XIX

Showing 5857–5880 of 6814 results

Stefano della Bella, Il Fuoco, XIX secolo

40,00 

Il Fuoco è un’incisione realizzata da Stefano della Bella, datata al 19th century.
Questa opera è una copia in controparte di una delle quattro tavole della serie I quattro elementi: terra, acqua, aria e fuoco (DeVesme/Massar, 756).

  • Sheet size: cm. 16×30
  • Engraving size: mm. 190×75
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Stefano della Bella, Il Fuoco, XIX secolo

40,00 

Il Fuoco è un’incisione realizzata da Stefano della Bella, datata al 19th century.
Questa opera è una copia in controparte di una delle quattro tavole della serie I quattro elementi: terra, acqua, aria e fuoco (DeVesme/Massar, 756).

  • Sheet size: cm. 16×30
  • Engraving size: mm. 190×75
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Stefano della Bella, Paesaggi di Roma, XIX secolo

70,00 

Paesaggi di Roma è un’incisione realizzata da Stefano della Bella, datata al XIX secolo.
Questa opera rappresenta una copia in controparte dalla serie Paesaggi e rovine di Roma, come descritto da De Vesme e Massar.

  • Sheet size: cm. 37×32
  • Engraving size: mm. 133×133
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

L’incisione è firmata in basso a sinistra con la dicitura ‘Stef.Della Bella invent fecit’ e presenta il marchio a secco della Calcografia di Roma.

Stefano della Bella, Paesaggi di Roma, XIX secolo

70,00 

Paesaggi di Roma è un’incisione realizzata da Stefano della Bella, datata al XIX secolo.
Questa opera rappresenta una copia in controparte dalla serie Paesaggi e rovine di Roma, come descritto da De Vesme e Massar.

  • Sheet size: cm. 37×32
  • Engraving size: mm. 133×133
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

L’incisione è firmata in basso a sinistra con la dicitura ‘Stef.Della Bella invent fecit’ e presenta il marchio a secco della Calcografia di Roma.

Stefano della Bella, Paesaggi e Rovine di Roma, XIX sec

70,00 

Landscapes and Ruins of Rome è un’incisione realizzata da Stefano della Bella, un artista attivo nel XVII secolo, ma questa specifica opera risale al XIX secolo.
Si tratta di un’acquaforte su carta non vergellata spessa color avorio, che misura mm. 133×133 alla battuta del rame su un foglio di cm. 37×32.
Questa copia è in controparte dalla serie Landscapes and Ruins of Rome (DeVesme/Massar, 819-831), come descritto da De Vesme e Massar a pagina 128. Le lastre di queste copie appartengono alla Calcografia di Roma, come indicato dal marchio a secco visibile all’angolo in basso a sinistra del frontespizio (Lugt 2144).

  • Sheet size: cm. 37×32
  • Engraving size: mm. 133×133
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Stefano della Bella, Paesaggi e Rovine di Roma, XIX sec

70,00 

Landscapes and Ruins of Rome è un’incisione realizzata da Stefano della Bella, un artista attivo nel XVII secolo, ma questa specifica opera risale al XIX secolo.
Si tratta di un’acquaforte su carta non vergellata spessa color avorio, che misura mm. 133×133 alla battuta del rame su un foglio di cm. 37×32.
Questa copia è in controparte dalla serie Landscapes and Ruins of Rome (DeVesme/Massar, 819-831), come descritto da De Vesme e Massar a pagina 128. Le lastre di queste copie appartengono alla Calcografia di Roma, come indicato dal marchio a secco visibile all’angolo in basso a sinistra del frontespizio (Lugt 2144).

  • Sheet size: cm. 37×32
  • Engraving size: mm. 133×133
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Stephen Pasquier, 1846

15,00 

Stephen Pasquier It is a copper engraving made in 1846, taken from the volume Picturesque Omnibus.
This work measures approximately 12x14 cm and features text both around and on the back.

  • Sheet size: cm. 12×14 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Stephen Pasquier, born in Paris in 1529, was a skilled lawyer and man of letters, known for his opposition to the Jesuits.
The print will be shipped with the full page taken from the book.

Stemma della Duchessa di Kendal, W.Hogarth, 1840

20,00 

Stemma della Duchessa di Kendal It is an engraving made by W. Hogarth in 1840.
Questa opera rappresenta gli stemmi nobiliari con un’elegante incisione all’acquaforte su acciaio, acquarellata a mano.

  • Sheet size: cm. 27×21 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

Coat of arms of the Province of Naples, 1866

25,00 

Coat of arms of the Province of Naples it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Alba, Cuneo, 1866

25,00 

Stemma di Alba, Cuneo it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

​Stemma di Alessandria, 1866

25,00 

Stemma di Alessandria it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Ancona , 1866

25,00 

Stemma di Ancona It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Coat of arms of Arezzo, 1866

25,00 

Stemma di Arezzo It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Ascoli, 1866

25,00 

Stemma di Ascoli è un’incisione realizzata nel 1866,
una xilografia colorata a mano ad acquarello e tempera, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Bergamo, 1866

25,00 

Stemma di Bergamo It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Stemma di Bologna, 1866

25,00 

Stemma di Bologna it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Camerino, 1866

25,00 

Coat of arms of Camerino it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Carrara, 1866

25,00 

Coat of arms of Carrara it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Casale Monferrato, 1866

25,00 

Stemma di Casale Monferrato It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Coat of arms of Cremona, 1866

25,00 

Stemma di Cremona it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Cuneo, 1866

25,00 

Stemma di Cuneo It is an engraving made in 1866, using the technique of Xilografia colorata a mano with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Coat of arms of Fermo, 1866

25,00 

Stemma di Fermo it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Ferrara, 1866

25,00 

Coat of arms of Ferrara it is a hand-colored woodcut in watercolor and tempera, made in the contemporary period in 1866.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Foggia, 1866

25,00 

Stemma di Foggia è un’incisione realizzata nel 1866, una hand-colored woodcut ad acquarello e tempera in epoca coeva.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

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