Small

Showing 2833–2856 of 5975 results

Lettera S, Antonio Pazzi e Domenico Campiglia, XVIII sec.

20,00 

Lettera S It is a very charming capital letter, created by Antonio Pazzi And Dominic Campiglia in the 18th century.
Questo pezzo, che presenta un soggetto mitologico, è un’acquaforte con dimensioni di circa cm. 6×6 alla battuta del rame.

  • Autori: Pier Antonio Pazzi (1706-1768) – incisore, Giovanni Domenico Campiglia (1692-1768) – disegnatore
  • Condition: Excellent condition
  • Back: Firmato in basso G.D.Campiglia del. e P.A.Pazzi f.
  • Support: Ritagliato da testo italiano del XVIII secolo

Lettera T, Antonio Pazzi e Domenico Campiglia, XVIII sec.

20,00 

Lettera T It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questo pezzo presenta un soggetto mitologico ed è stato realizzato tramite la tecnica dell’etching, con dimensioni di circa cm. 6×6 alla battuta del rame.
The initial letter is cut from an 18th century Italian text and features a written verso, signed at the bottom by GDCampiglia of. And PAPazzi f.

  • Condition: Excellent condition
  • Dimensions: Small
  • Support: Paper

Lettera T, Antonio Pazzi e Domenico Campiglia, XVIII sec.

20,00 

Lettera T It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
Questo pezzo, che presenta un soggetto mitologico, è un’acquaforte di dimensioni cm. 6×6 circa alla battuta del rame.
È stato ritagliato da un testo italiano del XVIII secolo e presenta un retro scritto, firmato in basso da GDCampiglia of. And PAPazzi f.

  • Sheet size: cm. 6×6 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Letter U, Antonio Pazzi and Domenico Campiglia, 18th century.

20,00 

Lettera U It is a very charming capital letter, created by Pier Antonio Pazzi And John Domenico Campiglia in the 18th century.
This piece, which features a mythological subject, was created using the technique ofetching and measures approximately 6x6 cm at the copper edge.

  • Back: Scritto, firmato in basso G.D.Campiglia del. e P.A.Pazzi f.
  • Condition: Excellent condition

Libellula, Insetti, 1890

20,00 

Libellula, Insetti It is an old lithographic print made in 1890, taken from the publication Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa celebre enciclopedia, pubblicata a partire dalla seconda parte del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions, with slight yellowing of the sheet

Licata, Agrigento, 1875

20,00 

Licata, Agrigento, 1875 è una xilografia che rappresenta un affascinante scorcio di questa storica città siciliana.
Questa incisione, con dimensioni di cm. 18×12, è stata estratta dall’opera Italy Pictorial Journey from the Alps to Etna di G.Stieler, E.Paulus, W.Kaden, pubblicata a Milano dai Fratelli Treves nel 1885.

  • Engraving size: cm. 18×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Licenza, 1829

30,00 

Licenza è un’incisione realizzata da Digentia nel 1829, eseguita con la tecnica del burin on copper.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper with white back
  • Condition: Excellent condition

La veduta è suggestiva e animata, rendendo questa incisione un pezzo affascinante per collezionisti e appassionati.

Licenza, D.Harding, 1834

30,00 

Licenza è un’incisione realizzata da E. Finden nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata disegnata da H. Gasteneau e pubblicata da John Murray a Londra.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

La veduta animata offre un affascinante sguardo sulla vita e le opere di Lord Byron, rendendo questa incisione un pezzo prezioso per collezionisti e appassionati.

Lycurgus, 1839

15,00 

Lycurgus, 1839 is a copper engraving depicting a six-foot plaster statue.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.

  • Engraving size: cm. 8×15, almost no margins
  • Condition: Excellent
  • Support: Paper

The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.
Lycurgus, son of Lycophron of the deme of Butades, was an important Athenian politician and orator, known for his role among the ten Attic orators.

Linaria (Mealy Linnet), 1853

15,00 

Linaria (Mealy Linnet) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa è caratterizzata da un design molto decorativo e presenta un retro bianco.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper
  • Condition: Excellent condition

Interior, Villa near Milan, 1837

20,00 

Interior, Villa near Milan it is an engraving in woodcut dating back to 1837.
This work measures 10x12 cm and comes from the volume Pictorial Cosmorama, Year Three. The print has almost no margins and has been cut from the book, with the writing on the back partially visible. It comes complete with a passe-partout, making it a nice decorative view.

  • Sheet size: Small
  • Condition: Good
  • Support: Paper

Liocorno di mare o Narval, animali leggendari, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 15×15 circa
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Lione, nouvelle eglise de Notre-Dame de Fourvieres pres de Lyon, 1860

25,00 

Lione, nouvelle eglise de Notre-Dame de Fourvieres pres de Lyon è un’incisione realizzata nel 1860, che rappresenta un’importante opera della metà del XIX secolo.
Questa xilografia, con un’immagine di cm. 17×13, è stampata su carta di medio spessore e presenta un retro stampato, tratto da un testo francese.

  • Sheet size: cm. 17×13 approx.
  • Engraving size: cm. 17×13 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Lipari, 1877

20,00 

Lipari, 1877 è una xilografia che rappresenta una bella veduta dell’isola di Lipari.
This work is taken from the volume Italian di Kaden e presenta dimensioni di mm. 185×150.

  • Sheet size: Small
  • Engraving size: mm. 185×150
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

Liri, Le cascate, 1840

35,00 

Le cascate del Liri è un’incisione al bulino realizzata nel 1840, che cattura la bellezza naturale delle cascate.
Questa opera è firmata da FRIES e incisa da ELTZNER, rappresentando un esempio di arte incisoria di alta qualità.

  • Sheet size: mm. 167×124
  • Technique: Burin
  • Condition: Excellent
  • Support: Medium paper with white back

Un’opera finissima e rara, ideale per collezionisti e appassionati di incisioni antiche.

Lisbon, Belen Castle, 1833

25,00 

Lisbon, Belen Castle It is an engraving made in 1833, representing an important view of the castle.
This work is an example of etching from the first half of the 19th century, characterised by refined details and a balanced composition.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Lisbon, from Fort Almeida, 1833

25,00 

Lisbona, from Fort Almeida It is an engraving made in 1833, representative of the first half of the 19th century.
This etching offre una vista suggestiva della città di Lisbona, catturando l’essenza del periodo.

  • Sheet size: cm. 16×22 approx.
  • Image size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Lisbon, Portugal, 1860

25,00 

Lisbon, Portugal It is an engraving made in 1860, representing a view of the Portuguese capital.
This small-sized woodcut is printed on medium-thickness paper and features a printed back, taken from an Italian text.

  • Sheet size: cm. 20×15 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Lite di Femine in Roma, Pinelli, 1840

25,00 

Lite di Femine in Roma It is an engraving made by Bartholomew Pinelli nel 1840, eseguita al burin on copper.
This work, taken from FROMMEL, Picturesque Italy, presenta una beautiful and lively scene con numerosi personaggi, riflettendo il vivace panorama della vita romana dell’epoca.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Perfect state of preservation

Lite di Trasteverini in Roma, Pinelli, 1840

25,00 

Lite di Trasteverini in Roma it is an engraving made by Bartolomeo Pinelli in 1840.
This unsigned work is an example of burin engraving su rame, che cattura una vivace scena con numerosi personaggi.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Excellent state of preservation

The engraving is taken from FROMMEL, Picturesque Italy, pubblicato a Lipsia nel 1840, e rappresenta un soggetto affascinante che riflette i costumi e la vita quotidiana a Roma.

Coastline at Sant'Antonio Abate, 1890

20,00 

Litorale a Sant’Antonio Abate It is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents an image measuring approximately 10x12 cm, surrounded by text and with further annotations on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Livenza, 1835

20,00 

Livenza, 1835 It is a copper engraving depicting the Lavenza Castle.
This work, of dimensions mm. 115×80, has smaller margins and is printed on medium paper with white back.
Taken from the volume “Italy, Sicily, the Aeolian Islands, Elba, Sardinia, Malta, Calypso Island, etc.” by Audot père, published between 1835 and 1837, this engraving is characterised by a sharpness and finesse that make it uncommon.

  • Sheet size: mm. 115×80
  • Condition: Perfect state of preservation
  • Support: Medium paper

Livorno from the Three Towers, 1826

20,00 

Livorno from the three towers it is an engraving made by Antonio Verico in 1826, using the copper etching technique.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Leghorn, 1834

30,00 

Leghorn, 1834 è un’incisione al bulino che offre una vista panoramica e decorativa della città.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×120 più margini
  • Support: Light paper
  • Condition: Good condition

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.