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Sorrento, 1876

20,00 

Sorrento, 1876 It is a woodcut engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
Questa bella veduta decorativa, con dimensioni di mm. 190×190, è stata ritagliata da un libro tedesco e presenta margini quasi assenti.

  • Sheet size: mm. 190×190
  • Support: Paper
  • Condition: Excellent

La stampa ha scritte sul retro e rappresenta una delle molte vedute di Sorrento, Capri e La Spezia conservate in diversi musei tedeschi.

Sorrento, 1878

15,00 

Sorrento, 1878 It is a woodcut engraving that captures a beautiful decorative view of the famous Italian location.
Made in 1878, this print comes from a German book and has almost no margins.

  • Sheet size: mm. 170×110
  • Condition: Excellent condition
  • Support: Paper
  • Notes: The print was cut from the book and has writing on the back.

Sorrento, 1884

25,00 

Sorrento, 1884 It is a woodcut engraving that captures the beauty of the Sorrento landscape.
This work is taken from the volume Naples and its surroundings by Rudolf Kleinpaul, published in 1884.

  • Sheet size: cm. 12×15 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Sorrento, 1893

20,00 

Sorrento, 1893 It is a woodcut that captures the essence of this enchanting place.
Made in 1893, this work is taken from by Abbé Paul Barbier.

  • Sheet size: cm. 12×8 approx.
  • Technique: Woodcut
  • Condition: Excellent condition
  • Support: Paper

Sorrento, Tasso House, 1835

30,00 

Sorrento, Tasso's House It is a burin engraving made in 1835, which offers a splendid panoramic view of the Maison du Tasse in Sorrento.
This work was hand-watercoloured and comes from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.

  • Sheet size: mm. 95×140 approx.
  • Condition: Excellent state of preservation
  • Support: Steel

Sorrento, Tasso's House, 1865

25,00 

Sorrento, Tasso's House it is a woodcut engraving made in 1865, which represents the birthplace of Torquato Tasso in Sorrento.
This work is taken from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1864.

  • Sheet size: mm. 140×100
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back, partially visible

Sorrento, Torquato Tasso's house, 1835

25,00 

Sorrento, Torquato Tasso's house it is a burin engraving made in 1835.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 80×110
  • Technique: Burin
  • Support: Medium paper, white back
  • Condition: Perfect state of preservation

This beautiful view is very decorative and represents an important testimony to the beauty of Sorrento.

Sorrento, Torquato Tasso Square, 1884

25,00 

Sorrento, Torquato Tasso Square It is a woodcut engraving made in 1884.
This work represents a fascinating glimpse of the famous square of Sorrento, with details that evoke the atmosphere of the late nineteenth century.

  • Sheet size: cm. 11×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Notes: Written on the back

Sorrento, Tasso, 1876

20,00 

Sorrento, Badger It is a woodcut engraving made in 1876.
This work represents Tasso's house in Sorrento and is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart.

  • Sheet size: mm. 186×140
  • Condition: Excellent
  • Support: Light sheet
  • Notes: Almost no margins and writing on the back

Sorrento, Watercolor woodcut, 1892

25,00 

Sorrento it's a watercolor woodcut made in 1892, which offers a suggestive view of Sorrento.
This work is taken from the work Chevalier Abbé, Naples le Vésuve et Pompeii. Travel sketches, and bears the engraver's signature Anastasi.

  • Sheet size: cm. 8×13 approx.
  • Support: Lightweight paper, printed back
  • Condition: Excellent

Sotto la rete, 1850

30,00 

Sotto la rete It is a hand-colored lithograph with watercolor, made in 1850.
This work, of dimensions cm. 24×18, is printed on thick paper e incollata su un altro supporto cartaceo.
Si tratta di una stampa umoristica e satirica, tipica dell’epoca 19th century.

  • Sheet size: cm. 24×18 approx.
  • Support: Thick paper
  • Condition: Excellent

Spagna, Cadice, Cadiz, 1833

25,00 

Spagna, Cadice, Cadiz It is an etching made in 1833.
Questa opera rappresenta un affascinante scorcio della città di Cadice, catturando l’essenza della sua architettura e cultura.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent state of preservation

Sparta, C.Frommel, 1829

25,00 

Sparta It is an engraving made by Carl Frommel In the 1829.
This work is part of the volume 50 Bilder zu Virgils Heneide…, che presenta incisioni di grande pregio.

  • Sheet size: cm. 21×26 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Spartito di Tarantella, 1819

50,00 

Spartito di Tarantella è un’opera musicale del 1819, intitolata Airs de la Tarentule, realizzata da A.L. Castellan.
Questo spartito contiene le musiche di alcune tarantelle ed è composto da due fogli (4 facciate), con una misura del foglio di cm. 20×12.

  • Sheet size: cm. 20×12
  • Support: Laid paper
  • Condition: Excellent state of preservation

Castellan, pittore, scrittore e incisore all’acquaforte, è nato a Montpellier nel 1772 e morto a Parigi nel 1838.
Decorato della Legion d’onore e membro dell’accademia di Belle Arti, ha realizzato opere significative, tra cui paesaggi per libri illustrati come View of Italy And Letters from Italy.

La Spezia, The Dock, 1890

20,00 

Spice, The Dock it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

La Spezia, Vittorio Emanuele Square, 1890

20,00 

La Spezia, Vittorio Emanuele Square, 1890 It is a late nineteenth-century woodcut print that captures the essence of a fascinating historical era.
This work presents an image measuring approximately 10x12 cm, surrounded by text and with further annotations on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Cumae Beach, 1875

20,00 

Cumae Beach, 1875 It is a woodcut made by Ludwig Dill, a well-known German painter and draftsman specializing in landscapes and seascapes.
This engraving, which measures cm. 20×14 (excluding margins), is taken from the work Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Spiaggia di Quinto, Genova, 1875

20,00 

Spiaggia di Quinto, Genova It is a woodcut made in 1875, che cattura la bellezza della costa ligure.
This work is taken from the work Italy Pictorial Journey from the Alps to Etna by G.Stieler, E.Paulus and W.Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 10×19 circa
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.
Designer: Gustav Schoenleber, noto pittore paesaggista tedesco, e Engraver: Adolf Closs, incisore su legno, hanno collaborato per creare questa affascinante rappresentazione.

Rock Pipit, 1853

15,00 

Spioncello (Rock Pipit) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un soggetto ornithologico di grande fascino e si distingue per la sua decoratività.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Spluga, 1834-1838

20,00 

Spluga è un’incisione realizzata tra il 1834 e il 1838, che rappresenta la Strada della Spluga nella valle di S.Giacomo.
This work is a burin on steel con una misura della battuta di mm. 115×80 e presenta margini quasi assenti.

  • Taken from: Italy, Sicily, the Aeolian Islands, etc., first Italian edition by Audot père, Turin by Giuseppe Pomba, 1834
  • Back: White
  • Condition: Excellent condition

Spluga, 1834-1838

20,00 

Spluga è un’incisione realizzata tra il 1834 e il 1838, che rappresenta la Strada della Spluga nella valle di S. Giacomo.
Questa opera è un bulino su acciaio, con una misura della battuta di mm. 115×80 e margini quasi assenti.
Fa parte della prima edizione italiana di Italy, Sicily, the Aeolian Islands, etc., pubblicata a Torino presso Giuseppe Pomba nel 1834.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Spoleto, 1865

25,00 

Spoleto, 1865 it is a woodcut engraving representing the aqueduct and the fortress of Spoleto.
This work is taken from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1865.

  • Sheet size: mm. 210×140 approx.
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back, partly visible on the back.

Spoleto, Panorama, 1890

25,00 

Spoleto, Panorama it's a woodblock print made in 1890, che offre una vista affascinante della città di Spoleto.
This work is taken from Illustrated geographical Italy by P. Premoli and features text around and on the back.

  • Sheet size: cm. 16×26 approx.
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Spoleto, Temple of Clitumnus, 1850

35,00 

Spoleto, Temple of Clitumnus It is a burin engraving made by James Duffield Harding in 1850.
This work presents a very fine animated scene, very decorative, and stands out for its hand-painted watercolor.

  • Sheet size: mm. 100×140 plus margins
  • Engraving size: mm. 100×140
  • Technique: Burin
  • Support: Medium paper with white back
  • Condition: Excellent

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