XVI

Showing 1–24 of 112 results

Albrecht Durer, Apparition of Jesus to his Mother, woodcut

70,00 

Apparition of Jesus to his mother It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Albrecht Durer, Ecce Homo, woodcut

70,00 

Behold the Man It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Slightly browned
  • Monogram: Monogrammed in plate

Albrecht Durer, Jesus Crucified, woodcut

70,00 

Jesus Crucified It is a woodcut made by Albrecht Dürer, one of the most important artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Albrecht Durer, Jesus before Caiaphas, woodcut

70,00 

Jesus before Caiaphas It is a woodcut made by Albrecht Dürer, a master of Renaissance engraving.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent
  • Technique: Woodcut

Albrecht Durer, Jesus before Pilate, woodcut

70,00 

Jesus before Pilate It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: It features Durer's monogram plate

Albrecht Durer, Jesus Mocked, woodcut

70,00 

Jesus mocked It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Slightly browned
  • Technique: Woodcut

Albrecht Durer, Jesus nailed to the cross, woodcut

70,00 

Jesus nailed to the cross It is a woodcut made by Albrecht Dürer, one of the greatest artists of the Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning

Albrecht Durer, Jesus Crowned with Thorns, woodcut

70,00 

Jesus crowned with thorns it is an engraving of Albrecht Dürer, made between 1510 and 1511, part of the series The Little Passion.
This woodcut, dating back to the nineteenth century, is an anonymous copy that reflects the art and spirituality of the Renaissance period.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent

Albrecht Durer, Jesus in the Garden of Olives, woodcut

70,00 

Jesus in the Garden of Olives It is a woodcut made by Albrecht Dürer, a master of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Albrecht Durer, The Last Judgement, woodcut

70,00 

Il Giudizio Universale It is a woodcut made by Albrecht Dürer, a master of Renaissance engraving.
Questa opera è una copia anonima ottocentesca dalla serie The Little Passion, datata 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Technique: Woodcut

Albrecht Durer, The Little Horse

30,00 

Il Piccolo Cavallo è un’incisione attribuita ad Albrecht Durer, realizzata probabilmente nel XX secolo come copia anonima.
Questa opera, che misura alla linea marginale mm. 161×107, è stampata su cardboard e presenta un monogramma in lastra.

  • Sheet size: Small
  • Condition: Excellent
  • Era: XVI
  • Technique: Burin

Albrecht Durer, The Ascension, woodcut

70,00 

L’Ascensione It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Technique: Woodcut

Albrecht Durer, The Flagellation, woodcut

70,00 

La Flagellazione It is a woodcut made by Albrecht Dürer, uno dei più celebri artisti del Rinascimento.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning

Albrecht Durer, Pilate Washing His Hands, woodcut

70,00 

Pilate washes his hands It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated 1510-1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Technique: Woodcut

Albrecht Durer, Last Supper, woodcut

70,00 

Last Supper It is a woodcut made by Albrecht Dürer, one of the greatest artists of the German Renaissance.
This work is an anonymous 19th century copy of the series The Little Passion, originally dated between 1510 and 1511.

  • Sheet size: mm. 95×125
  • Support: Unlaid paper
  • Condition: Excellent, with light browning
  • Monogram: Present in the plate

Battle, Cosmographia, 1588

20,00 

Battle, Cosmographia, 1588 è una xilografia pubblicata da Sebastian Munster nel celebre volume Cosmography, uno dei libri più popolari del XVI secolo.
Questa illustrazione, con scritta in gotico antico, proviene dall’edizione “Von dem Teutchen Lande” del 1588.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 12×14 approx.
  • Support: Handmade laid paper
  • Condition: Bad

Battista Pittoni, Emblema del Conte Brandolino, 1578

35,00 

Emblema del Conte Brandolino It is an engraving made by Battista Pittoni in 1578.
This work, performed in etching, presenta un monogramma in basso a sinistra B.P.V. ed è parte del volume Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri.
L’incisione è incollata agli angoli su cartoncino, ma presenta una mancanza all’angolo superiore.

  • Sheet size: mm. 115×164
  • Condition: Good
  • Support: Laid paper

Battista Pittoni, Emblema del Conte, 1578

35,00 

Emblema del Conte It is an engraving made by Battista Pittoni nel 1578, dedicata al Conte Alfonso di Villa Chiara.
Questa opera è un’acquaforte su carta vergellata, caratterizzata dal monogramma in basso a sinistra B.P.V..

  • Sheet size: mm. 115×164
  • Support: Laid paper
  • Condition: Buone (mancanza all’angolo superiore)
  • Technique: Etching
  • Era: XVI

L’incisione è parte della raccolta Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri, datata 1578.
Giovanni Battista Pittoni, noto come Battista vicentino, è un importante artista del XVI secolo.

Callot, Military Exercises

60,00 

Military Exercises It is a series of two engravings made by Jacques Callot (1592-1635), a well-known French engraver.
These works are part of the series Military Exercises and are performed in etching, unsigned, and date back to an unknown era.

  • Sheet size: cm. 8×5 at the copper edge for each engraving
  • Support: Laid paper without watermark
  • Condition: Excellent

Initial letter from the 15th-16th century

70,00 

Initial letter from the 15th-16th century it is a fascinating illuminated letter O, coming from an Italian antiphonary of this historical period.
It is probably attributed to Filippo di Matteo Torelli and features a cutout on the figure.

  • Dimensions: mm. 110×115
  • Support: Parchment paper
  • Technique: Tempera and pen
  • Condition: Excellent
  • Rarity: Sì, è un pezzo raro con parte leggibile dell’antifonario sul retro.

Initial letter from the 15th-16th century

50,00 

Initial letter from the 15th-16th century it is a precious miniature depicting the letter O, coming from an Italian antiphonary.
This masterpiece is probably attributed to Philip by Matteo Torelli and stands out for its beauty and rarity.

  • Dimensions: mm. 74×71
  • Support: Parchment paper
  • Technique: Tempera and pen
  • Condition: Excellent, with legible part of the antiphonary on the back

Initial letter from the 15th-16th century

50,00 

Initial letter from the 15th-16th century it is a fascinating illuminated letter O, coming from an Italian antiphonary of this historical period.
It is probably attributed to Filippo di Matteo Torelli and features a cutout on the figure.

  • Dimensions: mm. 74×71
  • Support: Parchment paper
  • Technique: Tempera and pen
  • Condition: Excellent
  • Rarity: Yes, it is a rare piece with legible part of the back of the antiphonary

Initial letter from the 15th-16th century

70,00 

Initial letter from the 15th-16th century è una lettera A miniata, proveniente da un antifonario di area italiana, attribuita probabilmente a Philip by Matteo Torelli.
Questo pezzo, ritagliato alla figura, è realizzato su parchment paper with the use of tempera and pen.
Sul retro si trova una parte leggibile dell’antifonario, rendendolo un’opera di rara importanza.

  • Dimensions: mm. 100×71
  • Condition: Excellent
  • Support: Parchment paper
  • Rarity: Yes

Initial letter from the 15th-16th century

60,00 

Initial letter from the 15th-16th century è una raffinata lettera ‘L’ miniata, proveniente da un antifonario italiano di questo periodo.
Probabilmente attribuita a Filippo di Matteo Torelli, questa opera è ritagliata alla figura e presenta una parte leggibile dell’antifonario sul retro.

  • Dimensions: mm. 68×64
  • Support: Parchment paper
  • Technique: Tempera and pen
  • Condition: Excellent
  • Rarity: Un pezzo unico e prezioso

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