XVIII

Showing 841–864 of 926 results

Salvator Rosa, Standing Warrior with Shield

75,00 

Guerriero in piedi con scudo è un’incisione di Salvator Rosa, realizzata nel XVIII secolo.
Questa opera, che fa parte della serie Various figures or Figurines, rappresenta un guerriero armato di scudo e alabarda.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Condition: Excellent
  • Support: Unlaid paper
  • Notes: Rifilata al margine, residui di colla ai margini al recto visibili in parte a fronte. Monogramma in basso a destra RS con lettere intrecciate e numero 21 in basso a destra.

Salvator Rosa, Soldier with spear pointing

75,00 

Soldato con lancia che indica It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, con le lettere intrecciate RS e il numero 22.

  • Sheet size: mm. 142×93
  • Support: Unlaid paper
  • Technique: Etching and drypoint
  • Condition: Ottima, con residui di colla ai margini visibili in parte a fronte

La prova è nitida e si presume sia una tiratura fine del ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Soldier with shield

75,00 

Soldato con scudo It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines e presenta un monogramma RS con lettere intrecciate all’interno dello scudo.

  • Sheet size: mm. 142×93
  • Support: Unlaid paper
  • Technique: Etching and drypoint
  • Condition: Ottima, con residui di colla ai margini visibili al recto
  • Notes: Bella prova nitida, probabile tiratura fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Armored Soldier with Spear

75,00 

Soldato corazzato con lancia it is an engraving of Salvator Rosa dating back to 18th century.
This work is made in etching and drypoint su carta non vergellata, con dimensioni di mm. 142×93, rifilata al margine. Presenta residui di colla ai margini al recto, visibili in parte a fronte.

  • Monogram: RS con lettere intrecciate in basso a sinistra
  • Numero: 6 in basso a destra
  • Serie: Diverse figure o Figurine
  • Condition: Excellent
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Three Peasants, Figurine, 18th century

75,00 

Tre contadini It is an engraving made by Salvator Rosa nel XVIII secolo, appartenente alla serie Various figures or Figurines.
This work is characterized by a etching and drypoint su carta non vergellata, con dimensioni di mm. 142×93, rifilata al margine.

  • Monogram: RS con lettere intrecciate in basso a sinistra
  • Numero: 24 in basso a destra
  • Condition: Excellent state of preservation
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)

Salvator Rosa, Three Warriors

75,00 

Tre guerrieri It is an engraving made by Salvator Rosa nel XVIII secolo, che rappresenta tre figure: uno seduto, uno in piedi e uno nascosto.
This work is part of the series Various figures or Figurines.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Support: Unlaid paper
  • Condition: Excellent

L’incisione presenta un monogramma in basso a sinistra con le lettere intrecciate ‘RS’ e il numero ‘7’ in basso a destra.
Si tratta di una bella prova nitida, probabile tiratura fine ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Three Soldiers, Figurines

75,00 

Tre Soldati It is an engraving made by Salvator Rosa In the 18th century.
Questa opera appartiene alla serie Various figures or Figurines and is characterized by a beautiful clear proof, probably from a late 18th century print run.

  • Sheet size: mm. 142×93
  • Engraving size: rifilata al margine
  • Support: Unlaid paper
  • Condition: Excellent
  • Technique: Etching and drypoint
  • Notes: Residui di colla ai margini al recto visibili in parte a fronte; senza monogramma; numero 18 presente in basso a destra.

Salvator Rosa, Three Soldiers, Figurine, 18th century

75,00 

Tre Soldati It is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines ed è caratterizzata da un monogramma in basso a destra, rappresentato dalle lettere intrecciate RS, e dal numero 20.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Support: Unlaid paper
  • Condition: Excellent

La prova è nitida e si tratta di una probabile tiratura della fine del ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Man with arm to chest

75,00 

Uomo con braccio al torace It is an engraving made by Salvator Rosa In the 18th century.
Questa opera è un’acquaforte e puntasecca su carta non vergellata, rifilata al margine, con residui di colla ai margini visibili al recto.
Presenta un monogramma in basso a destra, RS con lettere intrecciate, e il numero 1 in basso a destra. Fa parte della serie Various figures or Figurines.

  • Sheet size: mm. 142×93
  • Circulation: Probabile fine ‘700 (Cfr. Bartsch 37)
  • Condition: Excellent
  • Support: Unlaid paper

Salvator Rosa, Standing Man Pointing

75,00 

Uomo in piedi che indica It is an engraving made by Salvator Rosa In the 18th century.
This work, part of the series Various figures or Figurines, è eseguita in Etching and drypoint su carta non vergellata.

  • Sheet size: mm. 142×93
  • Condition: Excellent
  • Support: Paper
  • Details: Rifilata al margine, residui di colla ai margini al recto visibili in parte a fronte, monogramma in basso a destra RS con lettere intrecciate, numero 9 in basso a destra.

St. James of Nisibis, 1711

20,00 

Saint James of Nisibis It is an engraving made in 1711, executed with the technique ofetching and burin.
This work, signed by Mariette, is printed on laid paper with partial watermark.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper
  • Condition: Good condition

San Giuseppe, XVIII secolo

30,00 

Saint Joseph è un’incisione anonima del 18th century che rappresenta una scena sacra con la Madonna e il Bambino Gesù, assunti in cielo, accompagnati da San Giuseppe su una nuvola e angioletti.
This work is made in etching su carta vergellata con parziale filigrana, e presenta una bella rappresentazione artistica.

  • Sheet size: cm. 16×11,5 circa
  • Condition: Excellent state of preservation
  • Support: Laid paper

St. Mark the Evangelist, 1797

20,00 

Saint Mark the Evangelist It is an engraving made in 1797, which represents the famous evangelist.
This work is made with the technique ofetching and burin, and was hand-watercolored to add a pop of color.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 12×8 approx.
  • Support: Laid paper
  • Condition: Good condition

Saint Peter the Anchorite, 1711

20,00 

Saint Peter the Anchorite It is an engraving made in 1711 by Mariette, performed with the technique ofetching and burin.
This work features an engraving size of cm. 6×11 on a sheet of paper cm. 10×16, printed on laid paper with partial watermark.

  • Condition: Good condition
  • Price: €20,00

Saint Asclapius, 1711

20,00 

Saint Asclapius It is an engraving made in 1711, which represents the famous god of medicine.
This work was created using the technique ofetching and burin, and is an example of engraving art of the period.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition

Saint Eulogius, 1711

20,00 

Sant’Eulogio It is an engraving made in 1711 attraverso le tecniche dell’etching and of the burin.
Questa opera, pubblicata da Mariette a Parigi, presenta una misura dell’incisione di cm. 6×11 on a sheet of paper cm. 10×16, realizzata su laid paper with partial watermark.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper
  • Condition: Good condition

Schulz, Bashan, 1771

30,00 

Schulz, Bashan, 1771 It is an engraving made by Pierre-François Basan in 1771, part of the Cabinet of the Duke of Choiseul.
This collection of prints It is a collection of engraved works based on the paintings of the Duc de Choiseul, published in Paris.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Selinunte, Campo Bello, 1781-86

40,00 

Selinunte, Campo Bello It is an engraving made between 1781 and 1786, from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies by Jean-Claude Richard de Saint-Non.
This magnificent original engraving offers a beautiful animated view of Sicily, highlighting the artistic talent of the Abbot of Saint-Non, known for his contribution to the documentation of Italian landscapes.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Selinunte, Ancient Ruins, 1781-86

40,00 

Selinunte, Ancient Ruins It is an engraving made between 1781 and 1786, which represents a magnificent view of the ancient ruins of Selinunte, in Sicily.
This work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies by Jean-Claude Richard de Saint-Non.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

Selinunte, Temple of Jupiter, Saint-Non, 1781-86

40,00 

Selinunte, Temple of Jupiter It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

The engraving offers a beautiful animated view of the Temple of Jupiter at Selinunte, representing the artistic skill and archaeological interest of the Abbot of Saint-Non, an important French traveler and patron of the arts of the 18th century.

Selinunte, Trapani, Saint-Non, 1781-86

40,00 

Selinunte, Trapani It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The work offers a beautiful animated view of Sicily, highlighting the artistic talent of Saint-Non, known for his contribution to art and archaeology.

Syracuse, 1781-1786

50,00 

Syracuse, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, known as the Abbot of Saint-Non, between 1781 and 1786.
This etching, measuring 230x165 mm and with irregular margins, offers a beautiful animated view of the city of Syracuse.
The work is taken from his volume Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, an important encyclopedic work that collects his impressions and reports from his travels in Italy.

  • Sheet size: mm. 230×165 approx.
  • Condition: Perfect state of preservation
  • Support: Paper

Syracuse, Ancient Monument, Saint-Non, 1786

40,00 

Syracuse, Ancient Monument It is an engraving made by Jean-Claude Richard de Saint-Non in 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Good

The print offers a beautiful animated view of Syracuse, Sicily, and represents an important historical and artistic testimony of the 18th century.

Syracuse, City of Alicata, Saint-Non, 1781-86

40,00 

Syracuse, City of Alicata It is a magnificent engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This general view of the city of Alicata is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

The engraving is well preserved and represents a beautiful animated view, testifying to the artistic skill of Saint-Non, known for his contribution to the art and culture of his time.

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