XVI

Showing 73–96 of 298 results

Antonio Tempesta (attr.), Bear Hunt, 1600

40,00 

Bear hunting it is an engraving attributed to Antonio Tempesta, made in 1600.
This work, characterised by a lively representation of the hunt, is a significant example of the art of the period.

  • Sheet size: cm. 22×8 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Antonio Tempesta (attr.), Fox Hunting, 1600

40,00 

Caccia alla volpe it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare il movimento e l’energia del momento.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Duck Hunting, 1600

40,00 

Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line. The engraver, Antonio Tempesta, did not sign the work, but there is a Latin inscription at the bottom.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent

Antonio Tempesta (attr.), Duck Hunting, 1600

40,00 

Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare momenti dinamici.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Notes: Riflato alla linea marginale, non firmato, con scritta in latino in basso.

Antonio Tempesta (attr.), Ibex Hunting, 1600

40,00 

Hunting the ibex it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, represents a hunting scene and stands out for its dynamic and detailed style.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Ostrich Hunt, 1600

40,00 

Ostrich Hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line.
The engraver, known for his highly detailed works, left a Latin inscription at the bottom of the engraving.

  • Sheet size: cm. 22×8 approx.
  • Condition: Excellent
  • Support: Laid paper

Antonio Tempesta (attr.), Animal Market, 1600

40,00 

Mercato degli animali it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di un mercato di animali, riflettendo la vita quotidiana dell’epoca.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent
  • Notes: Refined on the marginal line, unsigned; at the bottom there is a Latin inscription.

Antonio Tempesta Dragon Hunt, 1590

80,00 

Caccia al drago It is an engraving made by Anthony Tempest nel 1590, parte della serie Diverse cacce, pesche e combattimenti di animali.
Questa opera è un esempio significativo della maestria di Tempesta, noto per le sue rappresentazioni vivide e dinamiche della fauna.

  • Sheet size: mm. 94×145 circa
  • Engraving size: alla battuta del rame con margini minimi
  • Support: Laid paper
  • Condition: Buone condizioni generali, con qualche macchia sul retro

Antonio Tempesta Caccia al Leopardo, 1590

80,00 

Caccia al Leopardo It is an engraving made by Anthony Tempest tra il 1590 e il 1610, parte della serie Diverse cacce, pesche e combattimenti di animali.
This work, performed in etching, presenta una scena vivace e dettagliata di una caccia al leopardo, tipica dello stile del maestro fiorentino.

  • Sheet size: mm. 94×145
  • Condition: Good general condition
  • Support: Laid paper
  • Notes: Retro con qualche macchia e margini molto piccoli

Antonio Tempesta Caccia al serpente, 1590

80,00 

Caccia al serpente It is an engraving made by Anthony Tempest tra il 1590 e il 1610, parte della serie Diverse cacce, pesche e combattimenti di animali.
This work, performed in etching, presenta una dimensione di mm. 94×145, con margini minimi alla battuta del rame.

  • Sheet size: mm. 94×145
  • Condition: Buone condizioni generali, con qualche macchia sul retro
  • Support: Laid paper

Aachen, St.Munster, 1614

80,00 

Aachen, St.Munster, 1614 it's a view of the city of Hachen Aachen, also known as Aken or Aix-la-Chapelle, taken from the famous work Cosmography Universalis by Sebastian Munster.
This woodcut, made on watercolour laid paper, offers a fascinating representation of the city in 1614. On the back there is a writing that adds further historical value to the work.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12.5x15.5 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Assedio di Mansen, Cosmographia, 1588

20,00 

Assedio di Mansen It is an engraving made in woodcut, pubblicata nel 1588 all’interno della celebre opera Cosmography by Sebastian Munster.
Questa illustrazione, caratterizzata da una scritta in ancient gothic, misura circa cm. 7×123 e si presenta su un foglio di cm. 33×20.

  • Era: XVI
  • Dimensions: Great
  • Support: Handmade laid paper
  • Condition: Excellent

There Cosmography è stata uno dei libri più popolari del XVI secolo, contribuendo alla diffusione della conoscenza geografica e culturale dell’epoca.

Austria, St.Munster, 1614

60,00 

Austria, St.Munster, 1614 It is an Osterzeich map, taken from the famous Cosmography Universalis by Sebastian Munster.
This map, made in 1614, offers a detailed representation of the Austrian region, with a written back that adds historical value to the work.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 9×13,5 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent

Baden, Map of 1544, Munster

45,00 

Baden, Mappa del 1544 è un’antica mappa tratta dalla Cosmography Universalis di Sebastian Munster, con una probabile datazione tra il 1544 e il 1578.
Questa mappa, realizzata da David Kandel (1520-1592), presenta il monogramma DK in basso a sinistra.

  • Sheet size: cm. 34×26 circa
  • Technique: Woodcut
  • Support: Paper
  • Condition: Non buone, con interventi di restauro

Al retro della mappa è presente un’altra piccola stampa con scritte in tedesco gotico.
Questa mappa rappresenta una rarità per collezionisti e appassionati di cartografia.

Battle, Cosmographia, 1588

20,00 

Battle, Cosmographia, 1588 è una xilografia pubblicata da Sebastian Munster nel celebre volume Cosmography, uno dei libri più popolari del XVI secolo.
Questa illustrazione, con scritta in gotico antico, proviene dall’edizione “Von dem Teutchen Lande” del 1588.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 12×14 approx.
  • Support: Handmade laid paper
  • Condition: Bad

Battista Pittoni, Emblema del Conte Brandolino, 1578

35,00 

Emblema del Conte Brandolino It is an engraving made by Battista Pittoni in 1578.
This work, performed in etching, presenta un monogramma in basso a sinistra B.P.V. ed è parte del volume Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri.
L’incisione è incollata agli angoli su cartoncino, ma presenta una mancanza all’angolo superiore.

  • Sheet size: mm. 115×164
  • Condition: Good
  • Support: Laid paper

Battista Pittoni, Emblema del Conte, 1578

35,00 

Emblema del Conte It is an engraving made by Battista Pittoni nel 1578, dedicata al Conte Alfonso di Villa Chiara.
Questa opera è un’acquaforte su carta vergellata, caratterizzata dal monogramma in basso a sinistra B.P.V..

  • Sheet size: mm. 115×164
  • Support: Laid paper
  • Condition: Buone (mancanza all’angolo superiore)
  • Technique: Etching
  • Era: XVI

L’incisione è parte della raccolta Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri, datata 1578.
Giovanni Battista Pittoni, noto come Battista vicentino, è un importante artista del XVI secolo.

Bavaria, St.Munster, 1614

60,00 

Bavaria, St.Munster, 1614 è una veduta affascinante della Baviera, estratta dalla celebre Cosmography Universalis by Sebastian Munster.
Questa xilografia, realizzata su carta vergellata acquarellata, offre uno sguardo dettagliato sulla regione nel 1614. Sul retro, sono presenti altre immagini che arricchiscono ulteriormente l’opera.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 7×13 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent

Belgium, St.Munster, 1614

40,00 

Belgium, St.Munster, 1614 It is a fascinating view of the province of Brabant in Belgium, taken from the famous Cosmography Universalis by Sebastian Munster.
This woodcut, made on watercolour laid paper, offers an important geographical and historical testimony of the 17th century.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 9×13,5 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Brunswick, St. Munster, 1614

60,00 

Brunswick, St. Munster, 1614 is a historical view of the city of Braunschweig, located in Lower Saxony, Germany.
This engraving is taken from the famous work Cosmography Universalis by Sebastian Munster, published in Basel in 1614.

  • Sheet size: cm. 36×22 approx.
  • Engraving size: cm. 12.5×15 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Callot, Military Exercises

60,00 

Military Exercises It is a series of two engravings made by Jacques Callot (1592-1635), a well-known French engraver.
These works are part of the series Military Exercises and are performed in etching, unsigned, and date back to an unknown era.

  • Sheet size: cm. 8×5 at the copper edge for each engraving
  • Support: Laid paper without watermark
  • Condition: Excellent

Campidonia, St.Munster, 1614

90,00 

Campidonia, St.Munster it's a view of Kempten, Germany, made by Sebastian Munster in 1614. This engraving is extracted from the Cosmography Universalis, a fundamental work for the cartography of the period.
The engraving is monogrammed at the bottom left with the initials GS Of Gregorius Sickinger (1558-1631). On the back there is a writing that adds further historical value to the work.

  • Sheet size: cm. 36×22 approx.
  • Engraving size: cm. 12×15 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Initial letter from the 15th-16th century

70,00 

Initial letter from the 15th-16th century it is a fascinating illuminated letter O, coming from an Italian antiphonary of this historical period.
It is probably attributed to Filippo di Matteo Torelli and features a cutout on the figure.

  • Dimensions: mm. 110×115
  • Support: Parchment paper
  • Technique: Tempera and pen
  • Condition: Excellent
  • Rarity: Sì, è un pezzo raro con parte leggibile dell’antifonario sul retro.

Initial letter from the 15th-16th century

50,00 

Initial letter from the 15th-16th century it is a precious miniature depicting the letter O, coming from an Italian antiphonary.
This masterpiece is probably attributed to Philip by Matteo Torelli and stands out for its beauty and rarity.

  • Dimensions: mm. 74×71
  • Support: Parchment paper
  • Technique: Tempera and pen
  • Condition: Excellent, with legible part of the antiphonary on the back

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