XVII

Showing 1–24 of 95 results

AJMatham, A.van de Venne, 1636

25,00 

Kaleb and the Philistines It is an engraving made by A. Jacobsen Matham and A. van de Venne in 1636.
This biblical episode represents a significant moment in history, illustrating the figure of Kaleb in a context of conflict with the Philistines.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper with partial watermark
  • Condition: Excellent

Antonio Tempesta Bulls, 1620

60,00 

Tori It is an engraving made by Anthony Tempest nel 1620, proveniente dalla Nuova raccolta de li animali più curiosi del mondo.
This work is a fine example of etching, stampata su carta vergellata.

  • Sheet size: cm. 15×21 approx.
  • Engraving size: mm. 96×140 circa
  • Support: Laid paper
  • Condition: Good general condition

Callot, Military Exercises

120,00 

Military Exercises It is a series of 4 engravings made by Jacques Callot, an important engraver of the 17th century.
These works, part of the series Military Exercises, were made in etching and printed by Israel.

  • Sheet size: cm. 8x6.5 approximately for each engraving
  • Support: Laid paper without watermark
  • Condition: Excellent
  • Era: XVII

Callot, Military Exercises, 1635

250,00 

Military Exercises è una serie di 6 acqueforti realizzate da Jacques Callot nel 1635, parte della collezione Military Exercises.
Ogni incisione misura circa cm. 6×8 e rappresenta diverse tecniche di esercizio militare, tutte stampate su carta vergellata senza filigrana.

  • Incisioni incluse:
  • L’Exercice de l’Arquebuse: Le Chargement (The Exercise of the Arquebus: Loading), 1635
  • L’Exercice de l’Arquebuse: Le Maniement, 1635
  • L’Exercice de la Lance Horizontale (Exercise of the Horizontal Lance), 1635
  • L’Exercice Sans Armes, 1635
  • L’Exercice de la Lance Verticale (Exercise of the Vertical Lance), 1635
  • L’Exercice de la Hallebarde, 1635

Questa serie è un’importante testimonianza della maestria di Callot e della sua capacità di catturare la dinamica degli esercizi militari dell’epoca.

Charles Inselin, Map of Picardie France 1707

40,00 

Map of Picardy It is an engraving made by Charles Inselin in 1707.
This watercolor map depicts the Picardy region of France.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 14×18 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Claude Lorrain, The Cowherd, 1670, 19th century

30,00 

Il Bovaro It is an engraving made by Claude Lorrain nel 1670, un’opera che rappresenta il maestro del paesaggio ideale.
Questa incisione è stata eseguita da Amand Durand nel XIX secolo e si distingue per la sua eleganza e il suo stile raffinato.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 13×20 approx.
  • Support: Laid paper without watermark
  • Condition: Excellent state of preservation

Cornelis Galle, Naval Battle, 17th century.

50,00 

Naval Battle It is an engraving made by Cornelis Galle in the 17th century.
This etching on laid paper It measures approximately 85 x 125 mm, excluding the margins, and depicts a lively naval battle scene.
The work is signed lower right with the initials C.Galle, but the attribution between Cornelis Galle the Elder and the Younger remains uncertain.

  • Sheet size: mm. 85×125 approx.
  • Condition: Good, with small defects on the two lower edges
  • Support: Laid paper

Crispijn van den Queborn Rape of the Vineyard, 1636

25,00 

Rape of the Vineyard It is an engraving made by Crispijn van den Queborn in 1636, which represents a significant biblical episode concerning the rape of the vineyard and the Benjaminites.
Benjamin, Rachel's second son, is at the center of this narrative.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn (1604-1652), Episodio biblico, 1636

25,00 

Episodio biblico It is an engraving made by Crispijn van den Queborn nel 1636.
Questa opera è un esempio significativo dell’arte olandese del XVII secolo, caratterizzata da un’accurata rappresentazione dei temi religiosi.

  • Sheet size: cm. 20×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Crispijn van den Queborn (1604-1652), Resurrection 1636

30,00 

The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn, Massacre of the Innocents, 1636

30,00 

Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

D.van den Bremden, A.van de Venne, 1636

25,00 

Kaleb and the Philistines è un’incisione realizzata da D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta un momento significativo della storia, illustrato con maestria attraverso la tecnica dell’acquaforte.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper with partial watermark
  • Condition: Excellent

D.van den Bremden, A.van de Venne 1636

25,00 

Jacob and Rachel It is an engraving made by D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta Giacobbe che si lamenta con Laban per aver ricevuto Lea invece di Rachele come moglie.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Danker Dankerts, Berchem, Landscape

80,00 

Paesaggio con Contadini e Animali It is an engraving made by Danker Dankerts nel XVII secolo, ispirata ai paesaggi rurali.
Questa opera, che rappresenta un paesaggio con buoi, è firmata in lastra da Berchem e realizzata con la tecnica dell’Etching.

  • Sheet size: cm. 18×24 approx.
  • Support: Laid paper
  • Condition: Excellent

Danker Dankerts, Berchem, Paesaggio montano

140,00 

Mountain landscape It is an engraving made by Danker Dankerts (1634-1666) su disegno di Nicolaes Berchem (1620-1683), risalente al 17th century.
This work represents a paesaggio con asini e contadino, eseguita in etching on laid paper.

  • Sheet size: cm. 18×24 alla battuta del rame più margini
  • Condition: Excellent
  • Signed: in basso Berchem inventor Danker Dankerts fecit

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Maria Anna Christienne Victoire de Baviere è un’acquaforte acquarellato realizzata da Nicolas de Larmessin nel 1680.
This work, signed De L’Armessin, sculpsit, è un esempio pregevole dell’arte del XVII secolo.

  • Sheet size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Buone, con strappo di 10 cm riparato al verso con carta

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Luigi D’Auphin è un’acquaforte acquarellata realizzata da Nicolas de Larmessin nel 1680.
Questa opera ritrae il figlio di Luigi il Grande e di Maria Teresa d’Austria, ed è firmata De L’Armessin, sculpsit.

  • Sheet size: cm. 25×18 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Gabriel Perelle, Landscape with Peasants Playing, 1660

60,00 

Paesaggio con contadini che giocano It is an engraving made by Gabriel Perelle In the 1660.
Questa opera, firmata in basso a destra, è un esempio della maestria dell’artista nell’incisione e rappresenta un affascinante paesaggio con contadini intenti a giocare.

  • Sheet size: cm. 16×20 approx.
  • Engraving size: trimmed to the marginal line
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

This engraving is probably taken from the Collection of views of Paris, the surrounding castles and Rome, un’opera che celebra la bellezza della regione parigina.

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.