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XVII
Philippus Cluverius (1580-1622), Mappa della Vindelicia, 1686
60,00 €La Mappa della Vindelicia It is an engraving made by Philippus Cluverius (1580-1622) in 1686.
Questa mappa rappresenta la regione della Vindelicia, situata in Germania, ed è parte dell’opera Introductionis in universam geographiam, tam veterem quam novam, libri VI, published in Amsterdam.
- Sheet size: mm. 134×140
- Technique: Burin
- Support: Laid paper
- Condition: Excellent condition
Pierre Mariette Baccanale, XVII secolo
50,00 €Baccanale è uno studio per un affresco realizzato da Pierre Mariette in the 17th century.
Questo lavoro, firmato in basso a destra con la sigla P.Mariette e monogrammato FL, è un esempio significativo dell’arte del periodo.
- Sheet size: mm. 102×222 alla battuta del rame
- Technique: Bulino e matita rossa su carta vergellata
- Condition: Foglio un po’ maltrattato
Pierre Mortier (1661-1711), Plagues of Egypt, 1700
40,00 €Plagues of Egypt It is an engraving made by Pierre Mortier in 1700, which illustrates two episodes from the Old Testament: the third plague of Egypt, represented by insects, and the fourth plague, which shows mosquitoes or locusts.
This work is part of the publication History of the old and new Testaments, enriched with over four hundred burin engravings, published in Antwerp by Pierre Mortier.
- Sheet size: cm. 36×23 plus irregular margins
- Technique: Burin
- Condition: Good
- Support: Laid paper
Rembrandt Il Patrizio Olandese
30,00 €Il Patrizio Olandese It is an engraving made by Rembrandt, uno dei più grandi maestri dell’arte europea.
This work, performed in etching, presenta una misura dell’incisione di cm. 13,5×17 alla battuta del rame, su un foglio di cm. 20×26.
- Sheet size: cm. 20×26
- Engraving size: cm. 13,5×17
- Support: Carta spessa non vergellata
- Condition: Ottima prova della metà ‘800 con buon contrasto
Rembrandt, attivo durante l’età dell’oro olandese, è noto per la sua abilità nel catturare l’essenza umana e la luce.
Questa incisione è firmata in basso a sinistra con ‘Rembrandt pinx.’ e a destra con ‘D. J. Pound sc.’
Rembrandt (1606-1669), Basan, 1771
30,00 €Rembrandt (1606-1669), Basan, 1771 It is an engraving of great historical value, part of the Cabinet of the Duke of Choiseul.
This work is a collection of prints realizzato da Pierre-François Basan nel 1771, che raccoglie incisioni tratte dai dipinti del Duc de Choiseul.
- Sheet size: cm. 30×20 approx.
- Engraving size: cm. 17×14 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Rembrandt Harmenszoon van Rijn, uno dei più grandi maestri della pittura e incisione olandese, è noto per la sua abilità nel catturare la luce e l’ombra.
Pierre-François Basan, incisore francese, ha contribuito alla diffusione delle opere di Rembrandt attraverso le sue incisioni.
Robert Nanteuil, Ritratto di P.de Maridat, 1650, XIX secolo
30,00 €Ritratto di P.de Maridat It is an engraving made by Robert Nanteuil nel 1650, un’opera che rappresenta un esempio significativo della sua arte.
Nanteuil, nato a Reims nel 1623 e morto a Parigi nel 1678, è noto per i suoi ritratti incisori e per il suo stile raffinato.
Questa incisione è stata realizzata da Amand Durand (1831-1905) e fa parte di un’importante tradizione di incisione francese.
- Sheet size: cm. 28×19 approx.
- Engraving size: cm. 14×10 approx.
- Support: Laid paper with partial watermark
- Condition: Excellent
S.Della Bella, Diversi Imbarcamenti
60,00 €Various Vessels It is an engraving made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
Questa opera è una copia in controparte della serie Various Boardings (DeVesme/Massar, 802-809), firmata in basso a sinistra S.D.Bella.
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
The plates of these copies belong to the Calcografia of Rome.
S.Della Bella, Diversi Imbarcamenti
60,00 €Various Vessels It is an engraving made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
Questa opera è una copia in controparte della serie Various Boardings (DeVesme/Massar, 802-809), firmata in basso a sinistra S.D.Bella.
- Sheet size: cm. 17×32
- Engraving size: cm. 8×16
- Technique: Etching
- Support: Thick ivory-colored unlaid paper
- Condition: Perfect
The plates of these copies belong to the Calcografia of Rome.
Salvator Rosa Ceres and Phytalos 1662
250,00 €Ceres and Phytalo It is an engraving made by Salvator Rosa (Arenella 1615 – Rome 1673) in 1662.
This work, which represents a significant moment in mythology, is performed in etching and drypoint, signed on the lower plate with the words 'Salvator Rosa Inu.Scul.'.
- Sheet size: cm. 50×37 approx.
- Engraving size: cm. 35×23 approx.
- Support: Thick laid paper with watermark
- Condition: Excellent state of preservation
The engraving was made between 1662 and 1663, but it is assumed that the impression is from the 18th century.
This work is documented in several publications, including:
- G. BOZZOLATO, The engravings of Salvator Rosa, 1973
- O. THEODOLI, Salvator Rosa 1615-1673, Etchings, Bergamo, 1992
- Salamon S., Salvator Rosa. The Graphic Work. Catalogue Raisonné, Turin, 1993
Salvator Rosa Three soldiers pointing
80,00 €Tre soldati che indicano è un’incisione attribuita a Salvator Rosa, realizzata con la tecnica dell’acquaforte e bulino.
Questa opera, di dimensioni cm. 22×28 circa alla battuta, è stampata su carta vergellata senza filigrana, con un foglio di cm. 34×43 (margini incollati).
- Condition: Excellent condition
- Contrasto: Buon contrasto
- Rarity: Raro foglio attribuibile a Salvator Rosa
St. Daniel, 1650
30,00 €Saint Daniel It is an engraving made in 1650, using the technique ofetching and of the colored burin.
This work, dating back to the mid-seventeenth century, is printed on laid paper without watermark and features a prayer in Latin on the back.
- Sheet size: cm. 6×11 approx.
- Engraving size: cm. 5×6,5 approx.
- Support: Light paper
- Condition: Excellent condition
Saint Theodotus Innkeeper 17th century
40,00 €Saint Theodotus the Host It is an anonymous engraving made in 17th century.
This work is an etching on laid paper without watermark, with a size of cm. 14×21 at the edge of the image and has a caption in Latin.
- Sheet size: cm. 14×21 approx.
- Technique: Etching
- Condition: Fair condition (not visible crease on the back)
- Support: Laid paper
St. Thomas of Villanova 17th century
40,00 €St. Thomas of Villanova It is an anonymous engraving made in 17th century.
This work is an etching on laid paper without watermark, featuring a caption in Latin.
- Sheet size: cm. 14×21 approx.
- Technique: Etching
- Condition: Fair condition
- Support: Laid paper
Saint Macrina, 1711
20,00 €Saint Macrina It is an engraving made in 1711 by Mariette, a well-known engraver of the time.
This work is performed with the technique ofetching and burin, presenting a measure of the engraving of cm. 6×11 on a sheet of paper cm. 10×16.
- Support: Laid paper with partial watermark
- Condition: Good condition
Scena Agreste, XVII sec.
320,00 €Scena Agreste è un’acquarello su delineato a matita che rappresenta un affascinante paesaggio del XVII secolo.
L’opera ritrae una scena di vita rurale, con una cascata e personaggi intenti al lavoro nei campi, mostrando una notevole attenzione ai dettagli e una qualità artistica di ottima fattura.
- Sheet size: cm. 26×18 approx.
- Support: Carta vergellata incollata su cartone spesso
- Condition: Excellent state of preservation
Scena di caccia, anonimo monogrammista del XVII secolo
30,00 €Scena di caccia è un’incisione realizzata da un anonimo monogrammista del XVII secolo.
Questa xilografia su carta vergellata rappresenta una vivace scena di caccia, con nobili cavalieri e cavalli in azione.
- Sheet size: mm. 175×45
- Support: Carta vergellata con retro stampato
- Monogram: PCVA (?), inciso in lastra
- Origine: Tratto da un testo francese del XVII secolo
Sebastien Leclerc, (1637–1714) Testa di vecchia
40,00 €Old woman's head It is an engraving made by Sébastien Leclerc (1637–1714), un noto pittore e incisore francese.
Questa opera, firmata in lastra con ‘le Clerc del.’, è un esempio pregevole della sua arte.
- Engraving size: mm. 85×120 circa
- Support: Laid paper with partial watermark
- Condition: Excellent condition
Spain. Cellarius – 1701
80,00 €Spain – Hispania Antiqua It is a copperplate map made by Christophorus Cellarius in 1701.
This work is taken from the volume Notitia Orbis Antiqui sive Geographia Plenior and presents historical and geographical details of Spain.
- Sheet size: cm. 24×33 approx.
- Engraving size: cm. 20×30 approx.
- Support: Laid paper
- Condition: Good condition
17th century biblical prints cm.11×9
0,00 €17th Century Biblical Prints they are precious woodcuts made by Christoffel of Shechem, a well-known Dutch engraver.
These works, taken from the volume Bibels tresoor, ofte Der zielen lvsthof, published in 1646, represent significant scenes from the life of Jesus and other biblical episodes.
- Sheet size: cm. 19×14 approx.
- Engraving size: cm. 10/11×8/9 approx.
- Technique: Woodcut
- Support: Laid paper
- Condition: Excellent
Each print is monogrammed in CVS plate and comes with a certificate of originality and legitimate provenance.
200 copies available. Contact for a quote.
17th century religious prints cm.11×7
0,00 €17th century religious prints They are woodcuts on laid paper with partial watermark, measuring approximately 11x7.5 cm, with smaller margins and printed back.
These works are monogrammed in CVS plate (Christoffel van Sichem) and come from the volume Bibels tresoor, ofte Der zielen lvsthof, published by Pieter Jacobsz, Paets, in Amsterdam in 1646.
- They represent: Scenes and episodes from the life of Jesus and biblical episodes.
- Availability: 180 specimens.
- Certificate: Each print will be accompanied by a certificate of originality and legitimate origin.
About Christoffel van Sichem: Dutch engraver born in Basel in 1581 and died in Amsterdam in 1658, he created numerous woodcuts inspired by works by artists such as Durer, Abraham Bloemaert, Hendrick Goltzius and Maarten van Heemskerck.
Stefano Della Bella – Hunts of Different Animals, 1654
Different Animal Hunts It is an engraving made by Stephen Of The Beautiful in 1654, part of the series dedicated to hunting.
This work, which represents the Deer Hunting, is a fine example of etching, signed lower left with 'S.D.Bella F.' and lower right with 'S.Bella Cum Privilegi Regis'.
- Sheet size: mm. 226×149 at the copper edge plus 5 mm of regular margin
- Support: Unlaid paper, brown colored sheet
- Condition: Exceptional state of preservation
- Notes: Glued to the upper right and left margins on non-contemporary cardboard
- Reference: De Vesme Massar 734
Stefano Della Bella – Dalla serie Diversi Animali
50,00 €Dalla serie Diversi Animali It is an engraving made by Stephen Of The Beautiful intorno al 1644.
This work, performed in etching (in controparte), presenta la firma dell’artista in basso a destra: La Bella fecit.
- Sheet size: Not specified
- Support: Laid paper without watermark
- Condition: Exceptional state of preservation
- Reference: De Vesme-Massar 702
Stephen Of The Beautiful (Firenze 1610-1664), noto anche come Stefanino or Labelle, fu un incisore al servizio della corte medicea.
Soggiornò a Roma, Parigi e Amsterdam, e il suo lavoro è caratterizzato da un linguaggio originale, influenzato da maestri come il Cantagallina e Callot.
Della Bella ha lasciato un’importante eredità artistica con oltre mille incisioni, ricche di arguzia e movimento.
Stefano Della Bella, Cavalieri negri…, 1651
150,00 €Cavalieri negri… It is an engraving made by Stephen Of The Beautiful nel 1651, che ritrae un Cavaliere Ungherese di schiena.
Questa opera è un esempio pregiato della sua arte, firmata in lastra con la sigla S. D. Bella f. ed è parte della serie Cavalieri negri, polacchi e ungheresi.
- Sheet size: mm. 175×175
- Technique: Etching
- Support: Laid paper
- Condition: Excellent state of preservation
Stefano Della Bella, Cavalieri negri…, 1651
120,00 €Cavalieri negri… It is an engraving made by Stephen Of The Beautiful nel 1651, rappresentante due cavalieri polacchi.
Questa opera è un’acquaforte di dimensioni mm. 175×175 and it is printed on laid paper, databile alla prima metà del XVII secolo.
- Stato di conservazione: Buono, con prova un po’ pallida
- Serie: Cavalieri negri, polacchi e ungheresi
- Reference: De Vesme-Massar 280
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