XIX

Showing 337–360 of 6814 results

Arezzo, Cathedral, 1834-1837

25,00 

Arezzo, Duomo It is a steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent condition

This view is lively and decorative, perfect for art and history lovers.

Arezzo, Cathedral, 1871

20,00 

Arezzo, Cathedral, 1871 it's a woodcut taken from the work The Hundred Cities of Italy, published by Ariodante Manfredi in Milazzo in 1871.
Questa stampa rappresenta un’importante testimonianza artistica e culturale del periodo, con una dimensione dell’incisione di cm. 10×14 su un foglio leggero di cm. 16×23.

  • Sheet size: cm. 16×23
  • Engraving size: cm. 10×14
  • Support: Light paper
  • Condition: Excellent condition

Arezzo, The Cathedral, 1890

20,00 

Arezzo, The Cathedral it's a woodblock print made in 1890, which represents an important testimony of Italian graphic art of the late nineteenth century.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text, and on the back of the sheet there is additional text. The complete sheet measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Arezzo, Great Palace, 1890

20,00 

Arezzo, Palazzo Grande è una xilografia del 1890 che rappresenta una vista suggestiva del Palazzo Grande con la parte posteriore della Pieve e il Palazzo della Fraternità.
This work is taken from Illustrated geographical Italy di P. Premoli e presenta un testo decorativo attorno e al verso.

  • Sheet size: cm. 12×16 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Arezzo, Square, 1834-1837

25,00 

Arezzo, Square It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

This view is lively and decorative, perfect for art and history lovers.

Arezzo, Coat of Arms, 1871

15,00 

Arezzo, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
This print features an engraving measuring 8x9 cm, with small margins, on a light sheet.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print was removed from the book and has writing on the verso.

Argenta, Via Mazzini, 1890

20,00 

Argenta, Via Mazzini, 1890 it's a woodblock print che proviene da un testo italiano di fine Ottocento.
Questa opera presenta un’immagine di dimensioni cm. 14×10 circa, circondata da testo e con ulteriore testo al verso del foglio, che misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 14×10 approx.
  • Support: Paper
  • Condition: Excellent

Ariano Puglia, The Cathedral, 1890

20,00 

Ariano Puglia, The Cathedral it's a woodblock print built in 1890, which represents an important testimony of the Italian artistic heritage of the late nineteenth century.
This work presents an image measuring approximately 10x12 cm, surrounded by text and with further annotations on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Aryan, 1889

25,00 

Aryan, 1889 è un’incisione xilografica che rappresenta un paesaggio agreste, proveniente dall’opera Naples and Sicily by J. Gourdault, published in Paris.
Questa stampa, con dimensioni di mm. 120×178, presenta margini più piccoli ed è in excellent condition.

  • Sheet size: Small
  • Engraving size: mm. 120×178
  • Support: Paper
  • Condition: Excellent

Ariccia, 1829

30,00 

Ariccia, 1829 it is a copper engraving that offers a suggestive animated view of the city of Ariccia.
Made in 1829, this work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper, white back
  • Condition: Excellent condition

Ariccia, 1840

30,00 

Ariccia, 1840 it is a steel engraving that offers a fascinating view of the town of Ariccia.
Made in 1840 for the volume Picturesque Italy, published by Ernst Kollmann in Leipzig, this work has wide margins and a remarkable printing quality.

  • Sheet size: mm. 140×230
  • Engraving size: mm. 102×155
  • Support: Paper
  • Condition: Good general condition

The engraving is signed by FROMMEL del. and made by Atelier C.Frommel and H. Winkles, showing a beautiful animated view, well contrasted and decorative.

Ariccia, 1860

35,00 

Ariccia It is an engraving made in 1860, part of the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work is an etching that represents an important artistic testimony of the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Ariccia, 1877

25,00 

Ariccia, 1877 It is a woodcut made by Adolf Closs, a well-known 19th-century wood engraver.
This work offers a beautiful panoramic view from Ariccia, lively and very decorative, perfect for enriching any environment.

  • Sheet size: cm. 25×19 approx.
  • Engraving size: cm. 20×15 approx.
  • Support: Paper
  • Condition: Excellent

Ariccia, Lazio, 1835

25,00 

Ariccia, Lazio, 1835 It is a copper engraving that captures the beauty of this place.
Made in 1835, this work is taken from C. Strahlheim – Die Wundermappe oder sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs, published in Frankfurt am Main.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent condition

Ariccia, Chigi Palace, 1834

30,00 

Ariccia, Chigi Palace It is an engraving made with the technique of burin on steel in 1834.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in the same year.

  • Sheet size: mm. 119×185 plus margins
  • Condition: Good
  • Support: Lightweight paper, white back

The view offers a clear and decorative representation of the castle, making it a fascinating work for lovers of art and history.

Ariccia, Ghigi Palace, 1832

25,00 

Ariccia, Ghigi Palace It is a steel engraving made by James Duffield Harding in 1832, taken from the work Tourist in Italy by Thomas Roscoe.
This evocative view of the Palazzo Ghigi is characterised by a clear and well-contrasted illustration, which captures the essence of the Italian landscape of the time.

  • Sheet size: cm. 19×12 approx.
  • Engraving size: cm. 14×10 approx.
  • Support: Medium thickness paper
  • Condition: Excellent

Arlesiana, Woman of Arles, 1850

20,00 

Arlesiana, Donna di Arles è una litografia realizzata nel 1850, che cattura l’essenza della figura femminile tipica della regione di Arles.
This work, from the period 19th century, è stampata su carta spessa e presenta dimensioni di cm. 24×13.

  • Sheet size: Small
  • Support: Thick paper glued to another paper support
  • Condition: Good

Armadillo, Sloth, 1890

15,00 

Armadillo, Sloth It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany since the second half of the 19th century by the Bibliographischen Instituts, with offices in Leipzig and Vienna.
This print features a white back and a light yellowing of the sheet, highlighting its state of conservation.

  • Sheet size: cm. 29×23
  • Condition: Discrete
  • Folding: The sheet has a central fold because it was originally inserted folded into the volume

Armed, Salvino of the Armed, 1857

30,00 

Armed, Salvino of the Armed it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper with white back.

  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
  • History: Salvino degli Armati is known as one of the alleged inventors of glasses, although he is probably a character who never existed, the result of a 17th century forgery.

Weapons of War, 1850

15,00 

Weapons of war This is an original woodcut engraving from 1850, depicting a variety of military weapons such as spears, shields, helmets and swords, with captions in German.
This work is taken from the Bilder-Atlas, published in Leipzig by FA Brockhaus.

  • Sheet size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Arnold von Winkelried, A.H.Payne, 1850

20,00 

Arnold von Winkelried It is an engraving made by AH Payne in 1850, using the technique of burin.
This work is published by Verlag d. Englischen Kunstastalt AH Payne, Leipzig & Dresden.

  • Sheet size: mm 210×270
  • Condition: Good state of preservation
  • Support: Medium engraving paper

It represents a mythical figure in Swiss history, a symbol of courage and sacrifice.

Arnolfo di Lapo, 1857

30,00 

Arnolfo di Lapo è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa opera rappresenta Arnolfo di Cambio, noto scultore e architetto italiano attivo a Roma e Firenze tra il Duecento e il Trecento.

  • Sheet size: cm. 23×32 approx.
  • Size of the joke: mm. 140×180 circa
  • Support: Strong paper
  • Condition: Ottima, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione

Arona, 1835 St. Charles Borromeo

25,00 

Arona, Statue of St. Charles Borromeo it is a copper engraving made in 1835, which represents the monumental statue of St. Charles Borromeo located in Arona, in the province of Novara.
This work was published by Audot and made by Lhuillier, who took care of both the drawing and the engraving.

  • Sheet size: cm. 12.5×16 approx.
  • Engraving size: cm. 12.5×16 approx.
  • Support: Paper
  • Condition: Excellent

Arona, The Colossus of St. Charles Borromeo, 1860

35,00 

Arona, Il Colosso di S. Carlo Borromeo è un’incisione realizzata nel 1860, che rappresenta una delle opere più significative del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

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