Small

Showing 3889–3912 of 5975 results

Pasquale Maria Liberatore, 1842

15,00 

Pasquale Maria Liberatore è una litografia realizzata nel 1842, tratta dall’opera periodica Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
Questa stampa, che misura cm. 12×16, presenta margini quasi assenti ed è contenuta all’interno di una pagina del libro, con scritte attorno e al verso.

  • Sheet size: cm. 12×16 approx.
  • Support: Paper
  • Condition: Excellent

Passaggio pericoloso, 1850

15,00 

Passaggio pericoloso è un’incisione realizzata nel 1850, che cattura un momento di tensione e rischio.
This work is performed with the technique ofEtching and Burin, su carta di medio spessore.

  • Sheet size: cm. 13×16 approx.
  • Engraving size: cm. 12×9 approx.
  • Support: Paper
  • Condition: Excellent condition

Passero (Blue-Throated Warbler), 1853

15,00 

Passero (Blue-Throated Warbler) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un esemplare di grande bellezza e decoratività, ideale per gli amanti della natura e della fauna avicola.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Passero (Sparrow), 1853

15,00 

Passero (Sparrow) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un esemplare di avifauna, molto decorativa e ideale per gli amanti della natura e della botanica.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper, white back
  • Condition: Excellent condition

Passero alpino (Alpine Accentor), 1853

15,00 

Passero alpino (Alpine Accentor) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
Questa stampa rappresenta un esemplare di grande bellezza e decoratività, perfetta per gli amanti della natura e degli uccelli.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Passero, Civetta, Least European Sparrow Owl, 1875

25,00 

Passero, Civetta, Least European Sparrow Owl It is a vintage watercolour lithograph, made in 1875 and taken from A History of Birds of Europe by Charles Robert Bree, published in London.
Questa opera rappresenta un affascinante esemplare di avifauna europea, catturato con grande dettaglio e vivacità.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent state of preservation

Passiflora, 1870

20,00 

Passiflora è una cromolitografia realizzata nel 1870, proveniente da un libro tedesco.
Questa opera è caratterizzata da un design molto decorativo e si presenta in excellent condition.

  • Sheet size: cm. 14×22
  • Support: Medium thickness paper, white back

Pastore della Campagna, 1885

20,00 

Pastore della Campagna è una xilografia realizzata nel 1885, tratta dall’opera Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.
Questa incisione, con dimensioni di cm. 19×14, presenta margini ridotti e un retro stampato.

  • Engraving size: cm. 19×14
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Pastore della macchia, 1850

20,00 

Pastore della macchia è una litografia realizzata nel 1850, che cattura l’essenza della vita pastorale.
This work, of small dimensions, is printed on thick paper and glued onto another paper support, making it a unique collector's piece.

  • Sheet size: cm. 24×13 circa
  • Era: 19th century
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

Pastore, acquarello

40,00 

Pastore it's a beautiful watercolor of exquisite workmanship, created by an anonymous author in the first half of the 19th century.
This little masterpiece, measuring approximately 7x10 cm, is made on cardboard with a white back and features bright colors that enhance its beauty.

  • Sheet size: cm. 7×10 approx.
  • Condition: Excellent state of preservation
  • Support: Cardboard

Pattuglia che rientra, 1850

20,00 

Pattuglia che rientra è una litografia realizzata nel 1850, che rappresenta un momento significativo della vita militare.
Questa opera, di dimensioni contenute, è stampata su carta spessa ed è incollata su un altro supporto cartaceo, il che ne garantisce la stabilità e la conservazione.

  • Sheet size: cm. 22×16 approx.
  • Era: 19th century
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

Paul preaching a athens. Paolo predica

25,00 

Paul Preaching at Athens è un’incisione realizzata da J. Rogers, ispirata all’opera di Raffaello.
Questa acquaforte, pubblicata tra il 1830 e il 1850, fa parte della Scripture Gallery of Engraving ed è un esempio pregevole dell’arte incisoria dell’epoca.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent state of preservation, with editorial frame and vignettes

Paulus Potter (1625-1654), Tre mucche, XVII sec.

30,00 

Tre mucche It is an engraving made by Paulus Potter nel XVII secolo, raffigurante due mucche in piedi e una a terra.
Questa opera è un esempio della maestria di Potter, noto per la sua specializzazione in animali e paesaggi.

  • Sheet size: cm. 11,5×15 approx.
  • Technique: Etching and burin
  • Condition: Good state of preservation
  • Support: Unlaid paper
  • Author: P. Potter f. in basso a destra

Paulus Potter, Il Toro, 1650, XIX secolo

60,00 

Il Toro è un’incisione realizzata da Amand Durand nel 1831, che riproduce l’opera originale di Paulus Potter del 1650.
Questo capolavoro rappresenta un toro, un soggetto tipico della pittura di Potter, noto per la sua abilità nel ritrarre animali e paesaggi.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Pavia, 1707, Charterhouse

40,00 

Pavia, 1707, Charterhouse è un’incisione realizzata da Magdeleine Horthemels nel 1707, che rappresenta una veduta della Certosa di Pavia.
This work is taken from the volume The delights of Italy, pubblicato da De Rogissart a Parigi.

  • Sheet size: mm. 150×120
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Pavia, 1834 Charterhouse

30,00 

Pavia, 1834 Charterhouse It is an engraving made with the technique of burin su acciaio, datata 1834.
This work comes from the volume Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, pubblicato a Parigi.

  • Sheet size: mm. 170×117 più margini
  • Condition: Good condition
  • Support: Lightweight paper, white back

The press offers a beautiful animated view della cattedrale di Pavia, caratterizzata da una nitidezza e decoratività notevoli.

Pavia, 1865, Charterhouse

15,00 

Pavia, 1865, Charterhouse è una xilografia che rappresenta la storica città di Pavia.
This piece is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 140×230
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print was cut from the book and has writing on the back.

Pavia, 1865, Charterhouse

15,00 

Pavia, 1865, Charterhouse it is a woodcut representing the historic Certosa di Pavia.
This piece is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 240×130
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Pavia, Castle, 1890

20,00 

Pavia, Castle, 1890 it's a woodblock print from the late nineteenth century, which represents an important historical testimony of the city of Pavia.
This work is characterized by a small-sized image, perfect for collectors and enthusiasts of ancient art.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Pavia, Certosa (interior), 1834

25,00 

Pavia, Certosa (interno) It is a steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Questa veduta offre un’immagine animata e decorativa della Certosa di Pavia.

Pavia, Charterhouse, 1834-1837

25,00 

Pavia, Certosa It is a steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent

Questa veduta è caratterizzata da un’animazione decorativa che la rende un pezzo affascinante per collezionisti e appassionati di arte.

Pavia, Charterhouse, 1838

20,00 

Pavia, Charterhouse, 1838 It is a lithograph that offers a general view of the famous Certosa located near Pavia.
Made by G. Mariani and published in the volume Picturesque Polyorama in Naples in 1838, this work measures approximately 214×148 mm.

  • Sheet size: mm. 214×148
  • Support: Paper
  • Condition: Excellent
  • Margins: Almost absent

The lithograph features writing on the back and stands out for its beauty, lively and decorative.

Pavia, Certosa, copper etching, 1712

35,00 

Pavia, Certosa It is an engraving made in 1712, using the copper etching technique.
This work is taken from The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 15×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Pavia, Certosa Church, 1890

20,00 

Pavia, Chiesa della Certosa It is a woodcut made in 1890 by E. Bondier, un disegnatore ed illustratore francese attivo a Parigi nell’ultima parte del XIX secolo.
Questa opera, tratta da un libro francese di fine ‘800, presenta una bella rappresentazione della chiesa, animata e ricca di dettagli.

  • Sheet size: cm. 10×15 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.