XVIII

Showing 745–768 of 926 results

Rome, Basilica of Saint Agnes, 1798

40,00 

Rome, Basilica of Saint Agnes it is an engraving made in 1798, which represents a suggestive view of the Basilica of Sant'Agnese fuori le mura and the Mausoleum of Santa Costanza.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

The print features a beautiful view, animated and well contrasted, with an explanation on the back.

Roma, Chiesa di S. Andrea, 1798

40,00 

Roma, Chiesa di S. Andrea It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Roma, Colonna di Antonino Pio, 1724

30,00 

Roma, Colonna di Antonino Pio è un’incisione realizzata nel 1724, che offre una bella veduta animata della famosa colonna.
This work is taken from Nieu We Reize van Misson naen door Italy di Francois Misson, pubblicato a Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper, white back
  • Condition: Excellent

Roma, Colonna Traiana, 1724

30,00 

Roma, Colonna Traiana è un’incisione realizzata nel 1724, che offre una vista affascinante della celebre colonna situata nel cuore di Roma.
This work is taken from the volume Nieu We Reize van Misson naen door Italy di Francois Misson, pubblicato a Utrecht.

  • Sheet size: cm. 16×12 circa, con margini irregolari
  • Technique: Etching
  • Support: Medium paper, white back
  • Condition: Excellent

Rome, Colosseum, 1771

30,00 

Rome, Colosseum It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×30
  • Engraving size: cm. 24×30
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition earned the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Roma, Colosseo, 1796

40,00 

Rome, Colosseum It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta del Colosseo è animata e presenta un ottimo contrasto. Sul retro della stampa è presente una spiegazione dettagliata dell’opera.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Rome, Domus Aurea, Nero's Palace, 1791

70,00 

Roma, Domus Aurea, Palazzo di Nerone è un’incisione realizzata nel 1791, che rappresenta un’importante testimonianza storica dell’architettura romana.
Questa acquaforte è parte del volume Histoire Universelle depuis les commencement du monde jusque a present, pubblicato a Parigi nel 1791.

  • Sheet size: mm. 235×385 più margini irregolari di 2-3 cm
  • Engraving size: mm. 235×385
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent general condition

Roma, Fontana della Ninfa Egeria, 1798

40,00 

Roma, Fontana della Ninfa Egeria è un’incisione realizzata nel 1798, che offre una splendida veduta della famosa fontana.
This work is taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Technique: Etching and aquatint
  • Support: Paper
  • Condition: Excellent

Roma, Frontespizio Delice d’Italie 1712

25,00 

Roma, Frontespizio Delice d’Italie it is an engraving made by P. Mortier in 1712.
Questa opera, un’acquaforte su rame, è tratta da The delights of Italy by De Rogissart, German edition published in Berlin.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 7×13 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

Roma, Insegne romane, amuleti, 1771

30,00 

Roma, Insegne romane, amuleti It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent condition, with white back

This engraving is part of the edition of the Encyclopedia of Diderot and D'Alembert, known as Yverdon Encyclopedia, published in Switzerland.
A differenza dell’edizione originale, meno francese e meno antireligiosa, questa versione ha guadagnato il soprannome di enciclopedia protestante, contribuendo alla sua diffusione nel Nord Europa.

Roma, Insegne romane, amuleti, 1771 *33570

30,00 

Roma, Insegne romane, amuleti It is a burin engraving made by Fortunate Bartholomew De Felice In the 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Support: Medium thickness laid paper
  • Condition: Excellent condition, with white back

This engraving is particularly interesting because it comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Encyclopédie d’Yverdon, published in Switzerland.
A differenza della versione originale, meno francese e meno antireligiosa, questa edizione è stata definita enciclopedia protestante, il che ha contribuito alla sua diffusione nel Nord Europa.

Roma, Nove Chiese per Indulgenza, 1707

40,00 

Roma, Nove Chiese per Indulgenza è un’incisione in rame realizzata nel 1707, che rappresenta un bell’insieme delle nove chiese importanti di Roma.
This work is taken from The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: mm. 165×122
  • Support: Light paper
  • Condition: Buone, con piccoli margini irregolari e due pieghe editoriali

Roma, Obelisco Lateranense, 1724

30,00 

Roma, Obelisco Lateranense è un’incisione realizzata nel 1724, tratta dal volume Nieu We Reize van Misson naen door Italy by François Misson.
This work offers a beautiful animated view dell’Obelisco Lateranense, un simbolo iconico della città eterna.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper, white back
  • Condition: Excellent

Roma, Palazzo Farnese, 1724

40,00 

Roma, Palazzo Farnese è un’incisione realizzata nel 1724, che offre una vista affascinante del celebre palazzo romano.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Size of the joke: cm. 16×27 approx.
  • Support: Medium paper with white back
  • Condition: Good, it has two editorial folds

Roma, Piramide di Caio Cestio, 1796

40,00 

Roma, Piramide di Caio Cestio è un’incisione realizzata nel 1796, che offre una vista affascinante di uno dei monumenti più iconici di Roma.
Questa acquaforte è tratta dal volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print features a beautiful view, lively and well contrasted, with an explanation on the back that enriches the work.

Roma, Piramide di Cestius, 1724

40,00 

Roma, Piramide di Cestius è un’incisione realizzata nel 1724, tratta dal volume Nieu We Reize van Misson naen door Italy by François Misson.
This work offers a beautiful animated view della famosa piramide, un monumento emblematico della città eterna.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper, white back
  • Condition: Excellent

Rome, Nomentano Bridge, 1798

40,00 

Rome, Nomentano Bridge It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view features lively animation and sharp contrast, making it a fascinating work for art and history lovers. A detailed explanation is provided on the back of the print.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Roma, Ponte S.Angelo, 1798

40,00 

Roma, Ponte S.Angelo It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta offre una rappresentazione animata e ben contrastata del celebre ponte romano. Al retro della stampa è presente una spiegazione dettagliata dell’opera.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Roma, Porta Latina, 1796

40,00 

Roma, Porta Latina It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Roma, Porta San Sebastiano, 1796

40,00 

Roma, Porta San Sebastiano è un’incisione realizzata nel 1796, parte del volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Rome, S. Maria della Rotonda, 1724

30,00 

Rome, St. Mary of the Rotonda It is an engraving made in 1724, which represents the historic Piazza and the temple of Santa Maria della Rotonda, also known as the ancient Pantheon.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper, white back
  • Condition: Excellent

Rome, St. John Lateran, 1724

30,00 

Rome, St. John Lateran It is an engraving from 1724 representing the famous basilica, known for housing the Holy Stairs.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by Francois Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approx. plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

This beautiful animated view offers a fascinating look at the basilica's history and architecture.

Roma, Santa Maria del Popolo, 1724

30,00 

Roma, Santa Maria del Popolo è un’incisione realizzata nel 1724, che rappresenta la famosa basilica di Santa Maria del Popolo.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

Rome, Statue of Marforio, 1724

40,00 

Rome, Statue of Marforio It is an engraving made in 1724, which offers a beautiful animated view of the famous statue located in Rome.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper with white back
  • Condition: Excellent

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