Small

Showing 2497–2520 of 5975 results

Interlaken, Switzerland, 1842

15,00 

Interlaken, Switzerland it is a lithograph made in 1842, part of the work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
This print offers a fascinating view of Interlaken, with almost no margins and writing around and on the verso.

  • Sheet size: cm. 12×15 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print is shipped with the entire page of the book.

Interno con bambini e nonna, 1850

20,00 

Interno con bambini e nonna è una litografia realizzata nel 1850, che cattura un momento intimo e affettuoso tra una nonna e i suoi nipoti.
Questa opera, di dimensioni contenute, è stampata su carta spessa e incollata su un altro supporto cartaceo, rendendola un pezzo affascinante per gli amanti dell’arte del XIX secolo.

  • Sheet size: cm. 19×15 approx.
  • Support: Carta spessa incollata su altro cartoncino
  • Condition: Excellent

Interior of the Pitti Palace, Florence, 1826

20,00 

Interno del Palazzo Pitti, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Interno del Portico degli Uffizi di Firenze, 1826

20,00 

Interno del Portico degli Uffizi di Firenze it is an etching on copper made by Antonio Verico in 1826.
Questo incantevole lavoro è tratto dal volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Interno della Chiesa di S.Spirito di Firenze, 1826

20,00 

Interno della Chiesa di S.Spirito di Firenze it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Interno di famiglia povera. Xilografia 1847

15,00 

Interno di famiglia povera è una xilografia realizzata nel 1847, che rappresenta un toccante interior d’un pauvre menage.
This work is taken from the Picturesque Store del 1847 e si basa su un’acquaforte del grande pittore olandese A. Van Ostade.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 17 x 15 circa
  • Support: Light paper
  • Condition: Good

Dutch Interior, P. de Hooge, 1850

20,00 

Interno Olandese è un’incisione realizzata da P. de Hooge nel 1850.
This colored watercolor etching rappresenta un tipico interno olandese, catturando l’atmosfera e i dettagli dell’epoca.

  • Sheet size: cm. 26×16 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Intra, 1840

25,00 

Intra It is an engraving made by Frommel in 1840, executed with the technique of burin on steel.
This work is a beautiful view taken from the volume Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

ìPinelli, Lite di donne, 1820

40,00 

Lite di donne è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta una scena vivace delle donne trasteverine.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching
  • Condition: Ottimo stato di conservazione, con lievi macchie di colore al verso
  • Support: Paper

Ipomea, 1852

20,00 

Ipomea, 1852 è un’incisione che rappresenta la splendida Morning Glory, realizzata con la tecnica del burin e colorata a mano all’acquerello.
This work is taken from Ladies' Wreath an illustrated annual, published in New York by JC Burdick.

  • Sheet size: mm. 130×220
  • Support: Medium paper
  • Condition: Good condition

La composizione floreale è bella e decorativa, perfetta per gli amanti della botanica e dell’arte.

Hippolytus and Phaedra, 1839

15,00 

Hippolytus and Phaedra It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, with almost no margins, is contained within the book page and features writing on the verso.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

The full page containing the print will be shipped.

Isabella of Aragon, 1844

15,00 

Isabella d’Aragona It is a copper engraving made in 1844, taken from the work Picturesque Omnibus pubblicata a Napoli.
Questa stampa, con dimensioni di cm. 12×14 alla battuta, presenta margini più piccoli e scritte al retro, evidenziando la sua provenienza da un libro.

  • Sheet size: cm. 12×14 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Isabella, conosciuta anche come Sant’Elisabetta del Portogallo, nacque a Saragozza il 4 gennaio 1271 e morì a Estremoz il 4 luglio 1336.
Fu regina consorte del Portogallo e dell’Algarve dal 1282 al 1325, e fu canonizzata nel 1625, venendo venerata come santa dalla Chiesa cattolica.

Isabella di Baviera, 1838

15,00 

Isabella di Baviera è un’incisione in rame realizzata nel 1838, proveniente dall’Omnibus Pittoresco di Napoli.
This work portrays Isabella di Baviera, regina consorte di Francia dal 1385 al 1422, figlia di Stefano III di Baviera-Ingolstadt e Taddea Visconti.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation
  • Notes: La stampa è stata estratta dal libro e presenta scritte al retro.

Isaac blesses Jacob.1830-1850

25,00 

Isaac blesses Jacob It is an engraving made between 1830 and 1850, which represents a significant moment in the Bible.
This work is taken from the Scripture Gallery of Engraving and bears the signature of the author J. Lange and the engraver J. Rogers.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

Ischia, 1835

35,00 

Ischia, 1835 è un’incisione al bulino su rame acquarellata, che rappresenta un affascinante scorcio dell’isola di Ischia.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 110×73, più margini
  • Support: Medium paper
  • Condition: Good state of preservation

Ischia, 1840

35,00 

Ischia, 1840 è un’incisione in acciaio realizzata da W. L. Leitch, che cattura la bellezza dell’isola di Ischia.
This work is taken from the volume Views of Cities and Scenery in Italy, France, and Switzerland di Samuel Prout e J.D. Harding, pubblicato da Fisher, Son & Co. a Londra e Parigi.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 19×12 approx.
  • Support: Medium thickness paper
  • Condition: Perfect

Questa incisione è rara e decorativa, ideale per collezionisti e appassionati d’arte.

Ischia, 1840

35,00 

Ischia, 1840 It is an engraving made by C. Frommel, an artist known for his picturesque depictions of Italy.
This work is taken from the volume Picturesque Italy and offers a fascinating view of the island of Ischia, capturing its natural and architectural beauty.

  • Sheet size: cm. 14×22 approx.
  • Image size: cm. 10×16 approx.
  • Support: White backed paper
  • Condition: Excellent

Ischia, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 10×14 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Ischia, 1885

35,00 

Ischia, 1885 It is a watercolour woodcut made by Arthur Jean Baptiste Calame as a designer and Adolf Closs as an engraver.
This work measures cm. 12×16 ed è stata ritagliata da una pagina del libro Italy Pictorial Journey from the Alps to Etna, pubblicato a Milano dai Fratelli Treves nel 1885 (edizione francese).

  • Engraving size: cm. 12×16 approx.
  • Condition: Excellent
  • Support: Paper

Isola Bella (Lake Maggiore), 1835

20,00 

Beautiful Island (Lake Maggiore) It is a copper engraving made in 1835 by Leonce Audot.
This work offers a beautiful and decorative view of Isola Bella, located on the suggestive Lake Maggiore.

  • Sheet size: cm. 17×10 approx.
  • Support: Paper
  • Condition: Excellent

Isola Bella on Lake Maggiore, 1837

20,00 

Isola Bella on Lake Maggiore It is a lithograph made in 1837, which offers a fascinating view of one of the most iconic places on Lake Maggiore.
This print is taken from the work Picturesque Polyorama, a periodical founded by Filippo Cirelli and Salvatore Fergola, dedicated to the dissemination of knowledge in various fields.

  • Sheet size: cm. 10×15 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has almost no margins and has been cut from the book, with writing around and on the verso, making it a valuable decorative piece.

Beautiful Island, 1832

25,00 

Beautiful Island It is an engraving made in 1832, printed by C. Stanfield and published in Picturesque Annual based on a drawing by Clarkson Stanfield.
This work, which represents a fascinating view of Isola Bella, is made with the technique ofetching and burin.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent

Isola d’Elba, C.Frommel, 1829

25,00 

Isola d’Elba It is an engraving made by Carl Frommel In the 1829.
This work is an etching on medium paper, part of the series 50 Bilder zu Virgils Heneide…, featuring high-quality engravings.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Isle of Capri, 1835

25,00 

Isle of Capri It is an engraving made at burin in 1835, which captures the beauty of this famous place.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.