XIX

Showing 6385–6408 of 6814 results

Vallombrosa, 1833, Convent

25,00 

Vallombrosa, 1833 It is a steel engraving made by James Duffield Harding, a well-known English landscape painter.
Questa suggestiva veduta del Convento di Vallombrosa è tratta da The Landscape Annual, pubblicato a Londra nel 1833. L’opera si distingue per la sua nitidezza e il contrasto ben definito, rendendo l’immagine vivace e animata.

  • Sheet size: mm. 140×95 approx.
  • Support: Light paper
  • Condition: Excellent

Vallombrosa, 1837

20,00 

Vallombrosa, 1837 è un’incisione in xilografia che offre una bella veduta decorativa.
La stampa, tratta da Pictorial Cosmorama, Anno terzo, 1837, presenta dimensioni della parte stampata di cm. 15×12, con margini quasi assenti.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper
  • Price: €20,00

La stampa è stata ritagliata dal libro e presenta scritte al retro in parte visibili; viene spedita completa di passepartout.
Pictorial Cosmorama fu una rivista fondata a Milano da Giovanni Francesco Zini, che ha avuto un ruolo significativo nell’illustrazione artistica dell’epoca.

Valmontone, 1877

20,00 

Valmontone, 1877 it's a woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and lithographer of the French school.
This work is taken from the volume Italian di Kaden e presenta una beautiful panoramic view della città di Valmontone.

  • Sheet size: mm. 150×100
  • Condition: Buona, con margini quasi assenti e scritte sul retro
  • Support: Carta leggera, ritagliata dal libro

Valsesia, Loyal Desire, 1860

35,00 

Valsesia, Loyal Desire is an etching made in 1860, part of the Album d'Italia, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work offers a fascinating representation of Valsesia, a mountainous area of Piedmont.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Valstagna (Vicenza), 1876

15,00 

Valstagna (Vicenza), 1876 it's an engraving xylographic on head wood made by Adolf Closs.
This work, taken from the volume Italian by K.Stiele and W.Kaden, published in Stuttgart in 1876, presents a decorative view of the location.

  • Sheet size: mm. 186×130
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent condition

Valtellina 1866

25,00 

Valtellina 1866 it's a woodcut taken from the work From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore nel 1866.
Questa stampa rappresenta un’importante testimonianza artistica dell’epoca e misura circa:

  • Sheet size: cm. 25×17
  • Print Size: cm. 19×13
  • Support: White backed paper
  • Condition: Excellent condition

Valtellina, 1866

25,00 

Valtellina è una xilografia realizzata nel 1866, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.
Questa stampa presenta un formato di cm. 19×13 circa su un foglio di cm. 25×17, con retro bianco.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Van Ostade, Dow, Hogarth, 1850

20,00 

Varie Pitture di Van Ostade, Dow e Hogart è un’incisione al bulino su rame, realizzata nel 1850.
This work is taken from the Bilder-Atlas, published in Leipzig by FA Brockhaus.

  • Sheet size: mm. 300×220
  • Support: Light sheet, white back
  • Condition: Excellent condition

Vaprio, 1834-1838

20,00 

Vaprio It is an engraving made with the technique of burin su acciaio, datata tra il 1834 e il 1838.
This work represents the Ponte di Vaprio and it is taken from Italy, Sicily, the Aeolian Islands, etc., the first Italian edition by Audot père, published in Turin by Giuseppe Pomba in 1834.

  • Size of the joke: mm. 115×80
  • Margins: almost absent
  • Back: white
  • Condition: ottime

Launch for S. Rosalia in Palermo

25,00 

The Vara for S. Rosalia in Palermo it's a lithographic printing from 1853, depicting the famous float used during the celebrations in honour of St. Rosalia.
This work is taken from Picturesque Polyorama, an important periodical publication that aimed to spread useful knowledge across all social classes.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 22×18 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

​Varallo, The Sacred Mount, 1886

30,00 

Varallo, The Sacred Mount It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work presents an image of cm. 21x31, enriched by writings around and annotations on the back of the sheet.

  • Sheet size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

​Varallo, XVIII congress of the Alpinists, 1886

30,00 

Varallo, XVIII Congress of Alpinists It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work represents an important historical testimony of the mountaineers' congress, with details that enrich the scene.

  • Sheet size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Varenna, 1834-1838 Gallery

20,00 

Varenna, 1834-1838 It is an engraving made with the technique of burin on steel, which represents the Varenna Gallery.
This work is taken from Italy, Sicily, the Aeolian Islands, etc., the first Italian edition by Audot père, published in Turin by Giuseppe Pomba in 1834.

  • Size of the joke: mm. 115×80
  • Margins: almost absent
  • Back: white
  • Condition: excellent condition

Varenna, Lago di Como, 1890

20,00 

Varenna, Lago di Como It is a woodcut made in 1890, coming from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, cattura l’essenza del suggestivo paesaggio lacustre.

  • Sheet size: cm. 11×13 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Vari tipi di Soldati di Cavalleria, 1840

30,00 

Vari tipi di Soldati di Cavalleria è una litografia realizzata nel 1840, che rappresenta diverse tipologie di soldati di cavalleria.
This work, from the period 19th century, è incollata su cartoncino e presenta un’ottima condizione di conservazione.

  • Sheet size: cm. 24×14 approx.
  • Technique: Lithography
  • Support: Cardboard
  • Condition: Excellent

Various paintings, Cornelius, Kaulbach, Rethel, 1850

20,00 

Various paintings It is a burin engraving made in 1850, which features works by artists such as Cornelius, Kaulbach and Rethel.
This engraving is taken from the Bilder-Atlas, published in Leipzig by FA Brockhaus.

  • Sheet size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Old man with glasses 19th century

70,00 

Vecchio con occhialini è un’incisione realizzata nel XIX secolo, firmata in basso a destra da I. Klug.
Questo disegno a matita, databile alla metà dell’Ottocento, presenta un soggetto affascinante e dettagliato.

  • Sheet size: cm. 18×22 approx.
  • Support: Cartone spesso
  • Condition: Excellent condition

Vedana, Belluno, 1835

25,00 

Die Piave bei Vedana è un’incisione in rame realizzata nel 1835, che rappresenta un affascinante paesaggio della zona di Vedana, Belluno.
This work is taken from C. Strahlheim – Die Wundermappe oder sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs, published in Frankfurt am Main.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

View from Posillipo, Naples, 1884

30,00 

View from Posillipo, Naples It is a woodcut engraving made in 1884, which offers a splendid panoramic view of the city of Naples from the famous viewpoint of Posillipo.
This work is taken from the volume Naples and its surroundings by Rudolf Kleinpaul and features writing on the reverse.

  • Sheet size: cm. 16×20 approx.
  • Support: Paper
  • Condition: Excellent

Veduta del Battistero di S.Giovanni di Firenze, 1826

20,00 

Veduta del Battistero di S.Giovanni di Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Veduta del Palazzo Pitti, Firenze, 1826

20,00 

Veduta del Palazzo Pitti, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Poggio Imperiale, Firenze, 1826

20,00 

Veduta del Poggio Imperiale, Firenze it is an etching on copper made by Antonio Verico in 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Veduta del Ponte alle Grazie di Firenze, 1826

20,00 

Veduta del Ponte alle Grazie di Firenze è un’acquaforte su rame realizzata da A. Verico nel 1826.
This work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Veduta del Porto e della Rada di Tolone, Francia, Grande formato, 1865

50,00 

Incisione xilografica su legno di testa che rappresenta una veduta della città.
This work is taken from Picturesque Emporium, edito da Sonzogno a Milano nel XIX secolo.

  • Dimensioni della immagine: cm. 25×35 approx.
  • Margins: presenti
  • Support: Carta leggera con scritto al verso in parte visibile.
  • Condition: Ottima, piega dovuta all’impaginazione.

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo raro e affascinante per collezionisti.

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