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XVI
Albrecht Durer, Apparition of Jesus to his Mother, woodcut
70,00 €Apparition of Jesus to his mother It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Monogram: Present in the plate
Albrecht Durer, Ecce Homo, woodcut
70,00 €Behold the Man It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Slightly browned
- Monogram: Monogrammed in plate
Albrecht Durer, Jesus Crucified, woodcut
70,00 €Jesus Crucified It is a woodcut made by Albrecht Dürer, one of the most important artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Monogram: Present in the plate
Albrecht Durer, Jesus before Caiaphas, woodcut
70,00 €Jesus before Caiaphas It is a woodcut made by Albrecht Dürer, a master of Renaissance engraving.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent
- Technique: Woodcut
Albrecht Durer, Jesus before Pilate, woodcut
70,00 €Jesus before Pilate It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Monogram: It features Durer's monogram plate
Albrecht Durer, Jesus Mocked, woodcut
70,00 €Jesus mocked It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Slightly browned
- Technique: Woodcut
Albrecht Durer, Jesus nailed to the cross, woodcut
70,00 €Jesus nailed to the cross It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
Albrecht Durer, Jesus Crowned with Thorns, woodcut
70,00 €Jesus crowned with thorns it is an engraving of Albrecht Dürer, made between 1510 and 1511, part of the series The Little Passion.
This woodcut, dating back to the nineteenth century, is an anonymous copy that reflects the art and spirituality of the Renaissance period.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent
Albrecht Durer, Jesus in the Garden of Olives, woodcut
70,00 €Jesus in the Garden of Olives It is a woodcut made by Albrecht Dürer, a master of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Monogram: Present in the plate
Albrecht Durer, The Last Judgement, woodcut
70,00 €Il Giudizio Universale It is a woodcut made by Albrecht Dürer, a master of Renaissance engraving.
Questa opera è una copia anonima ottocentesca dalla serie The Little Passion, datata 1510-1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Technique: Woodcut
Albrecht Durer, The Ascension, woodcut
70,00 €L’Ascensione It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Technique: Woodcut
Albrecht Durer, The Flagellation, woodcut
70,00 €La Flagellazione It is a woodcut made by Albrecht Dürer, uno dei più celebri artisti del Rinascimento.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
Albrecht Durer, Pilate Washing His Hands, woodcut
70,00 €Pilate washes his hands It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Technique: Woodcut
Albrecht Durer, Last Supper, woodcut
70,00 €Last Supper It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.
- Sheet size: mm. 95×125
- Support: Unlaid paper
- Condition: Excellent, with light browning
- Monogram: Present in the plate
Battle, Cosmographia, 1588
20,00 €Battle, Cosmographia, 1588 è una xilografia pubblicata da Sebastian Munster nel celebre volume Cosmography, uno dei libri più popolari del XVI secolo.
Questa illustrazione, con scritta in gotico antico, proviene dall’edizione “Von dem Teutchen Lande” del 1588.
- Sheet size: cm. 33×20 approx.
- Engraving size: cm. 12×14 approx.
- Support: Handmade laid paper
- Condition: Bad
Council of Basel, Cosmographia, 1588
30,00 €Concilio di Basilea It is an engraving made in woodcut nel 1588, pubblicata da Sebastian Munster nel celebre volume Cosmography.
Questa opera, una delle più popolari del XVI secolo, presenta una scritta in ancient gothic and comes from the edition From the German Lands.
- Sheet size: cm. 33×20 approx.
- Engraving size: cm. 12×12 circa
- Support: Handmade laid paper
- Condition: Bad
Fabio Glissenti, Autopsia, 1596
35,00 €Fabio Glissenti, Autopsia di un Cadavere è una xilografia realizzata nel 1596, parte dell’opera Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa pagina, non firmata, misura circa cm. 6,5×10 sull’intero foglio di cm. 21×15.
- Era: XVI
- Technique: Woodcut
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora la mortalità attraverso cinque dialoghi e un trattato.
Queste rare stampe offrono uno sguardo profondo sul pensiero colto della fine del ‘500, rendendo omaggio alla tradizione iconografica della Danza Macabra.
Fabio Glissenti, Comedian and Death, 1596
35,00 €Fabio Glissenti, Commediante e la Morte è una xilografia realizzata nel 1596, tratta dall’opera Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This unsigned print measures approximately cm. 6,5×10 e fa parte di un foglio di dimensioni cm. 21×15.
- Era: XVI
- Technique: Woodcut
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora il dispiacere della morte attraverso dialoghi e novelle, rendendo questa stampa un’importante testimonianza del pensiero colto del tardo Cinquecento.
Fabio Glissenti, Contemplazione della Morte, 1596
35,00 €Contemplazione della Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa stampa, non firmata, è parte del ciclo della ‘Danza Macabra’ e riflette il pensiero colto del tardo Cinquecento, affrontando il tema della morte con un approccio a volte ironico e irriverente.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Support: Paper
- Condition: Excellent
Fabio Glissenti, I Cortigiani e la Morte, 1596
35,00 €I Cortigiani e la Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa stampa è un esempio significativo del pensiero colto del tardo Cinquecento, affrontando il tema della morte con un approccio a volte ironico e provocatorio.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
L’opera di Glissenti, medico e filosofo, è composta da cinque dialoghi e trenta novelle, affrontando la morte con uno sguardo critico e disincantato. Nonostante le censure e le controversie, la sua visione rimane un’importante testimonianza del pensiero intellettuale del suo tempo.
Fabio Glissenti, I Cortigiani e la Morte, 1596
35,00 €I Cortigiani e la Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This unsigned woodcut measures approximately cm. 6,5×10 e fa parte di un foglio di dimensioni cm. 21×15.
- Era: XVI
- Technique: Woodcut
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. Le sue opere, tra cui l’Athanatophilia, sono un’importante testimonianza del pensiero colto del tardo Cinquecento, arricchite da bellissime figure che accompagnano i dialoghi e le novelle.
Fabio Glissenti, I Cortigiani e la Morte, 1596
35,00 €I Cortigiani e la Morte It is a woodcut made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa stampa rappresenta un’importante riflessione sul tema della morte, affrontato con un tono a volte ironico e irriverente.
- Sheet size: cm. 21×15 approx.
- Image size: cm. 10×6,5 circa
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Le stampe, parte del ciclo della Danza Macabra, sono state stampate a Venezia presso Domenico Farri.
Glissenti, medico e filosofo, affrontò il tema della morte con un approccio critico, sfidando la censura e subendo conseguenze legali per le sue idee. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora il dispiacere del morire attraverso dialoghi e novelle.
Fabio Glissenti, I Prigionieri e la Morte, 1596
35,00 €I Prigionieri e la Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Support: Paper
- Condition: Excellent state of preservation
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente. La sua opera, composta da cinque dialoghi e un trattato, è stata oggetto di censura e controversie, ma ha mantenuto la sua visione critica e colta del mondo ultraterreno.
Queste rare stampe rappresentano una parte significativa del pensiero intellettuale del tardo Cinquecento, offrendo uno sguardo unico sulla cultura e le idee del tempo.
Fabio Glissenti, I Ragni e la Gotta, 1596
35,00 €I Ragni e la Gotta It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa xilografia, non firmata, presenta un’immagine di dimensioni cm. 6,5×10 circa su un foglio di cm. 21×15 circa.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Technique: Woodcut
- Condition: Excellent state of preservation
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente. La sua opera, sottoposta a censura, è un’importante testimonianza del pensiero colto del tardo Cinquecento.
Le stampe, parte del ciclo della ‘Danza Macabra’, sono rare e offrono uno sguardo profondo sulla cultura e le idee del tempo.
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