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Game, pheasants, watercolor, 19th century

35,00 

Game, pheasants It is a watercolor made by an anonymous artist in 19th century.
This work represents a splendid execution of an expert artist, highlighting the beauty and delicacy of pheasants.

  • Sheet size: cm. 9.5x7 approx.
  • Support: Light paper, partially glued on cardboard
  • Condition: Excellent condition

Cadiz, Cadix, 1850

25,00 

Cadiz, Cadix It is an engraving made in 1850, which offers a beautiful view of the historic Spanish city.
This work is an etching on light paper, from a mid-nineteenth-century book, and stands out for its artistic and historical quality.

  • Sheet size: cm. 10×15 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Light paper

Caffè Haux in Boboli, Florence, 1826

20,00 

Haux Café in Boboli, Florence It is an engraving made by Anthony Verico in 1826, using the technique ofcopper etching.
This work is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Traveling Coffee Makers, 1839

20,00 

Caffettiere Ambulante, 1839 è un’incisione in rame realizzata da Cataneo, che rappresenta un affascinante soggetto decorativo.
Questa opera proviene dall’enciclopedia artistica e letteraria Picturesque Omnibus, diretta da Vincenzo Torelli e pubblicata a Napoli nel 1839.

  • Sheet size: cm. 12×15 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte al retro, ed è spedita completa di passepartout.
Omnibus è stata una rivista fondata a Napoli nel 1833, nota per essere uno dei primi e più longevi periodici del Regno delle Due Sicilie, con pubblicazioni che si sono protratte fino al 1882.

Cagli, Coat of Arms, Pesaro and Urbino, 1865

15,00 

Cagli, Coat of Arms, Pesaro and Urbino it's a chromolithography from 1865, representing a civic heraldic coat of arms.
This coat of arms is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition

The page also contains some historical notes about the city and features writing on the back.

Cagliari, 1834

30,00 

Cagliari, 1834 It is an engraving made with the technique of burin su acciaio, che misura mm. 183×114 più margini.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 183×114 circa
  • Support: Light paper
  • Condition: Good condition

The press offers a bella veduta di Cagliari dal mare, con i monti sullo sfondo, rendendola un pezzo affascinante per collezionisti e appassionati di arte.

Cagliari, 1871

20,00 

Cagliari, 1871 it's a woodcut taken from the work The Hundred Cities of Italy, published by Ariodante Manfredi in Milazzo in 1871.
Questa stampa rappresenta una vista storica della città di Cagliari, evidenziando il suo patrimonio architettonico e culturale.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Cagliari, Largo Carlo Felice and New Market, 1890

20,00 

Cagliari, Largo Carlo Felice e Nuovo Mercato è una stampa xilografica realizzata nel 1890, che rappresenta un affascinante scorcio della città di Cagliari.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Cagliari, Sardinia, 1834

30,00 

Cagliari, Sardinia It is an engraving made by W. Brockedon nel 1834, parte del volume Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
This work, designed by H.Gasteneau and engraved by E. Finden, offre una veduta animata della città di Cagliari.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Cagliari, Coat of Arms, 1865

15,00 

Cagliari, Coat of Arms, 1865 It is a civic heraldic engraving made in chromolithography.
This coat of arms comes from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition
  • Support: Paper

The page contains the coat of arms and some historical notes on the city, with writings also on the back.

Cagliari, Coat of Arms, 1871

15,00 

Cagliari, Stemma è un’incisione realizzata nel 1871, tratta dall’opera The Hundred Cities of Italy for Ariodante Manfredi.
Questa xilografia presenta un’incisione di dimensioni cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print was removed from the book and has writing on the verso.

Cain and Abel, 1850

20,00 

Cain and Abel It is an engraving made in 1850, which represents the dramatic moment in which Cain kills his brother Abel.
This work is made in etching and measure cm. 9×14.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Light paper

Calabria Citeriore, Coat of arms, 1865

15,00 

Calabria Citeriore, Coat of Arms it is a heraldic engraving made in 1865, representing the civic coat of arms of Calabria Citeriore.
This chromolithography It is taken from Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition
  • Support: Paper

The page contains the coat of arms and some historical notes on the city, with writings also on the back.

Calandro maggiore (Richard’s Pipit), 1853

15,00 

Calandro maggiore (Richard’s Pipit) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
Questa stampa rappresenta un esemplare di grande bellezza e decoratività, perfetto per gli amanti della natura e della fauna avicola.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Calcinaia, Pisa, Coat of Arms, 1865

15,00 

Calcinaia, Pisa, Stemma it is a civic heraldic engraving made in 1865.
Questo stemma, di dimensioni contenute, è tratto dal Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: cm. 16×24 approx.
  • Coat of arms dimensions: cm. 3×4 approx.
  • Technique: Chromolithography
  • Condition: Excellent
  • Support: Paper

The page also contains some historical notes about the city and features writing on the back.

Caldonazzo, 1870

15,00 

Caldonazzo, 1870 è un’incisione xilografica su legno di testa, che rappresenta una bella veduta decorativa del lago di Caldonazzo.
Questa opera è tratta da un libro tedesco e presenta una didascalia in tedesco gotico.

  • Sheet size: mm. 185×145
  • Condition: Excellent condition
  • Support: Paper
  • Notes: Almost no margins and writing on the back

Calenzano, Florence, Coat of Arms, 1865

15,00 

Coat of arms of Calenzano, Florence it's a chromolithography made in 1865, taken from Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with approximately 1000 colored municipal weapons published by Vallardi in Milan.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition
  • Support: Paper

The coat of arms is slightly larger than a postage stamp and the page containing the coat of arms and some historical notes about the city is sent, with writing also on the back.

Neapolitan Calessino, watercolor

50,00 

Calessino Napoletano è un’acquarello del XX secolo che cattura l’essenza della vita napoletana.
Questa opera raffigura un calessino con una famiglia a bordo, esprimendo un’atmosfera vivace e tradizionale. In basso a destra, è presente la scritta Neapolitan Calesso, che aggiunge un tocco di autenticità all’opera.

  • Sheet size: cm. 19×24 circa
  • Support: Cartoncino rigido
  • Condition: Excellent state of preservation

Calisto Gritti bookplate

20,00 

Calisto Gritti Exlibris it is an engraving made in 1985 by the artist Calisto Gritti.
This exlibris, commissioned by BNEL, is an example of refined engraving technique in etching, which represents a distinctive subject for graphics lovers.

  • Sheet size: mm. 125×170
  • Support: Medium thickness paper
  • Condition: Excellent

Callot, Military Exercises

120,00 

Military Exercises It is a series of 4 engravings made by Jacques Callot, an important engraver of the 17th century.
These works, part of the series Military Exercises, were made in etching and printed by Israel.

  • Sheet size: cm. 8x6.5 approximately for each engraving
  • Support: Laid paper without watermark
  • Condition: Excellent
  • Era: XVII

Callot, Military Exercises

60,00 

Military Exercises It is a series of two engravings made by Jacques Callot (1592-1635), a well-known French engraver.
These works are part of the series Military Exercises and are performed in etching, unsigned, and date back to an unknown era.

  • Sheet size: cm. 8×5 at the copper edge for each engraving
  • Support: Laid paper without watermark
  • Condition: Excellent

Callot, Military Exercises, 1635

250,00 

Military Exercises è una serie di 6 acqueforti realizzate da Jacques Callot nel 1635, parte della collezione Military Exercises.
Ogni incisione misura circa cm. 6×8 e rappresenta diverse tecniche di esercizio militare, tutte stampate su carta vergellata senza filigrana.

  • Incisioni incluse:
  • L’Exercice de l’Arquebuse: Le Chargement (The Exercise of the Arquebus: Loading), 1635
  • L’Exercice de l’Arquebuse: Le Maniement, 1635
  • L’Exercice de la Lance Horizontale (Exercise of the Horizontal Lance), 1635
  • L’Exercice Sans Armes, 1635
  • L’Exercice de la Lance Verticale (Exercise of the Vertical Lance), 1635
  • L’Exercice de la Hallebarde, 1635

Questa serie è un’importante testimonianza della maestria di Callot e della sua capacità di catturare la dinamica degli esercizi militari dell’epoca.

Callot, The Fantasies, 12 engravings

400,00 

Le Fantasie è una serie di 12 incisioni realizzate da Jacques Callot intorno al 1635, parte della sua celebre opera Les Fantaisies.
Queste acqueforti, di dimensioni circa cm. 6×8 ciascuna, sono stampate su laid paper without watermark.

  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Callot, Transport of the Cross

80,00 

Carrying the Cross It is an engraving made by Jacques Callot in the 17th century, part of the series The Great Passion.
This work, identified as Plate no. 5, is a reverse etching, characterised by a size of 110x208 mm, with very small margins.

  • Sheet size: Small
  • Support: Laid paper with unknown watermark
  • Condition: Good, with traces of previous gluing on the back

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