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Showing 2305–2328 of 5975 results

The cobbler, 19th century woodcut

25,00 

The Cobbler è una xilografia dell’800, ispirata a una stampa antica di Van Ostade.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

The cobbler, 19th century woodcut

25,00 

The Cobbler è un’incisione in xilografia risalente all’800, proveniente da una stampa antica.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

The cobbler, 20th century

30,00 

The Cobbler it's a chromolithography made in 20th century, which captures the essence of a craftsman at work.
This work, of small dimensions, measures 19x16 cm without margins and presents an unidentified signature at the bottom right.

  • Sheet size: cm. 19×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent

Il cicerone, Duclere, 1853

60,00 

Il Cicerone è un’incisione realizzata da Duclere nel 1853, eseguita con la tecnica del Burin e presentata in un elegante watercolor.
This work is taken from Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper, white back
  • Condition: Perfect state of preservation

La figura del cicerone, fondamentale per i forestieri che visitavano Pozzuoli, era regolamentata da un articolato sistema di polizia che disciplinava il loro lavoro e le tariffe. Questo pezzo rappresenta un’importante testimonianza storica di quel periodo.

Il Cliente, F.P.Stephanoff, 1850

20,00 

Il Cliente It is an engraving made by F.P. Stephanoff In the 1850.
This work, entitled The Fair Client, è realizzata con la tecnica dell’Etching and of the bulino acquarellato.

  • Sheet size: cm. 15×22
  • Engraving size: cm. 10×14
  • Support: Thick paper
  • Condition: Excellent state of preservation

Il club del fumo, A.H.Payne, 1850

25,00 

Il Club del Fumo It is an engraving made by AH Payne in 1850.
This work, also known as The Smoking Club, è un’acquaforte al bulino colorata all’acquerello.

  • Sheet size: cm. 26×20 approx.
  • Engraving size: cm. 18×13 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Il club del fumo, D.Tenier, 1850

20,00 

Il Club del Fumo è un’incisione realizzata da D. Tenier nel 1850.
This work, also known as The Smoking Club, is a fine example of burin etching.

  • Sheet size: cm. 26×20 approx.
  • Engraving size: cm. 18×13 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Il Concilio di Trento, 1840

20,00 

Il Concilio di Trento It is a copper engraving made in 1840.
This work is taken from Picturesque Omnibus, an artistic and literary encyclopedia edited by Vincenzo Torelli, published in Naples by the Omnibus printing house.

  • Sheet size: cm. 13×16 approx.
  • Condition: Excellent
  • Support: Paper

The print has been removed from the book and has the verso printed. The entire page containing the print will be sent.

Il Conte Ugolino, 1839

15,00 

Il Conte Ugolino It is an engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa incisione in rame misura cm. 8×10 e presenta margini quasi assenti.

  • Sheet size: Small
  • Engraving size: cm. 8×10
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.

Il cordaio, xilografia dell’800

25,00 

Il Cordaio è una xilografia dell’800, proveniente da una stampa antica.
Questa opera è tratta da un testo della fine del XIX secolo e presenta un testo attorno e al verso.
The full page, containing the print, extracted from the book will be sent.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 9×11 approx.
  • Support: Paper
  • Condition: Excellent

Il Cordaio, xilografia dell’800

25,00 

Il Cordaio It is a 19th century woodcut, made by Jost Amman.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 8×6 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Il Corricolo, 1856

40,00 

Il Corricolo è una finissima incisione al bulino realizzata nel 1856, che rappresenta i costumi tradizionali napoletani.
This work is taken from the volume Picturesque voyage in southern Italy by M. Paul De Musset, published in Paris by Morizot editeur.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Il Corsaro Incisione su rame 1838

15,00 

Il Corsaro It is a copper engraving made in 1838 dall’incisore And. Russo.
This work is taken from thePicturesque Omnibus e rappresenta un momento toccante tra Medora e il suo amato, ispirato dal melodramma di Verdi e dall’omonima novella in versi di Byron.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Il corteggiamento, 1850

20,00 

Il Corteggiamento è un’incisione realizzata nel 1850, che cattura un momento di interazione romantica.
This work is made with the technique ofetching and burin on medium thickness paper.

  • Print Size: cm. 16×11 senza margini
  • Back: White
  • Condition: Excellent condition

Il corteggiamento, A.H.Payne, 1850

20,00 

Il Corteggiamento è un’incisione realizzata da A.H. Payne nel 1850, conosciuta anche con il titolo Die Liebeswerbung.
This work, performed with the technique of burin, rappresenta un ragazzo caduto e privo di sensi in montagna.

  • Sheet size: mm. 114×164 (battuta) più margini
  • Condition: Good state of preservation
  • Support: Medium engraving paper

Il direttore, 1850

20,00 

Il Direttore è una litografia realizzata nel 1850, un’opera che rappresenta l’arte del XIX secolo.
Questa stampa, di dimensioni contenute, è stata incollata su un altro supporto cartaceo, rendendola un pezzo unico da collezione.

  • Sheet size: cm. 19×11 circa
  • Era: 19th century
  • Technique: Lithography
  • Condition: Excellent
  • Support: Thick paper

Il doge Francesco Erizzo, 1842

15,00 

Il doge Francesco Erizzo è una litografia realizzata nel 1842, che ritrae il 98º doge della Repubblica di Venezia.
This print comes from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 14×16 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è contenuta in una pagina del libro, con scritte attorno e al verso, e verrà spedita l’intera pagina contenente la stampa.

Il doratore, xilografia dell’800

25,00 

Il Doratore è un’incisione in xilografia dell’800, che rappresenta una bottega di corniciaio.
This work is taken from an old 17th century print and comes from a text from the late 19th century.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Il Duca di Reichstadt, figlio di Napoleone, 1842

15,00 

Il Duca di Reichstadt, figlio di Napoleone è un’incisione in rame realizzata nel 1842, tratta dall’Picturesque Omnibus of Naples.
Questa opera rappresenta Napoleone Francesco Giuseppe Carlo Bonaparte, noto anche come Napoleone II, figlio di Napoleone Bonaparte.

  • Sheet size: cm. 12×16 approx.
  • Support: Paper
  • Condition: Excellent

​Il Duomo di Firenze, 1866

25,00 

Il Duomo di Firenze è una xilografia realizzata nel 1866, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.
Questa stampa rappresenta uno dei simboli più iconici della città di Firenze, catturando la bellezza e l’imponenza della cattedrale.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Il Fabbro galante, xilografia dell’800

25,00 

Il Fabbro galante è una xilografia dell’800, realizzata da una stampa antica di Pigal.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

The Blacksmith dressed, 19th century woodcut

25,00 

The Blacksmith dressed it's a woodcut humorous 19th century print, inspired by an old 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Il figliuol prodigo, Lionello Spada, 1838

20,00 

Il Figliuol Prodigo it's a lithographic printing realizzata da Lionello Spada nel 1838.
This work is taken from Picturesque Polyorama, a periodical publication that aimed to spread useful knowledge to all classes of society.

  • Printed part dimensions: cm. 18×15
  • Margins: almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Il filosofo, Rembrandt, 1872

15,00 

Il Filosofo è un’incisione xilografica originale realizzata da Rembrandt nel 1872.
This work is taken from The Popular Illustration, published in Milan by the Treves Brothers.

  • Sheet size: mm. 120×110
  • Support: Light sheet
  • Condition: Buone, con scritte sul retro e ritagliata dal libro

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