XVIII

Showing 721–744 of 926 results

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del duca.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff (1665 – 1722) è noto come un pittore dell’età d’oro olandese, che ha collaborato con suo fratello Adriaen van der Werff.

Pieter van Laer called Bamboccio, The Servants, 1786

50,00 

Pieter van Laer called the Bamboccio, The Servants It is an engraving made in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.

  • Taken from: Galerie Du Palais Royal, with works from different schools
  • Description: Includes an abbé of the painters' lives and a historical description of each painting, by Mr l'abbé de Fontenai
  • Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
  • Published by: J. Couche, Paris, 1786
  • Condition: Excellent condition, nice proof with good contrast

Pietro Da Cortona (Pietro Berrettini), Jacob's Flight, 1786

70,00 

Jacob's Escape It is an engraving made by Peter From Cortona (Pietro Berrettini) in the 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.

  • Sheet size: cm. 24×37 approximately (including the editorial frame)
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

Pine, J.Miller, late 18th century

30,00 

The Yen Tree It is an engraving made by J. Miller at the end of the 18th century.
This work, performed with the technique of Burin and watercolour, presents a fascinating and detailed subject.

  • Sheet size: cm. 30×24 approx.
  • Engraving size: cm. 23×19 approx.
  • Support: Laid paper
  • Condition: Good condition, with some stains

Pisa, Piazza dei Miracoli, 1724

40,00 

Pisa, Square of Miracles It is an engraving made in 1724, which offers a beautiful animated view di uno dei luoghi più iconici d’Italia.
This work is taken from the volume Nieu We Reize van Misson naen door Italy, di Francois van Misson, pubblicato a Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Platano Orientale, J.Miller, fine XVIII secolo

30,00 

Platano Orientale It is an engraving made by J. Miller at the end of the 18th century.
This work, entitled The Oriental Plane Tree, is performed with the technique of Burin acquarellato su carta vergellata.

  • Engraving size: cm. 23×19 approx.
  • Sheet size: cm. 30×24 approx.
  • Support: Laid paper
  • Condition: Good condition, with some stains

Pula, Arch of Triumph, 1796

40,00 

Pula, Arch of Triumph It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Civita Castellana Bridge, 1798

40,00 

Civita Castellana Bridge It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Trajan's Bridge, Danube, 1700

30,00 

Trajan's Bridge, Danube it is a vintage watercolour etching depicting the famous Trajan's bridge over the Danube.
This work, made by an unknown engraver, is printed on light laid paper and measures 28x17 cm without margins.

  • Sheet size: cm. 28×17 approx.
  • Support: Light laid paper
  • Condition: Good condition

Ponte presso Vicovaro, 1798

40,00 

Ponte presso Vicovaro è un’incisione realizzata nel 1798, che offre una splendida veduta del ponte situato a Vicovaro.
This work is taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

The print features a beautiful view, animated and well contrasted, with an explanation on the back.

Pourbus, Basan, 1771

30,00 

Cabinet of the Duke of Choiseul It is an engraving made by Pierre-François Basan in 1771.
Questa opera fa parte di un collection of prints che raccoglie le incisioni tratte dai dipinti del cabinet di Monseigneur le Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Pozzuoli, Amphitheatre, 1707

20,00 

Pozzuoli, Amphitheatre It is an engraving made in 1707, which represents the remains of the Roman amphitheatre of Pozzuoli.
This work is taken from the volume The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: cm. 65×121 approx.
  • Engraving size: cm. 65×121 approx.
  • Support: Paper
  • Condition: Excellent

Pozzuoli, Saint-Non, 1781-1786

40,00 

Pozzuoli, Saint-Non, 1781-1786 è un’incisione che rappresenta una vista di una delle principali carriere di pouzzolane.
Realizzata in acquaforte, questa opera misura circa mm. 230×165, con margini irregolari.
It is part of the volume Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, scritto e illustrato dall’Abate Jean-Claude Richard de Saint-Non.

  • Sheet size: Great
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Questa bella veduta è animata e rappresenta un’importante testimonianza del paesaggio napoletano del XVIII secolo.

Purgatory, Dante, 1757

40,00 

Purgatorio è un’incisione realizzata nel 1757, ispirata alla celebre opera The Divine Comedy by Dante Alighieri.
Questa incisione rappresenta il tema del Purgatorio, con elementi simbolici come il serpente e gli angeli, e riflette i concetti di fede e speranza.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Questa opera è parte di un volume dedicato alla Sagra Imperiale Maestà di Elisabetta Petrowna, Imperatrice di tutte le Russie, pubblicato a Venezia tra il 1757 e il 1758 da Antonio Zatta.

Purgatory, Envy, 1757

40,00 

Purgatorio, Invidia It is an engraving made in 1757, part of the famous work The Divine Comedy by Dante Alighieri, arricchita da annotazioni e decorazioni.
Questa acquaforte, stampata su carta vergellata, presenta un formato di cm. 20×13 alla battuta del rame, su un foglio di cm. 28×21.

  • Sheet size: cm. 28×21
  • Engraving size: cm. 20×13
  • Support: Laid paper
  • Condition: Excellent

Rembrandt van Rijn, Bashan, 1771

30,00 

Rembrandt van Rijn, Bashan, 1771 It is an engraving of great historical value, part of the Cabinet of the Duke of Choiseul.
This work is a collection of prints made by Pierre-François Basan, which collects the engravings taken from the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Rembrandt van Rijn, Bashan, 1771

30,00 

Rembrandt van Rijn, Bashan, 1771 It is an engraving made by Rembrandt, published by Pierre-François Basan in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints from works by the famous Dutch painter.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Rembrandt Van Rijn, Saint Francis, 1786

60,00 

Saint Francis It is an engraving made by Rembrandt Van Rijn in 1786.
This work is an etching on laid paper without watermark, coming from Gallery of the Palais Royal.

  • Sheet size: cm. 24×37 approx.
  • Condition: Excellent condition, nice proof with good contrast

The engraving is dedicated to HSH Monseigneur le Duc d'Orléans, First Prince of the Blood, and was published by J. Couché in Paris in 1786.

Richard Earlom, Scena pastorale, 1775

60,00 

Scena pastorale It is an engraving made by Richard Earlom nel 1775, ispirata all’opera di Claude le Lorrain.
This work is an example of aquatint e presenta una dimensione di mm. 208×258, su un foglio di carta vergellata pesante di mm. 270×385.

  • Sheet size: mm. 270×385
  • Engraving size: mm. 208×258
  • Support: Heavy laid paper
  • Condition: Excellent condition

In basso a sinistra si trova la firma di Claude le Lorrain, mentre a destra quella di R. Earlom. Al centro in basso è presente la dicitura: Published Sept. 1775 by John Boydell Engraver in Cheapside.

Roma, Arco di Costantino, 1771

30,00 

Roma, Arco di Costantino It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

L’incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, published in Switzerland.
Questa edizione, meno influenzata dal pensiero francese e più neutra in ambito religioso, è conosciuta come enciclopedia protestante e ha avuto una notevole diffusione nel Nord Europa.

Roma, Arco di Costantino, 1796

40,00 

Roma, Arco di Costantino è un’incisione realizzata nel 1796, che offre una vista affascinante di uno dei monumenti più iconici di Roma.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La stampa presenta una bella veduta, animata e ben contrastata, con spiegazioni dettagliate al retro.

Rome, Arch of San Lazzaro, 1796

40,00 

Roma, Arco di San Lazzaro It is an engraving made in 1796, taken from the volume Tour Through Italy del Rev. John Chetwode Eustace, pubblicato a Londra da J. Mawman nel 1813.
Questa bella veduta è caratterizzata da un’animazione e un contrasto ben definiti, e sul retro è presente una spiegazione della stampa.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Rome, Arch of Septimius Severus, 1771

30,00 

Rome, Arch of Septimius Severus It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the edition of Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

The engraving is notable for its less French and less anti-religious approach than the original, which has earned it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Rome, Arch of Septimius Severus, Roman rings, 1771

30,00 

Rome, Arch of Septimius Severus, Roman rings It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 20×15 approx.
  • Technique: Burin
  • Support: Medium thickness laid paper
  • Condition: Excellent

This engraving is particularly interesting because it comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Yverdon Encyclopedia, published in Switzerland.
The difference in approach from the original earned it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.