Small

Showing 1441–1464 of 5975 results

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Luigi D’Auphin è un’acquaforte acquarellata realizzata da Nicolas de Larmessin nel 1680.
Questa opera ritrae il figlio di Luigi il Grande e di Maria Teresa d’Austria, ed è firmata De L’Armessin, sculpsit.

  • Sheet size: cm. 25×18 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Delphi, Greece, Etching, 1834 C.Stanfield

30,00 

Delphi, Greece It is an engraving made in 1834 by C. Stanfield, a famous designer, and engraved by E. Finden.
This work is taken from Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron, published by John Murray in London.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

This animated view of Delphi, home of the oracle of the god Apollo, represents an important artistic testimony of the 19th century.

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, representing a series of vessels.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels It is a work created by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This etching on thick ivory-colored unlaid paper it has the following characteristics:

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Support: Unlaid paper
  • Condition: Perfect

The work is a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBellaThe plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels It is a work created by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This etching on thick ivory-colored unlaid paper it has the following characteristics:

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Support: Unlaid paper
  • Condition: Perfect

The work is a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBellaThe plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, representing a series of vessels.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Delphi, C.Frommel, 1829

25,00 

Delphi It is an engraving made by Carl Frommel In the 1829.
This work is part of the series 50 Bilder zu Virgils Heneide…, featuring high-quality engravings.

  • Sheet size: cm. 21×26 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Delusione d’amore, 1850

15,00 

Delusione d’amore è un’incisione realizzata nel 1850, che cattura l’essenza di un tema romantico profondo.
This work is made with the combination of etching and burin, su carta di medio spessore, e presenta un retro bianco.

  • Engraving size: cm. 7×9 senza margini
  • Condition: Excellent condition
  • Support: Medium thickness paper

Deposizione, A.Correggio, 1837

25,00 

Deposition è una litografia realizzata da A. Correggio nel 1837, tratta dal Universal pictorial warehouse of Genoa.
Questa opera, che misura cm. 15×19, è stampata su un foglio di cm. 21×27 ed è realizzata su light paper with white back.

  • Sheet size: cm. 21×27
  • Lithograph dimensions: cm. 15×19
  • Technique: Lithography
  • Condition: Excellent

Deposizione, Ribera, 1884

15,00 

Deposition è un’incisione xilografica realizzata da Ribera nel 1884.
This work is taken from the volume Neapel di R. Kleinpaul, pubblicato a Lipsia.

  • Sheet size: mm. 130×165
  • Condition: Excellent condition
  • Support: Paper
  • Notes: Margini quasi assenti, retro stampato

Desenzano, Brescia, View, 1890

20,00 

Desenzano, Brescia, View it's a woodblock print made in 1890, which offers a fascinating view of the locality.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 12 x 10 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 12×10 approx.
  • Support: Paper
  • Condition: Excellent

Desmarets de Saint-Sorlin, Hesperie, 1873

20,00 

Hesperia It is a watercolour etching made in 1873 by Desmarets de Saint-Sorlin.
This work is part of the series Le Théatre Francais, XVI et au XVII siécle, edited by M. Edouard Fournier.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 12×17 approx.
  • Technique: Etching
  • Condition: Excellent condition
  • Support: Paper

The Theebereitung, China, 1850

25,00 

The Theebereitung It is an engraving made in China in 1850, representing a significant moment in tea culture.
This work is an example of etching high quality, with an image size of 10x15 cm, excluding margins.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Medium thickness paper with white backing

Malamocco Dam, Venice, 1866

25,00 

Diga di Malamocco, Venezia it's a woodcut taken from the work From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore nel 1866.
Questa stampa rappresenta un affascinante scorcio della laguna veneta, evidenziando la bellezza del paesaggio.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: White backed paper
  • Condition: Excellent condition

Dinotherion Giganteum, animali leggendari, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 15×15 circa
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Discesa dal Vesuvio, 1846

25,00 

Discesa dal Vesuvio It is a watercolour lithograph made by Karl Girardet nel 1846, che rappresenta un momento suggestivo del ritorno dal Vesuvio.
This work is taken from the volume Picturesque Polyorama, published in Naples.

  • Sheet size: cm. 20×26 approx.
  • Image size: cm. 14×18 approx.
  • Support: Paper
  • Condition: Excellent

Discesa dal Vesuvio, P.Mattei, 1853

60,00 

Discesa dal Vesuvio è un’incisione realizzata da Pasquale Mattei nel 1853.
This work, performed with the technique of Burin e arricchita da un delicato acquarello, rappresenta un affascinante scorcio della vita napoletana.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper, white back
  • Condition: Excellent state of preservation

L’incisione è firmata in lastra e proviene dall’opera Customs and Traditions of Naples and Surrounding Areas di Francesco De Bourcard, pubblicata nel 1853.
Si tratta di un’opera originale e non di una copia anastatica.

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.