Central Italy

Showing 121–144 of 960 results

Dock of Livorno, 1826

20,00 

Livorno dock it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Shower, Fiesole, 1819

25,00 

Doccia, Fiesole it is an etching made by TO THE CASTELLAN nel 1819, che rappresenta la Villa S. Michele a Doccia.
This work is taken from the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575, a fundamental work for the study of ancient architecture.
This etching on laid paper measures approximately cm. 16×28 and is trimmed to the marginal line. At the bottom, there is a detailed description of the monument and the site depicted, which offers important historical testimony.

  • Description of the monument: Remains of the Septizonium of Emperor Severus I, a tomb located along the Appian Way, designed to be visible to those coming from Africa.
  • Architectural details: Corinthian style building, with columns of different stones, some striated and others smooth, and marble decorations.
  • Popular name: Also known as Virgil's school.

Du Perac Etienne, architect and engraver, began his career in Venice before moving to Rome, where he made drawings of ancient monuments. His work, The Vestiges of Ancient Rome, is composed of a frontispiece and 39 plates, accompanied by historical-descriptive inscriptions that provide information on the monuments represented.

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575. This work represents an important collection of ancient monuments, executed with great attention to detail.
The work includes a description of the monument and the site represented, with an illustration of the Baths of Constantine in the Quirinal Hill.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575.
This work is an important collection of drawings of ancient monuments, executed with great precision and attention to detail.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent state of preservation

At the bottom, the engraving contains a description of the Antonine Column, with historical and architectural details that enrich the work.
Du Pérac, architect and engraver, dedicated his life to the study of antiquity, creating a volume that is a precious document for the history of Roman art and architecture.

Siena Cathedral, 1837

20,00 

Duomo di Siena it is a lithograph made in 1837, taken from the volume Universal Pictorial Warehouse, published in Genoa.
Questa opera rappresenta una vista iconica del famoso duomo, catturando l’essenza dell’architettura senese.

  • Sheet size: cm. 21×28 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Egeria Fontana, 1846

15,00 

Egeria Fontana è un’incisione xilografica realizzata nel 1846, che offre una vista incantevole della Fontana Egeria nella campagna romana.
Designed by Jean Joseph Bellel, un noto pittore e litografo francese, questa opera è tratta dal volume Picturesque Store.

  • Sheet size: mm. 150×141
  • Support: Paper
  • Condition: Excellent condition
  • Notes: Almost no margins, cut from the book and with writing on the back

Questa stampa rappresenta una bella veduta decorativa, ideale per gli amanti dell’arte e della natura.

Empoli, Florence, 1885

30,00 

Empoli, Florence, 1885 It is an engraving that represents the Collegiate Church and Square, made by Antoine Valerie Bertrand, a French wood engraver.
This woodcut measures cm. 19×25 and is found on a light sheet of cm. 27×37, with white back. The work is taken from the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 19×25 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Empoli, General View, 1875

20,00 

Empoli, General View It is a woodcut made in 1875, which offers a fascinating overview of the city of Empoli.
This engraving, measuring 8x16 cm, was extracted from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 8×16 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print, with reduced margins and printed back, will be shipped complete with passepartout, ready to be framed.

Camaldoli Hermitage, Arezzo, 1826

20,00 

Eremo Camaldoli, Arezzo It is an engraving made by Anthony Verico in 1826.
This copper etching misura cm. 7×12 ed è stampata su un foglio di cm. 10×17.
The work is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Fabriano, Piazza Vitt. Emanuele, 1890

20,00 

Fabriano, Vittorio Emanuele Square it's a woodblock print dating back to 1890, representative of the Italian text of the late nineteenth century.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety, ensuring a complete viewing experience.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Fano, Arch of Augustus, 1890

20,00 

Fano, Arch of Augustus It is a woodcut made in 1890 by the French engraver Charles Petit.
This beautiful print, animated and in excellent condition, measures 10x13 cm and is taken from a French book from the late 19th century.

  • Sheet size: Small
  • Engraving size: cm. 10×13
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Fano, The Fortress, 1890

20,00 

Fano, The Fortress it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Fano, Salmon Thomas, 1738-1768

50,00 

The City of Fano in the Duchy of Urbino It is an engraving made by Thomas Salmon between 1738 and 1768.
This work, an etching on copper, is part of the volume The present state of all the Countries, and Peoples of the World, Natural, Political, and Moral…, published in Naples.

  • Sheet size: cm. 15×10 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Fano, Coat of Arms, 1871

15,00 

Fano, Coat of Arms It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
This print represents the coat of arms of the city of Fano, with an engraving size of 8x9 cm and small margins.

  • Sheet size: Small
  • Support: Light sheet
  • Condition: Excellent condition
  • Notes: Print extracted from the book with writing on the back

Ferentillo, St. Peter in the Incarogio Valley, 1860

35,00 

Ferentillo, S.Pietro in Valle d’Incarogio è un’incisione realizzata nel 1860, un’opera che cattura la bellezza del paesaggio italiano.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Ferentino, Carl Frommel, 1829

35,00 

Ferentinum It is an engraving made by Carl Frommel In the 1829.
Questa suggestiva veduta è un’opera a bulino su rame, parte del volume Horazen's Works di Dr. Sickler, che include incisioni di Frommel.

  • Sheet size: cm. 22×13 approx.
  • Engraving size: cm. 11×7,5 circa
  • Support: Medium paper with white back
  • Condition: Excellent condition

Fermo, Town Hall, 1890

20,00 

Stop, Town Hall it's a woodblock print built in 1890, which represents an important testimony of the late nineteenth century in Italy.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Fiesole, 1819

35,00 

Fiesole, 1819 It is an engraving made by AL Castellan, which offers a fascinating view of the city of Fiesole.
This etching It is part of the volume Letters on Italy, published in Paris in 1819.

  • Sheet size: mm. 215×135 approx.
  • Support: Paper
  • Condition: Good condition, with editorial fold and irregular margins

Fiesole, 1834

30,00 

Fiesole, 1834 It is a burin engraving that offers a panoramic and decorative view of the city of Fiesole, located near Florence.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×120 approx.
  • Support: Light paper
  • Condition: Good condition

Fiesole, 1835

30,00 

Fiesole, 1835 it is a burin engraving made by Fortier, which represents a beautiful view of the tower of Fiesole.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 170×270
  • Engraving size: mm. 97×126
  • Support: Heavy paper
  • Condition: Good state of preservation

This engraving is not only decorative, but also an important historical testimony of the era.

Fiesole, Convent of San Michele a Doccia, 1819

25,00 

Fiesole, Convent of San Michele a Doccia it is an etching made by AL Castellan in 1819.
This work is taken from Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: mm. 105×140 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing significantly to the illustrated literature of his time.

Fiesole, Oratory, 1819

25,00 

Fiesole, Oratory it is an etching made by AL Castellan in 1819, which represents the Oratory of S. Giovanni in Bologna, Florence.
This work is taken from the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Fiesole, General view, 1819

40,00 

Fiesole, General view It is an engraving made by TO THE CASTELLAN in 1819, which offers a panoramic view of the historic city of Fiesole.
This work is taken from the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×24 approx.
  • Engraving size: cm. 14×21 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

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