XVIII

Showing 1–24 of 926 results

1701, Africa from the Cellarium

60,00 

Africa from Cellario It is a copper engraving made in 1701, taken from the work Notitia Orbis Antiqui sive Geographia Plenior by Christophorus Cellarius.
This map represents a detailed view of Africa and measures cm. 20×30 approximately, on a sheet of cm. 24×33.

  • Sheet size: cm. 24×33 approx.
  • Engraving size: cm. 20×30 approx.
  • Support: Paper
  • Condition: Good, with some stains on the edges and editorial creases

1701, England, by Cellario

90,00 

1701, England, by Cellario It is a watercolour copper engraving map, taken from Notitia Orbis Antiqui sive Geographia Plenior by Christophorus Cellarius, published in 1701.
This work features hand-coloring that enhances its geographical details.

  • Sheet size: cm. 24×33 approx.
  • Engraving size: cm. 20×30 approx.
  • Support: Paper
  • Condition: Good, with some stains on the edges

1701, Mauritania and Numidia, from Cellario

60,00 

1701, Mauretania and Numidia it is a copper-engraved and water-coloured map, taken from the volume Notitia Orbis Antiqui sive Geographia Plenior by Christophorus Cellarius, published in 1701.
This hand-colored engraving has dimensions of cm. 20×30 for engraving and cm. 24×33 for the sheet.

  • Sheet size: cm. 24×33 approx.
  • Engraving size: cm. 20×30 approx.
  • Support: Paper
  • Condition: Good condition, with some stains on the edges

1701, Scythia and Serica, from Cellario

60,00 

Scythia and Serica It is a copper-engraved and watercoloured map, created in 1701 by Christophorus Cellarius.
This piece is taken from Notitia Orbis Antiqui sive Geographia Plenior, a work that offers a detailed vision of ancient geographies.

  • Sheet size: cm. 24×33 approx.
  • Engraving size: cm. 20×30 approx.
  • Support: Paper
  • Condition: Good, with some stains on the edges

1712, Ancient map of Verona

50,00 

Ancient map of Verona from 1712 is a copper engraving that represents one of the most fascinating historical maps of the city.
This map is taken from the volume The Delights of Italy by De Rogissart and presents accurate details of the Veronese topography of the time.

  • Sheet size: cm. 16×17 approx.
  • Engraving size: cm. 11×14 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation
  • Rarity: Rare

1718, Southern Italy, C.Weigel

220,00 

1718, Southern Italy it's a lithography with contemporary watercolour, made by C. Weigel.
This map represents ancient Italy from Octavian Augustus in Regions XI described.

  • Place of publication: Nuremberg
  • Year of publication: 1718
  • Sheet size: cm. 39×47
  • Condition: Excellent, with editorial center fold
  • Rarity: Rare representation, with excellent colouring

1718, Southern Italy, C.Weigel

280,00 

Map of Southern Italy It is a lithograph made by C. Weigel in 1718, characterised by a contemporary coloring which enhances its beauty.
This map, titled Magna Graecia Description, was published in Nuremberg with the privilege of the SC Majest.

  • Sheet size: cm. 38×45
  • Technique: Lithography
  • Condition: Excellent, with editorial center fold
  • Support: Paper

Rare and valuable representation, with high quality colouring.

18th century aquatint

40,00 

18th century aquatint It is an anonymous engraving dating back to the mid-1700s, which represents a historical scene of considerable interest.
This work is made in aquatint and measures 15x17 cm at the edge, on medium-thickness paper with white backing.

  • Sheet size: Small
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Adriaen van Ostade, 1770

30,00 

Adriaen van Ostade It is an engraving made in 1770, executed with the technique ofetching.
This work is printed on laid paper and features a white back.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Condition: Excellent state of preservation

Agrigento, Ancient Ruins, Saint-Non, 1781-86

90,00 

Agrigento, Ancient ruins It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The animated view offers a fascinating look at the ancient ruins of Agrigento, making this engraving a valuable piece for collectors and art enthusiasts.

Agrigento, Castor and Pollux, Saint-Non, 1781-86

40,00 

Agrigento, Castor and Pollux It is a magnificent engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This view represents the remains of the Temples of Castor and Pollux in Sicily and is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

Agrigento, Pools, Saint-Non, 1781-86

40,00 

Agrigento, Swimming Pools It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

The engraving offers a beautiful animated view of the water supply pools in Agrigento, Sicily, and represents an important historical and artistic testimony of the 18th century.

Agrigento, Athenian Rock, Saint-Non, 1781-86

90,00 

Agrigento, Athena Rock It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The animated view offers a fascinating glimpse of Sicily, highlighting the beauty of the Rupe Atenea or Scala dei Franceschini.

Agrigento, Temple of Concord, Saint-Non, 1781-86

90,00 

Agrigento, Temple of Concordia It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21x34 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent

The view represents a lively scene of the Temple of Concordia, testifying to the artistic ability and archaeological interest of the author.

Agrigento, Temple of Concord, Saint-Non, 1781-86

90,00 

Agrigento, Temple of Concordia It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies, a work that combines art and archaeology.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

This engraving offers a beautiful animated view of the Temple of Concord, testifying to Saint-Non's artistic skill and his contribution to the documentation of historical sites in Sicily.

Agrigento, Temple of Aesculapius, Saint-Non, 1781-86

40,00 

Agrigento, Temple of Aesculapius It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18x25 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent condition

The engraving offers a beautiful animated view of the Temple of Asclepius, representing an important artistic and cultural testimony of Sicily.

Agrigento, Temple of Juno, Saint-Non, 1781-86

90,00 

Agrigento, Temple of Juno It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 33×50 approx.
  • Engraving size: cm. 21×34 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The engraving offers a beautiful animated view of the ruins of the Temple of Juno in Sicily, representing an important artistic and historical testimony of the eighteenth century.

Agrigento, Tomb of Theron, Saint-Non, 1781-86

40,00 

Agrigento, Tomb of Theron It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent engraving is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18x25 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent

The work offers a beautiful animated view of the Tomb of Theron, representing the art and culture of Sicily in the 18th century.

Agrigento, View of the port and the pier, Saint-Non, 1781-86

40,00 

Agrigento, Veduta del porto e del molo It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La veduta è animata e offre uno scorcio affascinante del porto di Agrigento, rendendola un pezzo prezioso per collezionisti e appassionati d’arte.

Albani, Audran, Diana and Love, 1770

130,00 

Diana and Love It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is an example of an etching on heavy laid paper, signed on the plate with the following indications: Franc. Albanus in and pinx And Well. Audran ex cum privilege. Regis.

  • Dimensions of the figured part: cm. 32×26 approx.
  • Engraved part dimensions: cm. 34×30 approx.
  • Condition: Excellent state of preservation
  • Support: Heavy laid paper

Albani, Audran, Venus and Adonis, 1770

130,00 

Venus and Adonis It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is a fine example of etching on heavy laid paper, signed on the plate by Albani and Audran.

  • Sheet size: cm. 34×30 approx.
  • Dimensions of the figured part: cm. 32×26 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Heavy laid paper

Alimena, Mountains of the Salt Pans, Saint-Non, 1781-86

40,00 

Alimena, Saline Mountains It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The animated view offers a fascinating glimpse into Sicily, making this engraving a valuable piece for collectors and art enthusiasts.

Andrea Schiavone, Dead Christ, 1786

70,00 

Cristo Morto it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
È tratta dalla Gallery of the Palais Royal, che presenta opere delle diverse scuole artistiche, accompagnata da un riassunto della vita dei pittori e una descrizione storica di ciascun quadro, a cura dell’abbé de Fontenai.

  • Sheet size: cm. 24×37 approx.
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper
  • Published by: J. Couche; Parigi; 1786

Andrea Schiavone, Jesus Before Pilate, 1786

70,00 

Jesus Before Pilate it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper with watermark, coming from the Gallery of the Palais Royal.

  • Engraving size: cm. 24×37 (including the editorial frame)
  • Margins: Good irregular margins
  • Condition: Excellent condition, nice proof with good contrast
  • Published by: J. Couche, Paris, 1786

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