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Showing 2065–2088 of 5975 results

Gesù, Cristo Re, 1863

10,00 

Gesù, Cristo Re è un’incisione realizzata nel 1863, che rappresenta una figura centrale della fede cristiana.
Questa opera è stata pubblicata dalla casa editrice Tours Mame et C. in Francia ed è caratterizzata da una tecnica di acquaforte colorata a mano, che conferisce profondità e vivacità all’immagine.

  • Sheet size: cm. 7×12 approx.
  • Condition: Excellent condition
  • Support: Paper

Gesù, La fedeltà, canivet, 1850

20,00 

Gesù, La fedeltà è un canivet realizzato nel 1850, pubblicato dalla casa editrice Ch. Letaille-E.Bonard Edit. Pontifical di Parigi.
Questo pezzo, che rappresenta un soggetto religioso, è caratterizzato da una preghiera al verso e si presenta in condizioni ottime.

  • Dimensions: cm. 8×12 (Piccolo)
  • Technique: Burin
  • Support: Paper
  • Country of origin: France, Paris
  • Serial number: Pl.503

Gesù, Sacro cuore di Gesù, Canivet 1850

15,00 

Gesù, Sacro cuore di Gesù è un canivet realizzato nel 1850, rappresentante il Sacro Cuore di Gesù.
This work is published by M.Daniel e C. Edit. r. Bonaparte, 76 Paris e proviene da Parigi, Francia.

  • Dimensions: cm. 8×12
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Paper
  • Prayer: Presente al recto

Gesù, Sacro Cuore, 1830-50

10,00 

Jesus, Sacred Heart è una pregevole cromolitografia realizzata tra il 1830 e il 1850.
Questo lavoro artistico rappresenta il Sacro Cuore di Gesù, simbolo di amore e devozione.

  • Sheet size: cm. 6×9
  • Technique: Cromolitografia con bordi trinati e colorati d’oro
  • Condition: Excellent condition
  • Support: Paper

Jesus, Sacred Heart, Bouasse, 1888

15,00 

Jesus, Sacred Heart It is a print made in 1888 by the Bouasse-Lebel publishing house, located in Paris, France.
This work, which presents a sacred image of Jesus with the Sacred Heart, is characterized by a format of cm. 7,5×12 and includes a prayer.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Good
  • Support: Paper
  • Notes: Two small losses on the right edge and one on the left

Jesus, Last Supper, 1830-50

10,00 

Jesus, Last Supper It is an engraving made between 1830 and 1850, representing the famous moment of the Last Supper.
This work is published by Leonardo da Vinci and Carl Mayer in Germany.

  • Sheet size: cm. 8×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

Jesus, Man of Sorrows, 1863

10,00 

Gesù, Uomo dei dolori It is an engraving made in 1863, rappresentante il soggetto di Gesù in un momento di profonda sofferenza.
Questa opera è stata pubblicata dalla casa editrice Tours Mame et C. in Francia.

  • Sheet size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Ghiandaia Siberiana, 1875

25,00 

Ghiandaia Siberiana è una litografia acquarellata realizzata nel 1875, tratta dall’opera A History of Birds of Europe di Charles Robert Bree, pubblicata a Londra.
Questa affascinante illustrazione rappresenta la Ghiandaia Siberiana, un uccello noto per il suo comportamento curioso e vivace.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent state of preservation

Jacob, 1850

25,00 

Jacob It is a lithograph made by Domenico Caldara in 1850, taken from the work Literary and Artistic Register by Vittoria Colonna, published in Naples.
This work presents an interesting artistic representation, with small dimensions that make it ideal for collectors and art enthusiasts.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Technique: Lithography
  • Condition: Good, with some stains and a slightly worn sheet
  • Support: Paper

Giacomo (James) Watt, 1839

15,00 

Giacomo (James) Watt It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
Questa stampa, che presenta margini quasi assenti, è contenuta nella pagina del libro e presenta scritte al verso. Verrà spedita l’intera pagina che contiene l’incisione.

  • Sheet size: cm. 12×10 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Giacomo Benigno Bossuet, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Jacques Bénigne Bossuet (Digione, 27 settembre 1627 – Parigi, 12 aprile 1704) è stato uno scrittore, vescovo cattolico, teologo e predicatore francese.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

James Bongiovanni, Joseph Vaccaro, 1843

20,00 

The cobbler in disagreement it's a lithographic printing created by Giacomo Bongiovanni and Giuseppe Vaccaro in 1843.
This work is taken from Picturesque Polyorama, a Neapolitan periodical publication aimed at spreading useful knowledge among all social classes.

  • Sheet size: cm. 18×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print is contained on one page of the book, with writing around and on the verso, and the entire page containing the print is shipped.
James Bongiovanni, born in 1772 in Caltagirone, is known for his works that portray Sicilian popular life, modeling scenes of everyday life with a pleasant naturalism.

Giacomo Cook, 1844

15,00 

Giacomo Cook è un’incisione su rame realizzata nel 1844, tratta dall’opera Picturesque Omnibus pubblicata a Napoli.
Questa incisione rappresenta il celebre esploratore britannico James Cook, noto per i suoi viaggi nell’Oceano Pacifico e per la sua cartografia innovativa.

  • Sheet size: cm. 10×11 circa
  • Support: Light paper
  • Condition: Excellent condition
  • Era: XIX
  • Technique: Burin

Giacomo Leopardi on his deathbed, 1856

25,00 

Giacomo Leopardi on his deathbed it's a lithographic printing built in 1856.
This work is taken from Picturesque Polyorama, a periodical publication that aimed to spread useful knowledge across all social classes.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 12×10 approx.
  • Support: Paper
  • Condition: Good state of preservation

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Giacomo Luigi David, 1839

15,00 

Giacomo Luigi David It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This small print has almost no margins and includes writing on the back. The full page, which contains the print, will be shipped.

  • Sheet size: cm. 7x8 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Giambattista Vico, 1838

15,00 

Giambattista Vico it's a lithographic printing made in 1838, taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
This print was produced in Naples by the Poliorama Pittoresco printing and lithography shop, under the direction of Filippo Cirelli.

  • Printed part dimensions: cm. 10×9
  • Margins: almost absent
  • Condition: Excellent
  • Support: Paper

The print is contained in a page cut from the book and has writing on the verso. The entire page containing the print is shipped.

Gian di Procida, 1837

20,00 

Gian di Procida è una litografia realizzata nel 1837, tratta dal Universal Pictorial Warehouse of Genoa.
L’opera rappresenta Gian di Procida mentre giura vendetta sulla tomba di Corradino di Svevia, un momento storico significativo legato ai Vespri Siciliani.

  • Sheet size: cm. 21×28 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Gian Lorenzo Bernini, 1836

15,00 

The Madonna and St. Anna it is a bas-relief made by Gian Lorenzo Bernini, published in 1836.
This lithograph is taken from the volume Universal Pictorial Warehouse, published in Genoa.

  • Sheet size: cm. 20×15 approx.
  • Technique: Lithography
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Gian Vincenzo Gravina, 1842

15,00 

Gian Vincenzo Gravina It is a copper engraving made in 1842, proveniente dall’opera Picturesque Omnibus of Naples.
Questa stampa, con dimensioni di cm. 10×12, presenta i margini più piccoli alla battuta.

  • Author: Gian Vincenzo Gravina, giureconsulto e letterato, noto per il suo contributo al cartesianesimo e fondatore dell’Accademia dei Quirini.
  • Condition: Ottima, con scritte al retro.
  • Shipping: Viene fornita la pagina intera contenente la stampa.

Giancesare Battaini

20,00 

Giancesare Battaini It is a work created by Joseph Mirabella In the 1987.
This woodcut celebrates the textile art of Como, a theme of great cultural and artistic relevance.

  • Sheet size: mm. 80×113
  • Support: Light paper
  • Condition: Excellent
  • Client: BNEL

Gianni Mantero (1897-1985)

15,00 

Gianni Mantero It is an engraving made by Gianni Mantero, an artist known for his distinctive style.
This work, dated between 1897 and 1985, is an example of woodblock print, a technique that requires great skill and precision.

  • Sheet size: mm. 82×104
  • Support: Light paper
  • Condition: Excellent

Gianni Mantero (1897-1985)

12,00 

Gianni Mantero It is an engraving made in 1931 dall’artista italiano Gianni Mantero (Novi Ligure, 1897-Cernobbio, 1985).
Questa opera rappresenta il tema della Cresima ed Eucarestia, eseguita con la tecnica della woodblock print.

  • Sheet size: mm. 105×155
  • Support: Light paper
  • Condition: Excellent

Giardino di Boboli, Firenze, 1826

20,00 

Giardino di Boboli, Firenze it is an etching on copper made by Anthony Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Geneva, Chillon, 1884

20,00 

Geneva, Chillon It is a woodcut made in 1884, which represents the suggestive Chillon Castle and Lake Geneva.
This work is taken from the volume Picturesque Europe, published in London by Cassell & Co., with illustrations by eminent artists.

  • Sheet size: cm. 23×16 approx.
  • Support: Paper with printed back
  • Condition: Excellent

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