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Como de Medici, Farnese… 1835
20,00 €As the Medici, Farnese… It is an engraving made with the technique of burin on steel in 1835.
This work depicts significant historical figures such as Alessandro Farnese and Leonardo da Vinci, reflecting the art and architecture of the period.
- Size of the joke: cm. 13×9
- Support: Lightweight paper with white backing
- Condition: Excellent
As in 1859 Gravedona
30,00 €Gravedona sul Lago di Como è un’incisione anonima del 1859, che rappresenta due vedute del Duomo di Como.
This woodcut is taken from the work Customs and Traditions of All the Peoples of the Universe, published in Milan.
- Sheet size: mm. 190×290
- Engraving size: mm. 190×290
- Support: Light paper
- Condition: Excellent
Como, 1859, Panorama of the Lake
30,00 €Panorama del Lago di Como It is an anonymous engraving made in 1859, che offre una vista suggestiva del Lago di Como presa da Bellagio, con la Villa Carlotta, già Clerici e Sommariva.
This work is taken from the volume Customs and Traditions of All the Peoples of the Universe, published in Milan.
- Sheet size: mm. 190×290
- Engraving size: mm. 190×290
- Technique: Woodcut
- Support: Light paper
- Condition: Excellent
Como, Fall of the Latte River at Varenna, 1860
35,00 €Como, Caduta del fiume Latte a Varenna è un’acquaforte realizzata nel 1860, che cattura la bellezza naturale della regione.
Questo pezzo è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.
- Sheet size: cm. 24×32 approx.
- Engraving size: cm. 20×14 approx.
- Support: Medium thickness paper
- Condition: Excellent condition
Como, Porta Vittoria, 1890
20,00 €How, Victory Gate it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Como, Coat of Arms, 1871
15,00 €Como, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa rappresenta lo stemma della città di Como ed è caratterizzata da una parte incisa di dimensioni cm. 8×9, con piccoli margini, su un foglio leggero.
- Sheet size: Small
- Condition: Excellent
- Support: Paper
- Notes: The print was removed from the book and has writing on the verso.
Como, View of the Lake, 1877
20,00 €Como, Veduta del Lago è un’incisione xilografica realizzata nel 1877 da Rudolf Schick, un noto pittore di ritratti e paesaggista.
Questa suggestiva veduta del Lago di Como è tratta dal volume Italy by J. Gourdault, published in Paris.
- Size of the joke: mm. 187×113
- Margins: almost absent
- Support: Light paper
- Condition: Excellent
La stampa, ritagliata dal libro, presenta un retro scritto e offre un’immagine nitida e ben contrastata, animata da un’atmosfera vivace.
Comunione, La Meditazione, 1850-90
15,00 €La Meditazione è un’incisione realizzata tra il 1850 e il 1890, che rappresenta il soggetto della Comunione.
Published by the publishing house L.Turgis et fils edit. di Parigi, Francia, questa opera è un esempio di raffinata arte tipografica.
- Sheet size: cm. 8×12 approx.
- Condition: Excellent state of preservation
- Support: Paper
Council of Basel, Cosmographia, 1588
30,00 €Concilio di Basilea It is an engraving made in woodcut nel 1588, pubblicata da Sebastian Munster nel celebre volume Cosmography.
Questa opera, una delle più popolari del XVI secolo, presenta una scritta in ancient gothic and comes from the edition From the German Lands.
- Sheet size: cm. 33×20 approx.
- Engraving size: cm. 12×12 circa
- Support: Handmade laid paper
- Condition: Bad
Condor, 1890
20,00 €Condor, 1890 è una litografia tratta dalla pubblicazione Meyers Conversations Lexicon, published in Germany from the second half of the 19th century.
This work is part of a large series of antique prints made to illustrate this famous encyclopedia.
La stampa è stata pubblicata nel 1890 e presenta le seguenti caratteristiche:
- Sheet size: cm. 20×13 approx.
- Support: Paper
- Condition: Fair general conditions, with slight yellowing of the sheet
Conegliano, Vittorio Emanuele Street, 1890
20,00 €Conegliano, Vittorio Emanuele Street, 1890 it's a woodblock print which represents a fascinating glimpse of Conegliano at the end of the 19th century.
This work is characterized by a large-sized image cm. 9×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 9×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Conegliano, Treviso, 1890
20,00 €Conegliano, Treviso, 1890 it's a woodcut in size cm. 10×13, from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, was cut out of the book and has writing on the back.
The full page print will be shipped, ensuring a complete collecting experience.
- Sheet size: Small
- Support: Paper
- Condition: Excellent
Consacrazione, Cresima, 1880
20,00 €Consacrazione, Cresima It is an engraving made in 1880, che rappresenta un importante momento religioso.
Published by the publishing house A. Frojo Ed.Succ. Leonardi Torino, questa opera è un esempio di arte tipografica italiana.
- Sheet size: cm. 7×11 approx.
- Technique: Etching with lace-cut edges
- Condition: Perfect
- Support: Paper
Consalvo Carelli, Casamicciola
140,00 €Consalvo Carelli, Casamicciola It is a work created by Consalvo Carelli, one of the main exponents of the Posillipo School.
This pencil on paper, dated between 1870 and 1880, measures 142 x 220 mm. Unsigned, the work bears the inscription 'Casamicciola' on the bottom left.
- Sheet size: mm. 142×220
- Support: Paper glued to another paper support
- Condition: Excellent
Carelli, born in Naples in 1818, had an important artistic career, becoming a master of painting and academician of San Luca. His work is a significant example of the Neapolitan landscape tradition of the 19th century.
Consalvo Carelli, Cross of Pozzano
Croce di Pozzano It is a work created by Consalvo Carelli between 1870 and 1880.
This drawing, done in pencil on paper, measures mm. 130×204 and is glued to another paper support.
Carelli, one of the main exponents of the Posillipo School, è noto per la sua abilità nel catturare la bellezza dei paesaggi napoletani.
- Era: XIX
- Technique: Pencil
- Condition: Good
- Dimensions: Small
- Support: Paper
Consalvo Carelli, Woman with Child
80,00 €Donna con bambino It is a work created by Consalvo Carelli between 1870 and 1880, using the pencil on paper technique.
Questo lavoro, non firmato, è incollato ad un altro supporto cartaceo e presenta dimensioni di mm. 100×128.
- Era: XIX
- Technique: Burin
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Consalvo Carelli, one of the main exponents of the Posillipo School, nacque a Napoli nel 1818. Figlio del noto paesaggista Raffaele Carelli, iniziò la sua carriera artistica in giovane età, perfezionando le sue abilità sotto la guida di William Leicht.
Nel corso della sua vita, Carelli ricevette numerosi riconoscimenti, tra cui l’incarico di maestro di pittura della Regina Margherita e la nomina a professore presso l’Accademia di San Luca. Morì a Napoli nel 1900, lasciando un’importante eredità artistica.
Consalvo Carelli, Woman with dog and child
180,00 €Woman with dog and child It is a work created by Consalvo Carelli between 1870 and 1880.
This refined pencil on paper, characterised by a delicate blue colour, is glued to another paper support.
- Sheet size: mm. 225×142
- Condition: Excellent state of preservation
- Support: Paper
Carelli, one of the main exponents of the Posillipo School, was born in Naples in 1818.
His artistic training began at a young age, under the guidance of his father Raffaele, and he perfected his skills with the Englishman William Leicht.
His career includes important recognitions, such as the position of painting master to Queen Margherita and the nomination as professor at the Accademia di San Luca.
Consalvo Carelli, Two Women and a Child
90,00 €Two women and a child It is a work by Consalvo Carelli, created between 1870 and 1880.
This unsigned pencil on paper is glued to another paper support and has two folds.
- Sheet size: mm. 120×148
- Support: Paper
- Condition: Good
- Era: XIX
- Technique: Pencil
Consalvo Carelli, born in Naples in 1818, is one of the main exponents of the Posillipo School, a 19th-century painting movement.
His artistic training began at a young age, under the guidance of his father Raffaele, and he subsequently perfected his technique with the Englishman William Leicht.
Carelli had an important career, becoming an academic of San Luca and collaborating with illustrious figures of his time.
Consalvo Carelli, Family of farmers
70,00 €Farmers' family It is a work created by Consalvo Carelli between 1870 and 1880.
This pencil on paper, glued to another paper support, measures mm. 100×128 and it is a significant example of the work of one of the major exponents of the Posillipo School, 19th century painting movement.
- Era: XIX
- Technique: Pencil
- Condition: Good
- Dimensions: Small
- Support: Paper
Consalvo Carelli, Family of Shepherds
240,00 €Family of shepherds on the road It is a work created by Consalvo Carelli between 1870 and 1880.
This engraving, made in ink on paper, represents an evocative scene of pastoral life, typical of his style influenced by Posillipo School.
- Sheet size: mm. 136×167
- Support: Paper glued to another paper support
- Condition: Excellent
Consalvo Carelli, Landscapes
40,00 €Landscapes It is a work of Consalvo Carelli, built between 1870 and 1880.
This pencil on paper features two sketches, one of which appears to depict Vesuvius.
- Sheet size: mm. 73×132
- Support: Paper
- Condition: Excellent
Carelli, one of the major exponents of the Posillipo School, was born in Naples in 1818.
His artistic training began at a young age, under the guidance of his father, Raffaele, and later with the Englishman William Leicht.
His career includes important recognitions, such as the position of painting master to Queen Margherita and the nomination as professor at the Accademia di San Luca.
Consalvo Carelli, Abruzzo landscape
70,00 €Abruzzo landscape It is a work of Consalvo Carelli, created between 1870 and 1880, using the pencil on paper technique.
This unsigned work is glued to another paper support and measures 38x95 mm.
- Artist: Consalvo Carelli (1818-1900)
- Era: 19th century
- Condition: Excellent
- Support: Paper
- Dimensions: Small
Carelli is considered one of the major exponents of the Posillipo School, a painting movement that had an important influence in the 19th century.
Born in Naples, Carelli honed his art under the guidance of his father and other masters, becoming a renowned landscape painter. His career was marked by important awards and collaborations, including illustrations for historical and artistic works.
Consalvo Carelli, Abruzzo landscape
60,00 €Abruzzo landscape It is a work created by Consalvo Carelli between 1870 and 1880, using pencil on paper.
This unsigned work is glued to another paper support and measures 86x144 mm.
- Artist: Consalvo Carelli (1818-1900)
- Era: 19th century
- Dimensions: Small
- Support: Paper
- Condition: Excellent
Carelli is considered one of the major exponents of the Posillipo School, a pictorial movement that had great development in the 19th century.
Born in Naples to a family from Puglia, Carelli began painting at a young age, learning from his father and perfecting his techniques with the Englishman William Leicht.
He held important roles in the field of art, becoming an academic of San Luca and collaborating with illustrious personalities of his time.
Consalvo Carelli, Abruzzo landscape with shepherds
260,00 €Abruzzo landscape with shepherds It is a work created by Consalvo Carelli between 1870 and 1880. This valuable engraving, signed lower right, represents a typical landscape of Abruzzo, enriched by the presence of shepherds.
Carelli, one of the major exponents of the Posillipo School, used pencil on paper, glued to another paper support.
- Dimensions: mm. 180×280
- Condition: Excellent
- Support: Paper
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