XVII

Showing 169–192 of 399 results

John Lanfranco, 1638

40,00 

Giovanni Lanfranco It is a copper engraving made in 1638 da Sisto Badalocchi e Giovanni Lanfranco.
This frontespizio è parte della History of the Old Testament, painted in Rome in the Vatican by Raphael of Urbino and carved in copper by Sisto Badalocchi and Giovanni Lanfranchi for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Support: Laid paper with watermark
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Dio crea il Sole e la Luna è un’incisione realizzata da Giovanni Lanfranco nel 1638, in collaborazione con Sisto Badalocchi.
This work is a frontispiece of theHistory of the Old Testament, dipinta da Raffaello nel Vaticano e incisa in rame da Sisto Badalocchi e Giovanni Lanfranco per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

È interessante notare che, essendo pubblicata per un pubblico ebraico, questa stampa presenta un’alterazione della figura di Dio, cancellata e sostituita con una scritta in ebraico, in conformità a un divieto che negava la rappresentazione di Dio sotto forme umane.

John Lanfranco, 1638

40,00 

Noè nel Diluvio It is an engraving made by Giovanni Lanfranco nel 1638, in collaborazione con Sisto Badalocchi.
This work is a frontispiece of the History of the Old Testament, dipinta a Roma nel Vaticano da Raffaello di Urbino e incisa in rame da Sisto Badalocchi e Giovanni Lanfranco per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

The animals come out of the Ark it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of the History of the Old Testament, painted by Raphael in the Vatican and carved in copper by the two artists.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Noè offre un sacrificio al Signore it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is part of the frontispiece of History of the Old Testament, dipinta a Roma nel Vaticano da Raffaello di Urbino e incisa in rame da Sisto Badalocchi e Giovanni Lanfranchi per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Copper engraving
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Sodoma e Gomorra It is an engraving made by Giovanni Lanfranco And Sisto Badalocchi nel 1638.
This work is a frontispiece of the History of the Old Testament, dipinta da Raffaello nel Vaticano e intagliata in rame.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Abimelech surprises Isaac and his wife it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is part of the frontispiece of History of the Old Testament, painted by Raphael in the Vatican and carved in copper by the two artists.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper with watermark
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Isaac and Esau it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of the History of the Old Testament, painted in Rome in the Vatican by Raphael of Urbino and carved in copper by Sisto Badalocchi and Giovanni Lanfranchi for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Moses on Mount Sinai it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of theHistory of the Old Testament, painted by Raffaele di Urbino and engraved in copper by Badalocchi and Lanfranco for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good

The Kiss of Judas, by Jacques Callot (1592-1635) – The Little Passion

30,00 

The Kiss of Judas It is an engraving made by Jacques Callot (1592-1635), part of the series The Little Passion.
This work is performed at burin on a sheet of 9x11.5 cm, printed on white laid paper on the back.
At the bottom, a Latin phrase from the New Testament is reported, adding further cultural value to the work.
It has small scattered foxing spots, but is found in good condition.

Immacolata Concezione, anonimo, XVII secolo

40,00 

Immacolata Concezione it is an anonymous engraving dating back to 17th century.
This work is made in etching on laid paper con filigrana parziale e presenta dimensioni di mm. 170×125, trimmed to the marginal line.
In basso si legge: Benedetta sia la Santa et Imaculata Concezione della B.V.M. Greg XV (?) e Cleme Xit (?).
Si tratta di una stampa rara, che rappresenta un’importante iconografia religiosa.

Incisore su Vetro, Caspar e Jan Luyken, 1694

15,00 

Incisore su Vetro It is a woodcut made by Caspar and Jan Luyken in 1694.
This work is taken from Spiegel van het Menselyk Bedryf (Mirror of Human Activities) e presenta un’incisione che rappresenta il mestiere dell’incisore.

  • Sheet size: mm. 75×120
  • Engraving size: mm. 60×64
  • Technique: Woodcut
  • Support: Laid paper without watermark
  • Condition: Excellent

Oltre all’incisione, il foglio presenta note esplicative in olandese e il retro è stampato.

Inghilterra, Cellarius – 1701

80,00 

Inghilterra, Cellarius – 1701 è una mappa storica dell’Inghilterra, realizzata nel 1701 da Christophorus Cellarius.
Questa incisione su rame, tratta da Notitia Orbis Antiqui sive Geographia Plenior, presenta una rappresentazione dettagliata delle isole britanniche, colorata a mano.

  • Sheet size: cm. 24×33 approx.
  • Engraving size: cm. 20×30 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

Israël Silvestre (1621-1691), Lyon, 1653

30,00 

Veue d’une partie de la Charité de Lion è un’incisione realizzata da Israël Silvestre nel 1653, conservata presso il museo d’histoire di Lione.
Questa opera, un’affascinante rappresentazione della città, è realizzata in etching on laid paper.

  • Sheet size: cm. 18×22 approx.
  • Engraving size: mm. 95×120 alla battuta del rame
  • Support: Laid paper
  • Condition: Excellent condition

Israel Silvestre, Paris, 1670, 19th century

40,00 

Israel Silvestre, Parigi, 1670 è un’incisione realizzata da Amand Durand nel XIX secolo.
Questa opera, che rappresenta un’importante testimonianza della produzione artistica di Silvestre, è un’acquaforte che misura cm. 13×20 alla battuta del rame, su un foglio di cm. 28×19.

  • Sheet size: cm. 28×19
  • Engraving size: cm. 13×20
  • Support: Laid paper without watermark
  • Condition: Excellent

Israel Silvestre (1621-1691) è stato un incisore, insegnante, editore e disegnatore francese, noto per le sue opere che catturano la vita e l’architettura del suo tempo.

Jacques Callot The great miseries

80,00 

Le grandi miserie della guerra It is an engraving made by Jacques Callot, un importante incisore francese del Seicento.
Questa opera, conosciuta come L’arruolamento delle truppe, è la Tav.2 della serie dedicata alle miserie della guerra.

  • Sheet size: mm. 75×184 circa
  • Engraving size: mm. 75×184 circa
  • Technique: Etching
  • Support: Laid paper without watermark
  • Condition: Buone, con alcuni fori restaurati al verso e qualche spellatura

Callot, nato a Nancy nel 1594, è noto per la sua abilità nell’incisione e per la sua capacità di catturare la vita quotidiana e le miserie della guerra con un tocco di eleganza e precisione.
Questa opera è un esempio della sua maestria e della sua visione artistica unica.

Jacques Callot Little Passion 1625-1699

35,00 

Lavaggio dei Piedi è un’incisione realizzata da Jacques Callot, parte della serie The Little Passion, datata tra il 1624 e il 1625.
Questa opera è basata su 12 disegni conservati al Louvre e rappresenta un esempio di alto livello incisorio, molto rara nel suo genere.

  • Sheet size: mm. 76×59 circa
  • Support: Light laid paper
  • Condition: Buone (presenti un piccolo foro e qualche macchia)

Jacques Callot The Martyrdom of the Apostles 1634

120,00 

The Martyrdom of the Apostles It is a series of four plates made by Jacques Callot in 1634.
This series includes representations of the Martyrdom of St. Paul, Martyrdom of St. Philip, Martyrdom of St. Thaddeus And Martyrdom of St. Peter.

  • Sheet size: mm. 63×45 without margins
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jacques Callot Little Passion 1625-1699

35,00 

Jacques Callot – Piccola Passione è un’acquaforte realizzata tra il 1625 e il 1699, rappresentante il tema di Cristo nel Getsemani.
Questa opera fa parte della serie conosciuta come The Little Passion, datata dagli studiosi al 1624-1625 circa, e si basa su 12 disegni conservati al Louvre.

  • Engraving size: mm. 67×55 alla battuta del rame
  • Support: Incollata su altro supporto cartaceo
  • Condition: Excellent
  • Rarity: Opera di alto livello incisorio, molto rara

Jacques Callot, (Nancy 1594-1635) A Beggar

40,00 

A Beggar It is an engraving made by Jacques Callot (Nancy 1594-1635), part of the series The Beggars.
This etching It is unsigned and measures 95x160 mm without a frame, printed on laid paper without watermark.

  • Condition: Excellent condition
  • Era: 17th century
  • Dimensions: Small

Callot is known for his ability to capture the fantastic freedom and sensitivity of light in his works. His favorite themes, such as soldiers and beggars, offer an elegant and picturesque vision of the life of his time.

Jacques Callot, Pistol Fight, 1632-34

40,00 

Gun Fight It is an engraving made by Jacques Callot between 1632 and 1634.
This work, part of the series The Combats of Cavalry, is an etching that represents an intense moment of battle.

  • Sheet size: mm. 55×91 at the copper edge plus 1.5 cm of margins
  • Support: Laid paper
  • Condition: Excellent

Jacques Callot, Hunchback with Stick, 1621

70,00 

Hunchback with stick It is an engraving made by Jacques Callot between 1621 and 1625.
This work is part of the series Various hunchback figures and is a significant example of Callot's mastery of engraving.

  • Sheet size: mm. 64×90 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Jacques Callot, The Beggars, 1622

650,00 

The Beggars It is a complete series of engravings made by Jacques Callot in 1622, coming from The Guess (The beggars).
This series consists of 25 tables, mostly in counterpart, with variable dimensions of mm. 122/140×88/102.

  • Margins: small to thin, some trimmed incisions
  • Conditions: some plates have small missing parts at the edges and peeling on the back, with traces of glue or paper
  • Notes: the series, although complete, is not homogeneous and the tables come from different editions

This is an interesting suite for engraving enthusiasts.

Jacques Callot, The New Testament, 1635

450,00 

The New Testament It is a complete series of 10 tables made by Jacques Callot in 1635, the year of his death.
This series includes a frontispiece engraved later by Abraham Bosse.

  • Sheet size: mm 70/72×93/95
  • Dimensions of the tables: mm 60/63×83/86
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper without watermark

The proofs are in the 2nd state of 2, with the writing in the lower margin and the number. The margins vary from thin to small, with minimal paper residue and traces of old tape on the upper verso. For the rest, the work is in excellent condition.

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