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Showing 5449–5472 of 5987 results

Teramo, Entrance to Porta Madonna, 1890

20,00 

Teramo, Ingresso Porta Madonna it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Teramo, Bridge over the Tordino River, 1890

20,00 

Teramo, Ponte sul fiume Tordino it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera rappresenta un’importante veduta del ponte sul fiume Tordino, con dettagli accurati e un testo descrittivo attorno all’immagine.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Teresa Bandettini, 1837

20,00 

Teresa Bandettini it is a lithograph made in 1837, taken from the volume Universal pictorial warehouse, published in Genoa.
Questa opera rappresenta la poetessa e ballerina italiana, conosciuta anche con il nome arcadico di Amarilli Etrusca.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 18×13 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Termini Imerese, San Leonardo Bridge, 1889

20,00 

Termini Imerese, San Leonardo Bridge it's a woodblock print made in 1889, taken from the work Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.
This print measures cm. 8×10 in the printed part, with smaller margins, and was cut out of the book, presenting a printed back.

  • Era: XIX
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

The San Leonardo bridge, designed in 1625 by the architect Agatino Daidone, stands on a Patare cliff and on the solid remains of an ancient bridge, presumably from the Roman era.

Terms, 1835

20,00 

Terms It is an engraving made with the technique of burin on steel in 1835.
This work features a measure of the beat of mm. 132×90 and is printed on medium quality paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Terni, 1835

20,00 

Terni, 1835 è un’incisione al bulino su acciaio, proveniente dall’opera Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE, pubblicata nel 1835.
Questa veduta panoramica di Terni è caratterizzata da un’elegante decorazione e presenta una misura della battuta di mm. 130×90.

  • Sheet size: Small
  • Condition: Good
  • Support: Lightweight paper with white backing

Terni, The Waterfalls, 1834

30,00 

Terni, The Waterfalls è un’incisione realizzata nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata creata dall’autore W. Brockedon, con disegni di H.Gasteneau and engravings of E. Finden.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Questa veduta animata offre uno scorcio suggestivo delle cascate di Terni, un’opera che riflette l’abilità artistica del XIX secolo.

Terni, The Waterfalls, 1834

30,00 

Terni, The Waterfalls è un’incisione realizzata nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata creata dall’autore W. Brockedon, con disegni di H.Gasteneau and engravings of E. Finden.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Questa veduta animata offre uno scorcio suggestivo delle cascate di Terni, un’opera che riflette l’abilità artistica del XIX secolo.

Terni, The Waterfalls, 1835

20,00 

Terni, The Waterfalls It is an engraving made in 1835, taken from the work Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.
This work, which represents a suggestive view of the Terni waterfalls, is made with the technique of burin on steel.

  • Sheet size: mm. 90×130
  • Support: Lightweight paper with white backing
  • Condition: Good condition

A decorative work that captures the natural beauty of waterfalls, ideal for collectors and engraving enthusiasts.

Terni, The Waterfalls, 1840

30,00 

Terni, The Waterfalls It is a steel engraving made in 1840, part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig.
This work, signed by Karl August Lindemann-Frommel, a well-known landscape artist and designer of the French school, presents an enchanting representation of the Terni waterfalls.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent general condition

Terni, The Waterfalls, 1884

20,00 

Terni, The Waterfalls è una xilografia realizzata nel 1884, che cattura la bellezza delle famose cascate di Terni.
This work is taken from the volume Picturesque Europe, pubblicato da Cassell & Co. a Londra, e presenta illustrazioni di artisti eminenti.

  • Sheet size: cm. 23×16 approx.
  • Technique: Woodcut
  • Support: Paper
  • Condition: Excellent

Land of Otranto, 1835

30,00 

Land of Otranto It is an engraving made by Sauvage in 1835, which offers a picturesque view of the city, animated and decorative.
This work is taken from “Italie picturesque tableau historique et descriptif de l’Italie…” by M. De Norvins and C. Nodiers, published in Paris in 1835.

  • Sheet size: mm. 190×117
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Technique: Burin
  • Price: €30,00

Terracina, 1834

35,00 

Terracina, 1834 è un’incisione al bulino acquarellata che offre una splendida veduta della città di Terracina.
Realizzata da Coignet, questa opera è parte del volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×120 approx.
  • Support: Light paper
  • Condition: Good condition

Terracina, 1834

20,00 

Terracina, 1834 It is a copper engraving colored with watercolour, made by Augustin Francois Lemaitre.
This work is taken from Italy by Le Chevalier Artaud, published in Paris in 1835.

  • Sheet size: mm. 140×85 approx.
  • Support: Light sheet
  • Condition: Excellent condition
  • Characteristics: Small margins, white back

This engraving represents a beautiful decorative view, perfect for lovers of art and history.

Terracina, 1834

25,00 

Terracina, 1834 è un’incisione in acciaio realizzata nel 1834, proveniente dal volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich.
Questa opera è caratterizzata da dimensioni di mm. 140×90 su un foglio di mm. 240×150, con un supporto in light paper e un retro bianco. Presenta sporadiche fioriture, che ne attestano l’autenticità e la storia.

  • Era: XIX
  • Technique: Burin
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Terracina, 1850

25,00 

Terracina, 1850 It is an engraving made with the technique of Burin, which offers a splendid view of the city of Terracina, animated by fishermen intent on their daily activities.
This work, dated 1850, presents

  • Engraving size: mm. 116×87
  • Margins: small irregular margins
  • Support: light paper
  • Back: white
  • Condition: good condition

Terracina, 1850

35,00 

Terracina It is a steel engraving made by Edward Francis Finden in 1850.
Questa bella veduta panoramica è animata da soldati e briganti, con sullo sfondo l’antico borgo di Terracina.

  • Sheet size: mm. 138×103
  • Condition: Perfect state of preservation
  • Margins: Piccoli margini irregolari

Terracina, Dintorni, 1840

20,00 

Terracina, Dintorni è una litografia realizzata nel 1840, che offre una vista affascinante dei dintorni di Terracina.
This print is taken from the work Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge across all social classes.

  • Sheet size: cm. 15×13 approx.
  • Support: Paper
  • Condition: Good condition, with writing on the back and on the back

La stampa è stata ritagliata dal libro e viene fornita completa di passepartout, rendendola una bella veduta decorativa per ogni collezionista.

Terracina, Ponte Maggiore, 1819

25,00 

Ponte Maggiore, Terracina it is an etching made by TO THE CASTELLAN in 1819.
This work is part of the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Terracina, Promontorio Circeo, 1860

35,00 

Terracina, Promontorio Circeo it is an engraving made in 1860, representing an Italian landscape.
This work is part of the album Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Terremoto di Basilea, Cosmographia, 1588

30,00 

Terremoto di Basilea It is an engraving made in woodcut, pubblicata nel 1588 da Sebastian Munster all’interno della sua celebre opera Cosmography.
Questa illustrazione, caratterizzata da una scritta in ancient gothic, rappresenta un evento significativo e fa parte di uno dei libri più popolari del XVI secolo.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Handmade laid paper
  • Condition: Excellent

Terpsichore, 1839

15,00 

Tersicore, 1839 è un’incisione in rame che celebra la musa della danza e della lirica corale.
Questa opera proviene dall’ Picturesque Omnibus, un’enciclopedia artistica e letteraria diretta da Vincenzo Torelli, pubblicata a Napoli dalla tipografia dell’Omnibus nel 1839.

  • Sheet size: cm. 8×12 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.

The Annunciation. Annunciation.

25,00 

The Annunciation è un’incisione realizzata da W. Hamilton e incisa da H. Wallis, prodotta tra il 1830 e il 1850.
This work is part of the Scripture Gallery of Engraving ed è pubblicata da John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, retro bianco
  • Notes: Cornice editoriale con vignette

The good samaritan. The good samaritan.

25,00 

The Good Samaritan, also known as The Good Samaritan, is an engraving made by J. Rogers between 1830 and 1850.
This work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back

The engraving features an editorial frame decorated with vignettes, making it a fascinating piece for collectors and art enthusiasts.

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