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XVI
Correggio, Jan Van Troyen, La Maddalena,
60,00 €The Magdalene It is an engraving made by Jan Van Troyen, inspired by the work of the famous painter I correct.
This etching, measuring 17x21 cm at the copperplate strike, is printed on a sheet of 26x44 cm, made of thick laid paper without watermark.
- Artists: Correggio (1489-1534) and Jan Van Troyen (1610-1666)
- Condition: Excellent condition
- Price: €60,00
Antonio Allegri, known as I correct, was an important Italian painter of the sixteenth century, influenced by the great masters of the fifteenth century.
Jan Van Troyen, an engraver from Brussels, created works of religious and genre subjects, contributing to the artistic tradition of his time.
from Albrecht Durer, Calvary with three crosses
550,00 €Calvario con tre croci è una delle stampe più celebri di Albrecht Dürer, realizzata tra il 1471 e il 1528.
In questa incisione, l’artista costruisce una scena ricca di personaggi, disposti intorno alla croce in modo dinamico.
- Il Salvatore occupa il centro della composizione, con piccoli teschi ai suoi piedi che simboleggiano il Golgota, il luogo di sepoltura di Adamo.
- Intorno a lui si percepisce una forte atmosfera di passione, sofferenza e brutalità.
- La Croce di Gesù, elevata sopra tutte, trionfa sul peccato, rappresentando il compimento delle scritture.
Questa incisione, di maestro ignoto, è una copia della xilografia originale di Dürer.
- Dimensions: mm 215×145 alla linea marginale, senza margini.
- Technique: Xilografia su carta vergellata.
- Condition: Buone, con due piccole pieghe dovute alla stampa e leggere macchie di foxing.
Bibliography: Riferimento catalogo: Bartsch 59, Meder 180, Strauss 82, Schoch, Mende, Scherbaum 131.
from Albrecht Durer, The Deposition
450,00 €La Deposizione è un’incisione realizzata da Albrecht Durer, datata 1501, che rappresenta il Lamento sul Cristo morto.
Questa opera è la XIII tavola de The Little Passion ed è eseguita con la tecnica del Burin on laid paper.
- Sheet size: mm 114×71 alla linea marginale, senza margini
- Support: Paper
- Condition: Excellent condition
- Era: XVI
- Monogrammato e datato in lastra
- Scritta in latino al retro
- Incollato al margine superiore ad un ampio supporto cartaceo
Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575
180,00 €The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575, a fundamental work for the study of ancient architecture.
This etching on laid paper measures approximately cm. 16×28 and is trimmed to the marginal line. At the bottom, there is a detailed description of the monument and the site depicted, which offers important historical testimony.
- Description of the monument: Remains of the Septizonium of Emperor Severus I, a tomb located along the Appian Way, designed to be visible to those coming from Africa.
- Architectural details: Corinthian style building, with columns of different stones, some striated and others smooth, and marble decorations.
- Popular name: Also known as Virgil's school.
Du Perac Etienne, architect and engraver, began his career in Venice before moving to Rome, where he made drawings of ancient monuments. His work, The Vestiges of Ancient Rome, is composed of a frontispiece and 39 plates, accompanied by historical-descriptive inscriptions that provide information on the monuments represented.
Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575
180,00 €The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575. This work represents an important collection of ancient monuments, executed with great attention to detail.
The work includes a description of the monument and the site represented, with an illustration of the Baths of Constantine in the Quirinal Hill.
- Sheet size: cm. 16×28 approx.
- Engraving size: trimmed to the marginal line
- Support: Laid paper
- Condition: Excellent
Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575
180,00 €The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575.
This work is an important collection of drawings of ancient monuments, executed with great precision and attention to detail.
- Sheet size: cm. 16×28 approx.
- Engraving size: trimmed to the marginal line
- Support: Laid paper
- Condition: Excellent state of preservation
At the bottom, the engraving contains a description of the Antonine Column, with historical and architectural details that enrich the work.
Du Pérac, architect and engraver, dedicated his life to the study of antiquity, creating a volume that is a precious document for the history of Roman art and architecture.
Durer Albrecht, Saint Anne and Saint Joachim, 1509
450,00 €Incontro di Sant’Anna e San Gioacchino è una xilografia realizzata da Albrecht Dürer nel 1509.
Questa opera fa parte della serie di venti tavole della Vita della Vergine, pubblicata a Norimberga nel 1511.
- Sheet size: cm. 21×29 circa
- Engraving size: cm. 21×29 alla linea marginale
- Support: Carta vergellata sottile
- Condition: Buone, con abile intervento di ricostruzione di cm. 7×2 nell’angolo in basso a destra e riparazioni con carta al verso agli altri angoli
Questa xilografia è rara e ricercata, rappresentando un’importante opera di Dürer, con una datazione della serie compresa tra il 1502 e il 1511.
Enea Vico – Vaso con manici, 1543
80,00 €Vaso con manici It is an engraving made by Aeneas Vico in 1543, a work that is part of the series “Different subjects of Vases from the ancient”.
Questo esemplare, datato e monogrammato in lastra in basso, presenta teste di satiro sui manici.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Support: Contemporary laid paper
- Condition: Excellent state of preservation
Enea Vico – Vaso con manico a forma di uomo con serpente, 1543
80,00 €Vaso con manico a forma di uomo con serpente It is an engraving made by Aeneas Vico nel 1543.
Questo lavoro fa parte della serie “Different subjects of Vases from the ancient”, ed è un esemplare del secondo soggetto.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Technique: Burin
- Support: Laid paper
- Condition: Excellent state of preservation
Questa splendida prova è impressa su carta vergellata coeva priva di filigrana e presenta buoni margini.
Enea Vico (1523 -1567) – Vaso alto e decorato con scene mitologiche, 1543
80,00 €Enea Vico (1523 – 1567) – Vaso alto e decorato con scene mitologiche è un’incisione realizzata nel 1543, parte della serie Differenti soggetti di Vasi dall’antico.
Questa opera rappresenta un esemplare del secondo soggetto della serie, caratterizzato da una splendida decorazione mitologica.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Support: Contemporary laid paper
- Condition: Excellent state of preservation
Enea Vico (1523 -1567) – Vaso con manico a forma di cane, 1543
80,00 €Vaso con manico a forma di cane It is an engraving made by Aeneas Vico nel 1543.
Questo pezzo fa parte della serie “Different subjects of Vases from the ancient” ed è un esemplare del secondo.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Technique: Burin
- Support: Laid paper
- Condition: Excellent state of preservation
Enea Vico (1523 -1567) – Vase decorated with naked men, 1543
80,00 €Enea Vico (1523 – 1567) – Vase decorated with naked men it is an engraving made in 1543, dated and monogrammed on the plate at the bottom.
This work is part of the series “Different subjects of Vases from the ancient”, representing the second specimen.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Technique: Burin
- Support: Contemporary laid paper
- Condition: Excellent state of preservation
Enea Vico (1523-1567) Vase with decorations, 1543
80,00 €Vase with decorations It is an engraving made by Aeneas Vico in 1543, part of the series “Different subjects of Vases from the ancient”.
Questa opera è datata e monogrammata in lastra in basso, rappresentando un esemplare di grande valore artistico.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Support: Contemporary laid paper
- Condition: Excellent state of preservation
Enea Vico (1523-1567) Vase with decorations, 1543
80,00 €Vase with decorations It is an engraving made by Aeneas Vico In the 1543, part of the series “Different subjects of Vases from the ancient”.
This work represents the second example of the series and stands out for its splendid test, imprinted on laid paper contemporary without watermark.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Enea Vico (1523-1567) Vase with a snake-shaped handle, 1543
80,00 €Vase with snake-shaped handle It is an engraving made by Aeneas Vico in 1543, part of the series “Different subjects of Vases from the ancient”.
This specimen, dated and monogrammed on the lower plate, is a splendid proof printed on laid paper contemporary, without watermark and with good margins.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Technique: Burin
- Condition: Excellent state of preservation
Enea Vico (1523-1567) Vaso con manico a forma di vipera, 1543
80,00 €Vaso con manico a forma di vipera It is an engraving made by Aeneas Vico in 1543, part of the series “Different subjects of Vases from the ancient”.
Questo esemplare, datato e monogrammato in lastra, è una splendida prova impressa su carta vergellata coeva, priva di filigrana.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Enea Vico (1523-1567) – Vaso con manici a forma di cigno, 1543
80,00 €Vaso con manici a forma di cigno It is an engraving made by Aeneas Vico nel 1543, appartenente alla serie Differenti soggetti di Vasi dall’antico.
Questo esemplare è il secondo della serie ed è datato e monogrammato in lastra in basso.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Technique: Burin
- Support: Laid paper
- Condition: Excellent state of preservation
Enea Vico (1523-1567) – Vase decorated with lions, 1543
80,00 €Vase decorated with lions It is an engraving made by Aeneas Vico in 1543, a work that is part of the series “Different subjects of Vases from the ancient”.
This example, dated and monogrammed on the plate, features a rich and detailed design, typical of Vico's style.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 25×18 approx.
- Technique: Burin
- Support: Laid paper
- Condition: Excellent state of preservation
Eyfalia, St. Munster, 1614
Eyphalia It is a page extracted from the Cosmography Universalis, made by Sebastian Munster in 1614.
This view depicts the Eifel region of Germany and features a written back with additional images.
- Sheet size: cm. 36×22 approx.
- Image size: cm. 9×13 approx.
- Support: Watercolored laid paper
- Condition: Excellent state of preservation
F. Glissenti, Adam and Eve at Work, 1596
35,00 €Adam and Eve at work It is a woodcut made by Fabio Glissenti In the 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This print represents a significant example of the cultured thought of the late sixteenth century, addressing the theme of death with an approach that is at times ironic and irreverent.
- Sheet size: cm. 21×15 approx.
- Image size: cm. 5×6,5 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
F. Glissenti, The Child and Death, 1596
35,00 €The Child and Death It is a woodcut made by Fabio Glissenti In the 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This print is part of an iconographic cycle that explores the theme of death with an approach that is at times ironic and irreverent, reflecting the cultured thought of the late sixteenth century.
- Sheet size: cm. 20×15 approx.
- Engraving size: cm. 10×8 approx.
- Support: Paper
- Condition: Excellent
The work of Glissenti, a doctor and philosopher, addresses death in a provocative way, challenging the censorship and conformism of his time.
His main work, Athanatophilia, is a vast work composed of dialogues and short stories, which addresses the sorrow of death with a critical and profound vision.
Fabio Glissenti, Autopsia, 1596
35,00 €Fabio Glissenti, Autopsia di un Cadavere è una xilografia realizzata nel 1596, parte dell’opera Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa pagina, non firmata, misura circa cm. 6,5×10 sull’intero foglio di cm. 21×15.
- Era: XVI
- Technique: Woodcut
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora la mortalità attraverso cinque dialoghi e un trattato.
Queste rare stampe offrono uno sguardo profondo sul pensiero colto della fine del ‘500, rendendo omaggio alla tradizione iconografica della Danza Macabra.
Fabio Glissenti, Comedian and Death, 1596
35,00 €Fabio Glissenti, Commediante e la Morte è una xilografia realizzata nel 1596, tratta dall’opera Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
This unsigned print measures approximately cm. 6,5×10 e fa parte di un foglio di dimensioni cm. 21×15.
- Era: XVI
- Technique: Woodcut
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Glissenti, medico e filosofo, affronta il tema della morte con un approccio a volte ironico e irriverente, sfidando la censura del suo tempo. La sua opera principale, l’Athanatophilia, è un voluminoso lavoro che esplora il dispiacere della morte attraverso dialoghi e novelle, rendendo questa stampa un’importante testimonianza del pensiero colto del tardo Cinquecento.
Fabio Glissenti, Contemplazione della Morte, 1596
35,00 €Contemplazione della Morte It is an engraving made by Fabio Glissenti in 1596, taken from the work Athanatophilia, inspired by the famous Dance of Death by Hans Holbein.
Questa stampa, non firmata, è parte del ciclo della ‘Danza Macabra’ e riflette il pensiero colto del tardo Cinquecento, affrontando il tema della morte con un approccio a volte ironico e irriverente.
- Sheet size: cm. 21×15 approx.
- Engraving size: cm. 6,5×10 circa
- Support: Paper
- Condition: Excellent
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