made by Jean Lepautre In the 1650.
Questa opera, che riflette l’abilità dell’artista nel rappresentare dettagli architettonici, è un esempio significativo del suo lavoro nel campo dell’incisione.

  • Sheet size: cm. 19×14 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Excellent state of preservation

Jean Lepautre (1618-1682). Architectural Ornaments, 1650

40,00 

Architectural Ornaments It is an engraving made by Jean Lepautre In the 1650.
Questa opera rappresenta un esempio significativo dell’arte barocca, caratterizzata da dettagli elaborati e una ricca decorazione architettonica.

  • Sheet size: cm. 19×14 approx.
  • Engraving size: con margini irregolari
  • Technique: Burin
  • Support: Laid paper
  • Condition: Excellent

Jean Lepautre (1618-1682). Architectural Ornaments, 1650

40,00 

Architectural Ornaments It is an engraving made by Jean Lepautre In the 1650.
This work, executed on copper, features an elegant and detailed design, typical of the Baroque style of the time.

  • Sheet size: cm. 19×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

​M. Demasso, Mappa della Germania, 1700

80,00 

Map of Germany è un’incisione realizzata da M. Demasso nel 1700, intitolata L’Alemagne avec ses confins et ses dependances.
Questa mappa è colorata all’acquarello e presenta dettagli accurati sui confini e le dipendenze della Germania dell’epoca.

  • Sheet size: cm. 16×23 approx.
  • Map dimensions: cm. 14×18 approx.
  • Support: Paper
  • Condition: Excellent

Map of Ancona, Scotus, 1659

90,00 

Map of Ancona it is a copper engraving made in 1659 by Francesco Scoto.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×20 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation
  • Fold: Editorial fold

Map of Ferrara, Scotus, 1659

120,00 

Mappa di Ferrara it is a watercolour copper engraving made by Francesco Scoto in 1659.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×20 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation
  • Fold: Editorale

Map of Lucca, Scotus, 1659

90,00 

Map of Lucca it is a copper engraving made by Francesco Scoto in 1659.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×20 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Light laid paper
  • Condition: Excellent condition

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