Northern Italy

Padua, The Tomb of Antenor, 1860

35,00 

Padova, La Tomba di Antenore è un’incisione realizzata nel 1860, che rappresenta un’importante opera del XIX secolo.
Questa acquaforte, parte dell’Album of Italy, è stata pubblicata dall’Album d’Italie Trieste, nella sezione letteraria e artistica del Lloyd austriaco.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Padua, Monument to Titus Livius, 1724

30,00 

Padua, Monument to Titus Livius It is an engraving made in 1724, which offers a beautiful animated view of the monument dedicated to the famous Roman historian.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Medium paper, white back
  • Condition: Excellent

Padua, Panorama, 1850

40,00 

Padova, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent

Questa incisione si presenta in condizioni perfette e offre un’immagine nitida e animata della città di Padova.

Padua, St. Anthony, 1877

15,00 

Padua, St. Anthony, 1877 it is a woodcut engraving representing the Eglise Saint-Antoine in Padua.
This work is taken from Italy by J. Gourdault, published in Paris in 1877.

  • Size of the joke: mm. 120×171
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

The print has been cut from the book and features writing on the back, offering a striking, clear, high-contrast view.

Padua, Villa Giustiniani, 1875

20,00 

Padua, Villa Giustiniani it is a woodcut made in 1875, which represents a fascinating glimpse of the villa.
This engraving is taken from the work Italy Pictorial Journey from the Alps to Etna by G.Stieler, E.Paulus and W.Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 17×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Aldini Palace near Bologna, 1837

20,00 

Aldini Palace near Bologna It is a woodcut engraving made in 1837.
This work comes from the magazine Pictorial Cosmorama, an important art publication of the time.

  • Sheet size: cm. 11×8 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, cut from the book with writing on the back partially visible. It is shipped complete with mat.

This beautiful decorative view represents an important testimony of the artistic culture of the 19th century.

Pallanza, 1877, Lake Maggiore

20,00 

Pallanza, 1877 it is a woodcut engraving representing a suggestive view of Lake Maggiore.
Made by R. Schick and taken from the volume Italy by J. Gourdault, published in Paris in 1877, this work is characterized by excellent sharpness and contrast.

  • Sheet size: mm. 187×141
  • Support: Light paper
  • Condition: Good state of preservation
  • Notes: Almost no margins, cut from the book with writing on the back

Pallanza, Lake Maggiore, 1890

20,00 

Pallanza, Lake Maggiore, 1890 it's a woodcut Of E. Bondier, un noto disegnatore e illustratore francese attivo nell’ultima parte del XIX secolo.
Questa stampa, che misura cm. 12×13, è tratta da un libro francese di fine ‘800 e rappresenta una veduta animata del Lago Maggiore.

  • Designer: E. Bondier
  • Engraver: Charles Petit
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Pallanza, Panorama, 1890

20,00 

Pallanza, Panorama it's a woodblock print made in 1890, taken from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with further text on the back of the sheet, which measures cm. 30×20.
Verrà spedito l’intero foglio che contiene la stampa, garantendo così un’esperienza completa per il collezionista.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Panorama of Sondrio, 1866

25,00 

Panorama di Sondrio it's a woodcut realizzata nel 1866, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.
Questa stampa offre una vista suggestiva della regione di Sondrio, catturando l’essenza del paesaggio alpino.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Paradise (Livigno), 1819

25,00 

Paradisino (Livigno) It is an engraving made in 1819 by TO THE CASTELLAN, a well-known French painter and engraver.
This etching, part of the volume Letters on Italy, presenta una misura della battuta di mm. 105×140, con piccoli margini irregolari e retro bianco.

  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato decorato con la Legion d’onore e membro dell’Accademia di Belle Arti. È noto per i suoi paesaggi, in particolare per le opere incluse in View of Italy And View of the Alps.

Parma, The Taro Bridge, 1835

25,00 

Parma, The Taro Bridge It is a copper engraving made in 1835, which represents a fascinating glimpse of the bridge over the Taro river.
This work is taken from The Wundermappe oder Sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs by C. Strahlheim, published in Frankfurt am Main.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Parma, The Cathedral, 1890

25,00 

Parma, La Cattedrale it's a woodblock print built in 1890, which represents an important testimony of the Italian artistic heritage of the late nineteenth century.
Questa opera presenta un’immagine di dimensioni cm. 17×14 circa, circondata da testo e con ulteriori informazioni al verso del foglio, che misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×14 approx.
  • Support: Paper
  • Condition: Excellent

Parma, Panorama, 1850

40,00 

Parma, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Parma.
This work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent

Questa incisione è caratterizzata da una rappresentazione nitida e animata della città, perfetta per gli amanti dell’arte e della storia.

Parma, Piazza Maggiore, 1871

20,00 

Parma, Piazza Maggiore, 1871 it's a woodcut taken from the work The Hundred Cities of Italy, created for Ariodante Manfredi in Milazzo in 1871.
This print depicts an important view of the historic square of Parma, capturing the architectural and cultural essence of the period.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Parma, Clock Tower, 1890

20,00 

Parma, Clock Tower it's a woodblock print made in 1890, which represents the Governor's Palace and the Clock Tower of Parma.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Parma, view from the convent, 1834

35,00 

Parma, veduta dal convento è un’incisione al bulino realizzata nel 1834, che offre una vista affascinante della città di Parma.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×120 approx.
  • Engraving size: mm. 185×120 approx.
  • Support: Light paper
  • Condition: Buone (presenta una macchia di unto al margine sinistro che interessa l’incisione per 2 cm)

Parma, Panoramic view, 1880

30,00 

Parma, Panoramic view It is an engraving made in 1880, which offers an extraordinary bird's eye view of the city of Parma.
This woodcut features fascinating details and captures the essence of the city in a significant historical era.

  • Sheet size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent general condition
  • Rarity: Rare work

Pavia, 1707, Charterhouse

40,00 

Pavia, 1707, Charterhouse è un’incisione realizzata da Magdeleine Horthemels nel 1707, che rappresenta una veduta della Certosa di Pavia.
This work is taken from the volume The delights of Italy, pubblicato da De Rogissart a Parigi.

  • Sheet size: mm. 150×120
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Pavia, 1834 Charterhouse

30,00 

Pavia, 1834 Charterhouse It is an engraving made with the technique of burin su acciaio, datata 1834.
This work comes from the volume Italy picturesque tableau historique and description of Italy… di M. De Norvins e C. Nodiers, pubblicato a Parigi.

  • Sheet size: mm. 170×117 più margini
  • Condition: Good condition
  • Support: Lightweight paper, white back

The press offers a beautiful animated view della cattedrale di Pavia, caratterizzata da una nitidezza e decoratività notevoli.

Pavia, 1865, Charterhouse

15,00 

Pavia, 1865, Charterhouse è una xilografia che rappresenta la storica città di Pavia.
This piece is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 140×230
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print was cut from the book and has writing on the back.

Pavia, 1865, Charterhouse

15,00 

Pavia, 1865, Charterhouse it is a woodcut representing the historic Certosa di Pavia.
This piece is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 240×130
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Pavia, 1877, Charterhouse

35,00 

Pavia, 1877, Charterhouse è un’incisione xilografica tratta dall’opera Italy by J. Gourdault.
Questa veduta fine e animata rappresenta la celebre Certosa di Pavia, un importante monumento storico.

  • Sheet size: mm. 260×175 approx.
  • Support: Medium paper
  • Condition: Excellent
  • Margins: Wide

Pavia, Castle, 1890

20,00 

Pavia, Castle, 1890 it's a woodblock print from the late nineteenth century, which represents an important historical testimony of the city of Pavia.
This work is characterized by a small-sized image, perfect for collectors and enthusiasts of ancient art.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

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