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Showing 1273–1296 of 5975 results

Crispijn van den Queborn Rape of the Vineyard, 1636

25,00 

Rape of the Vineyard It is an engraving made by Crispijn van den Queborn in 1636, which represents a significant biblical episode concerning the rape of the vineyard and the Benjaminites.
Benjamin, Rachel's second son, is at the center of this narrative.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn (1604-1652), Episodio biblico, 1636

25,00 

Episodio biblico It is an engraving made by Crispijn van den Queborn nel 1636.
Questa opera è un esempio significativo dell’arte olandese del XVII secolo, caratterizzata da un’accurata rappresentazione dei temi religiosi.

  • Sheet size: cm. 20×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Crispijn van den Queborn (1604-1652), Resurrection 1636

30,00 

The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn, Massacre of the Innocents, 1636

30,00 

Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Cristina, Regina di Svezia, 1844

15,00 

Cristina, Regina di Svezia è un’incisione su rame realizzata nel 1844, tratta dall’opera Picturesque Omnibus pubblicata a Napoli.
Questa incisione ritrae Cristina di Svezia, una figura storica affascinante, regina dal 1632 al 1654, nota per la sua conversione al cattolicesimo e per il suo patronato verso artisti e intellettuali.

  • Sheet size: cm. 10×11 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

Cristo al Sepolcro, da Van Dyck, 1856

20,00 

Cristo al Sepolcro è una litografia realizzata da Van Dyck nel 1856.
This work comes from the publication Picturesque Polyorama, un’importante rivista napoletana diretta a diffondere conoscenze artistiche e culturali.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 12×17 approx.
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Cristo e l’Adultera, 1850

25,00 

Cristo e l’Adultera è una litografia realizzata da Wenzel nel 1850, ispirata a un dipinto di Saverio Altamura.
This work is taken from theLiterary and Artistic Register by Vittoria Colonna, published in Naples.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Good condition, with some stains and a slightly worn sheet

Christ and the Woman of Samaria 1830-1850

25,00 

Cristo e la donna di Samaria è un’incisione realizzata tra il 1830 e il 1850, che rappresenta un momento significativo tratto dalla Scripture Gallery of Engraving.
Questa opera è stata creata dall’autore da Le Loir e incisa da W.T. Davey, pubblicata da John Tallis & Company, London & New York.

  • Engraving size: cm. 15 x 11 approx.
  • Sheet size: cm. 27 x 21 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, retro bianco
  • Notes: Cornice editoriale con vignette

Christ Crowned with Thorns 1830-1850

25,00 

Christ crowned with thorns It is an engraving made between 1830 and 1850, which represents an iconic theme of Christianity.
This work is taken from the Scripture Gallery of Engraving and was made by Ph Veit, with the engraving by H. Wallis.
The work is published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back and editorial frame with vignettes

Cristo incoronato, Guercino, 1850

20,00 

Cristo incoronato è un’incisione realizzata da Guercino nel 1850, che rappresenta un momento drammatico della Passione di Cristo, con il protagonista incoronato di spine da un soldato.
Questa opera è eseguita con la tecnica del burin e si basa su un quadro di Giovanni Francesco Barbieri, noto come il Guercino, un importante pittore del XVII secolo.

  • Sheet size: cm. 16×12 più margini
  • Support: Strong paper
  • Condition: Excellent condition

Cristoforo Colombo, 1838

15,00 

Christopher Columbus It is a lithograph made in 1838, part of the publication Picturesque Polyorama, un’opera periodica concepita per diffondere utili conoscenze in tutte le classi sociali.
This print, with almost no margins, measures cm. 10×9 e presenta scritte al verso. Viene spedita l’intera pagina ritagliata dal libro, conservando così il contesto originale dell’opera.

  • Sheet size: Small
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

Christopher Columbus, 1839

15,00 

Christopher Columbus it is a lithographic engraving made in 1839, which represents a half-length portrait of the famous explorer.
This work is taken from the volume Picturesque Polyorama, published in Naples.

  • Sheet size: cm. 8x9 approximately at the edge, with smaller margins
  • Support: Paper
  • Condition: Excellent, with writing on the back

Cristoforo Colombo, 1840

20,00 

Christopher Columbus è un’incisione in rame realizzata nel 1840, che rappresenta il famoso navigatore davanti al consiglio di Salamanca.
This work is taken from the work Picturesque Omnibus, an artistic and literary encyclopedia edited by Vincenzo Torelli, published in Naples by the Omnibus printing house.

  • Sheet size: cm. 13×16 approx.
  • Support: Paper
  • Condition: Excellent

The print has been removed from the book and has the verso printed. The entire page containing the print will be sent.

Crocifissione di Gesù, 1830-50

10,00 

Crocifissione di Gesù è una litografia realizzata tra il 1830 e il 1850, che rappresenta uno dei momenti più significativi della tradizione cristiana.
Questa opera, di origine tedesca, è caratterizzata da un’accurata attenzione ai dettagli e da una profonda espressione emotiva.

  • Sheet size: cm. 8×12 approx.
  • Technique: Lithography
  • Condition: Excellent state of preservation
  • Country of origin: Germany

Crucifixion. The Three Crosses. Chromolithograph 1877

35,00 

Crucifixion. The Three Crosses it's a chromolithography from 1877 which represents a touching moment of the Passion of Christ.
In this work, the Madonna is depicted at the feet of Jesus on the cross, expressing all her maternal pain and suffering.
The image is enriched by a game of dice that symbolizes the fight for Jesus' tunic, adding a further layer of meaning to the scene.

  • Print Size: cm. 23 x 13
  • Sheet size: cm. 28 x 19
  • Support: Heavy paper, white back
  • Condition: Good condition

Crocifisso, Michelangelo Naccherino, 1838

15,00 

Crocifisso It is a lithograph made by Michelangelo Naccherino In the 1838.
This print comes from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 19×15 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Crotone, Cape Colonna, Cape Lacinio, 1833

25,00 

Crotone, Cape Colonna, Cape Lacinio it is an engraving made in 1833, representing a suggestive landscape.
This work is an example of etching from the first half of the 19th century, characterised by refined details and a harmonious composition.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Crotone, Capo Colonna, Capo Lacinio, Temple of Minerva, 1832

25,00 

Crotone, Capo Colonna, Capo Lacinio, Tempio di Minerva It is an engraving made in 1832.
This etching rappresenta un’importante veduta del Tempio di Minerva, situato nella storica città di Crotone.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Cryptophasa irrorata, 1836

30,00 

Cryptophasa irrorata è un’incisione al bulino realizzata nel 1836 da Edward Lear e William H. Lizars.
This work is part of the series The Naturalist's Library by Sir William Jardine.

  • Engraving size: mm 100×150
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

L’incisione è caratterizzata da una metamorfosi dettagliata della Cryptophasa irrorata, arricchita da acquarellatura manuale, che ne esalta la bellezza e la complessità.
Edward Lear, noto per i suoi limerick e le illustrazioni, ha saputo unire arte e scienza in questa opera affascinante.

Culbianco (Wheatear), 1853

15,00 

Culbianco (Wheatear) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un affascinante esemplare di avifauna, con un design molto decorativo che la rende ideale per gli amanti della natura e della botanica.

  • Sheet size: mm. 135×100
  • Engraving size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Cumae, Cave of the Sibyl, 1835

20,00 

Cuma, Grotta della Sibilla è un’incisione realizzata nel 1835, che rappresenta uno dei luoghi più affascinanti dei Campi Flegrei.
This work is part of the publication Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di Audot padre, realizzata tra il 1835 e il 1837.

  • Sheet size: mm. 105×73 circa
  • Support: Medium paper
  • Condition: Good state of preservation

Cuma, Ischia, C.Frommel, 1829

25,00 

Cuma, Ischia It is an engraving made by Carl Frommel In the 1829, che rappresenta l’Arces Apollinis e la Cittadella di Cuma.
This work is part of the volume 50 Bilder zu Virgils Heneide…, featuring high-quality engraving.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Cuma, Napoli, 1889

15,00 

Cuma, Napoli it's a woodblock print realizzata nel 1889, proveniente dal volume Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.
This work presents a measurement of the printed part of cm. 9×10 con margini quasi assenti, e include scritte intorno e al verso, rendendola un pezzo interessante per collezionisti e appassionati di storia.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Cuneo, Staffarda Abbey, 1890

20,00 

Cuneo, Badia di Staffarda It is a woodcut print made in 1890 by the engraver Barberis.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 14×12 circa, con testo attorno e al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

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