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Showing 4801–4824 of 5975 results

Salvator Rosa, Three Peasants, Figurine, 18th century

75,00 

Tre contadini It is an engraving made by Salvator Rosa nel XVIII secolo, appartenente alla serie Various figures or Figurines.
This work is characterized by a etching and drypoint su carta non vergellata, con dimensioni di mm. 142×93, rifilata al margine.

  • Monogram: RS con lettere intrecciate in basso a sinistra
  • Numero: 24 in basso a destra
  • Condition: Excellent state of preservation
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Three Warriors

75,00 

Tre guerrieri It is an engraving made by Salvator Rosa nel XVIII secolo, che rappresenta tre figure: uno seduto, uno in piedi e uno nascosto.
This work is part of the series Various figures or Figurines.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Support: Unlaid paper
  • Condition: Excellent

L’incisione presenta un monogramma in basso a sinistra con le lettere intrecciate ‘RS’ e il numero ‘7’ in basso a destra.
Si tratta di una bella prova nitida, probabile tiratura fine ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Three Soldiers, Figurines

75,00 

Tre Soldati It is an engraving made by Salvator Rosa In the 18th century.
Questa opera appartiene alla serie Various figures or Figurines and is characterized by a beautiful clear proof, probably from a late 18th century print run.

  • Sheet size: mm. 142×93
  • Engraving size: rifilata al margine
  • Support: Unlaid paper
  • Condition: Excellent
  • Technique: Etching and drypoint
  • Notes: Residui di colla ai margini al recto visibili in parte a fronte; senza monogramma; numero 18 presente in basso a destra.

Salvator Rosa, Three Soldiers, Figurine, 18th century

75,00 

Tre Soldati It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, rappresentato dalle lettere intrecciate RS, e dal numero 20.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Support: Unlaid paper
  • Condition: Excellent

La prova è nitida e si tratta di una probabile tiratura della fine del ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Man with arm to chest

75,00 

Uomo con braccio al torace It is an engraving made by Salvator Rosa In the 18th century.
Questa opera è un’acquaforte e puntasecca su carta non vergellata, rifilata al margine, con residui di colla ai margini visibili al recto.
Presenta un monogramma in basso a destra, RS con lettere intrecciate, e il numero 1 in basso a destra. Fa parte della serie Various figures or Figurines.

  • Sheet size: mm. 142×93
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)
  • Condition: Excellent
  • Support: Unlaid paper

Salvator Rosa, Standing Man Pointing

75,00 

Uomo in piedi che indica It is an engraving made by Salvator Rosa In the 18th century.
This work, part of the series Various figures or Figurines, è eseguita in Etching and drypoint su carta non vergellata.

  • Sheet size: mm. 142×93
  • Condition: Excellent
  • Support: Paper
  • Details: Rifilata al margine, residui di colla ai margini al recto visibili in parte a fronte, monogramma in basso a destra RS con lettere intrecciate, numero 9 in basso a destra.

Samaritans, Straw Chairs, 1854

35,00 

Samaritans, Straw Chairs it is a vintage watercolour lithograph made in 1854, which represents the costumes of the Kingdom of Naples.
Signed on the plate, this work is taken from the Collection of Neapolitan costumes, published in Naples by Calvi.

  • Sheet size: cm. 23×16 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent
  • Characteristics: Vivid colors and beautiful subject

Sampierdarena, 1865 Palazzo Comunale

20,00 

Sampierdarena, 1865 – Palazzo Comunale è una xilografia che rappresenta un’importante opera del prof. Amato Amati, tratta dal suo Chorographic Dictionary of Italy.
Questa illustrazione, realizzata nel 1865, è parte di un’opera che include circa 1000 armi comunali colorate, pubblicata da Vallardi editore a Milano.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Sampiero of Bastelica, 1839

15,00 

Sampiero of Bastelica It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, measuring 16x12 cm, has almost no margins and is contained within the book page, with writing on the back.

  • Sheet size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent

Sampiero Corso, also known as Sampiero di Bastelica, was an important Italian mercenary and soldier, considered a patriot for his role in calling for the independence of Corsica from Genoa.

Samuel Prout (1783–1852), Venice, watercolor

350,00 

Venice it is a watercolor made by Samuel Prout (1783–1852), one of the masters of architectural watercolor painting.
This splendid work, signed lower left, is dated 19th century and measure cm. 26×19.

  • Sheet size: Small
  • Support: Medium thickness paper
  • Condition: Excellent

The work has traces of glue on the back at the corners, but its execution is of high quality and very decorative.

San Alessandro, 1819

25,00 

San Alessandro è un’incisione realizzata nel 1819 da A.L. Castellan, un noto pittore e incisore francese.
Questa opera è un’acquaforte che misura mm. 105×140 e presenta piccoli margini irregolari, con il retro bianco.
It is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Saint Benedict, 1854

20,00 

Saint Benedict it is a lithograph from 1854 which represents the saint while exorcising and resurrecting a child.
This print comes from the periodical work Picturesque Polyorama, published in Naples by the Poliorama Pittoresco printing and lithography company under the direction of Filippo Cirelli.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 17×10 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

San Bernardo, 1809

20,00 

San Bernardo è un’incisione realizzata nel 1809, che offre una splendida veduta del Der grosse St.Bernhardesberg.
Questa opera è un’acquaforte di dimensioni contenute, perfetta per gli amanti della grafica antica.

  • Sheet size: mm. 130×80 circa
  • Support: Paper
  • Condition: Perfect condition

Saint Blaise Healing a Child, 1845

20,00 

Saint Blaise healing a child it is a lithograph made in 1845 by A. Chierici.
This work is taken from Picturesque Polyorama, a periodical work designed to spread useful knowledge to all classes of society.

  • Sheet size: cm. 14×10 approx.
  • Condition: Excellent
  • Support: Paper
  • Notes: The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Saint Celsus, Julian, Marcionilla, Basilissa, 1800

25,00 

Saint Celsus, Julian, Marcionilla, Basilissa it is an engraving made in 1800 by Gio Petrini.
This work, performed with the technique ofburin etching, has a size of cm. 10×14 and it is printed on medium thickness paper without watermark.

  • Condition: Excellent condition
  • Back: White
  • Price: €25,00

St. Daniel, 1650

30,00 

Saint Daniel It is an engraving made in 1650, using the technique ofetching and of the colored burin.
This work, dating back to the mid-seventeenth century, is printed on laid paper without watermark and features a prayer in Latin on the back.

  • Sheet size: cm. 6×11 approx.
  • Engraving size: cm. 5×6,5 approx.
  • Support: Light paper
  • Condition: Excellent condition

Saint Felix redeeming the slaves, 1845

20,00 

Saint Felix redeeming the slaves it is a lithograph made in 1845 by the knight de Vivo.
This work is taken from Picturesque Polyorama, an important Neapolitan publication aimed at spreading useful knowledge among the different social classes.

  • Sheet size: cm. 14×22 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has almost no margins and includes writing around and on the back, being contained within the book page. The entire page containing the print will be shipped.

Saint Francis, Guido Reni, 1846

20,00 

Saint Francis in Prayer It is a lithograph made by Guido Reni In the 1846.
This work is taken from Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge to all social classes.
The press, which measures cm. 10×13, has almost no margins and is contained in one page of the book, with writing around and on the back.
The entire page containing the print is sent, providing complete context of the work.

Saint Cajetan, 1800

20,00 

Saint Cajetan It is an engraving made in 1800, which represents an important religious figure.
This work is made in Etching and Burin and measure 60×70 mm on a sheet of paper 200×140 mm.

  • Era: 19th century
  • Condition: Excellent condition
  • Support: Laid paper without watermark

Saint Galgano, 1877

20,00 

San Galgano è un’incisione xilografica realizzata nel 1877, che rappresenta una veduta dell’interno dell’Abbazia di San Galgano.
This work is taken from the volume Italy by J. Gourdault, published in Paris.

  • Sheet size: mm. 160×210
  • Engraving size: almost no margins
  • Support: Light paper
  • Condition: Excellent

Saint Germanus, Montecassino, 1875

20,00 

Saint Germanus, Montecassino It is an engraving made in 1875, representing an important historical location.
This woodcut is taken from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers in 1885.

  • Engraving size: cm. 18×13 approx.
  • Condition: Excellent state of preservation
  • Support: Paper with printed back

St. James of Nisibis, 1711

20,00 

Saint James of Nisibis It is an engraving made in 1711, executed with the technique ofetching and burin.
This work, signed by Mariette, is printed on laid paper with partial watermark.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper
  • Condition: Good condition

San Gimignano, Siena, 1875

20,00 

San Gimignano, St. John's Gate It is a woodcut from 1875, which represents an iconic view of this historic Tuscan city.
This engraving is taken from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 13×18 approx.
  • Condition: Excellent condition
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

San Giorgio, 1830

20,00 

San Giorgio è un’incisione realizzata nel 1830, che combina la tecnica dell’etching and of the burin.
Questa opera, firmata da Fontanelli per l’invenzione e il disegno, e da D. Marchetti per l’incisione, presenta un’elegante rappresentazione del celebre santo.

  • Sheet size: cm. 15×19 approx.
  • Engraving size: cm. 6,5×9,5 circa
  • Support: Paper
  • Condition: Good condition

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