Prints from Paintings

Showing 49–72 of 447 results

Costume dell’Impero, quadro di Giovanni Costa, 1886

30,00 

Costume dell’Impero è un’incisione realizzata da Giovanni Costa nel 1886, pubblicata nell’illustre periodico Italian Illustration in Milan by Fratelli Treves Editori.
Questa opera rappresenta un’importante testimonianza visiva della moda e della cultura dell’epoca.

  • Sheet size: cm. 31×21 circa
  • Support: Paper
  • Condition: Excellent

Christ at Golgotha, P.Veronese, 1840-50

20,00 

Christ at Golgotha it is an engraving made by P. Veronese between 1840 and 1850.
This work represents the dramatic moment of Christ walking towards Golgotha, made in etching on strong paper.
Published in Payne's Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of the engraving art of the period.

  • Sheet size: cm. 21×27 approx.
  • Condition: Excellent
  • Support: Strong paper

Cristo al Sepolcro, da Van Dyck, 1856

20,00 

Cristo al Sepolcro è una litografia realizzata da Van Dyck nel 1856.
This work comes from the publication Picturesque Polyorama, un’importante rivista napoletana diretta a diffondere conoscenze artistiche e culturali.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 12×17 approx.
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Christ prophesying, C.Begas, 1846

30,00 

Cristo che profetizza è un’incisione realizzata da C. Begas nel 1846, che rappresenta il momento in cui Cristo profetizza su Gerusalemme.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son a Glasgow nel 1846.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ prophesying, C.Begas, 1846

30,00 

Cristo che profetizza è un’incisione realizzata da C. Begas nel 1846, che rappresenta il momento in cui Cristo profetizza su Gerusalemme.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son a Glasgow nel 1846.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ gives sight to the blind, H.Richter, 1846

30,00 

Cristo dà la vista ai ciechi è un’incisione realizzata da H. Richter nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ gives sight to the blind, H.Richter, 1846

30,00 

Cristo dà la vista ai ciechi è un’incisione realizzata da H. Richter nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Christ and Matthew, GAPortenone, 1840-50

20,00 

Christ and Matthew it is an engraving made by GA Portenone between 1840 and 1850.
This work is an etching on strong paper, published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Cristo incoronato, Guercino, 1850

20,00 

Cristo incoronato è un’incisione realizzata da Guercino nel 1850, che rappresenta un momento drammatico della Passione di Cristo, con il protagonista incoronato di spine da un soldato.
Questa opera è eseguita con la tecnica del burin e si basa su un quadro di Giovanni Francesco Barbieri, noto come il Guercino, un importante pittore del XVII secolo.

  • Sheet size: cm. 16×12 più margini
  • Support: Strong paper
  • Condition: Excellent condition

Christ resurrects, Agostino Carracci, 1846

30,00 

Christ resurrects It is an engraving made by Augustine Carracci In the 1846, which represents the miraculous moment when Christ resurrects the widow's son.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Christ resurrects, Agostino Carracci, 1846

30,00 

Christ resurrects It is an engraving made by Augustine Carracci In the 1846, which represents the miraculous moment when Christ resurrects the widow's son.
This work is taken from the volume The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent condition

Cupido Bambino da Anton Van Dyck, A.H. Payne, 1840-50

40,00 

Cupido Bambino (Amor), acquaforte tratta da un’opera di Anton Van Dyck and engraved by A.H. Payne, realizzata tra il 1840 e il 1850.
Questa delicata incisione raffigura Cupid, il dio dell’amore, rappresentato come un fanciullo nudo e alato. Il giovane dio è simbolo di desiderio e passione, spesso raffigurato nell’atto di scoccare le sue frecce per far innamorare mortali e divinità. L’opera presenta una composizione equilibrata e un’ottima resa dei dettagli, tipica dello stile raffinato di Van Dyck.

  • Era: XIX secolo (1840-1850)
  • Technique: Etching
  • Sheet size: Grandi (cm 20×30 circa)
  • Image size: cm 15×13 circa
  • Support: Medium thickness paper
  • Condition: Good

Una stampa affascinante e simbolica, perfetta per gli amanti dell’arte classica e della mitologia.

Cupid, A. Raphael Mengs, 1840-50

20,00 

Cupid It is an engraving made by A. Raphael Mengs between 1840 and 1850.
This work, an etching on strong paper, was published in the Royal Dresden Gallery by Payne, edited by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Back: White
  • Condition: Excellent

Cuyp, Landscape with Oxen, 1830

70,00 

Cuyp, Landscape with Oxen It is an engraving made in 1830 by Ralph Cockburn, a painter and engraver known for his work at the Dulwich Picture Gallery.
This work is a splendid colored aquatint measuring 17x23 cm, mounted on a thick cardboard support measuring approximately 26x32 cm.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Cardboard

This rare and decorative work is based on a painting in the Dulwich Picture Gallery and bears the Haverhill Public Library stamp on the reverse.

D.Teniers, Hut with figures, 1830

70,00 

Hut with figures It is a colored aquatint made by D. Teniers in 1830.
This work, which measures 17x24 cm, is mounted on a thick cardboard support measuring approximately 26x32 cm.
Taken from Dulwich Gallery by R. Cockburn, features a Haverhill Public Library postmark on the verso.
This is a splendid execution inspired by one of the paintings in the Dulwich Picture Gallery, made by Ralph Cockburn, painter and engraver as well as the first keeper of the gallery.
A rare and decorative work that enriches any collection.

D.Teniers, The Swineherd, 1830

90,00 

The Swineherd It is a colored aquatint made by D. Teniers in 1830.
This work, which measures 24x34 cm, is mounted on a thick cardboard support measuring approximately 33x42 cm.

  • Taken from: DULWICH GALLERY by R. Cockburn, 1830
  • Condition: Excellent
  • Rare and decorative work: Beautifully executed, it is one of the paintings in the Dulwich Picture Gallery.
  • Stamped on the back: Haverhill Public Library

D.Teniers, The Pasture, 1830

70,00 

Il Pascolo è un’acquatinta colorata realizzata da D. Teniers nel 1830, rappresentante un suggestivo paesaggio al tramonto.
Questa opera è tratta dalla Dulwich Gallery e realizzata da Ralph Cockburn, pittore ed incisore, nonché primo custode della galleria.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent state of preservation

Rara e decorativa, questa opera presenta al verso il timbro della Haverhill Public Library.

da Raffaello Sanzio, Studio per il gruppo di Archimede e i suoi allievi nella Scuola di Atene, acquatinta, 1817

120,00 

Studio per il gruppo di Archimede e i suoi allievi nella Scuola di Atene

  • Artista originale: Raphael Sanzio
  • Engraver: E.C. Lewis
  • Technique: Etching and aquatint
  • Support: Carta vergellata con filigrana datata 1817
  • Dimensions:
    • Immagine: 26 x 35 cm (alla battuta del rame)
    • Foglio: 32 x 48 cm
  • Iscrizioni: Scritta in inglese in basso, a destra la dicitura “Acquatinta di E.C. Lewis”

Description:
Questa raffinata acquaforte e acquatinta raffigura uno studio preparatorio ispirato alla celebre “Scuola di Atene” di Raffaello, concentrandosi sul gruppo di Archimede e i suoi allievi. L’opera mette in evidenza la maestria del disegno e la precisione con cui il grande matematico è stato rappresentato, con i suoi allievi intenti a seguire i suoi insegnamenti.

Interesse collezionistico:
Un’incisione di grande fascino, che coniuga la genialità compositiva di Raffaello con l’abilità tecnica dell’incisore E.C. Lewis. L’uso della carta vergellata con filigrana del 1817 aggiunge valore storico e collezionistico all’opera. Perfetta per collezionisti di stampe neoclassiche, amanti dell’arte rinascimentale e studiosi della Scuola di Atene.

Danae, da Anthony van Dyck acquaforte del 1840-50

40,00 

Danae, acquaforte tratta da un’opera di Anthony van Dyck and engraved by D.J. Pound, realizzata tra il 1840 e il 1850.
Questa suggestiva incisione raffigura Danae, la principessa della mitologia greca, distesa su un letto mentre riceve la celebre pioggia d’oro, simbolo della metamorfosi di Zeus che la feconda. Accanto a lei, un putto alato osserva la scena, accentuando il fascino e la delicatezza della composizione. L’opera cattura con eleganza il tema mitologico, esaltando la grazia e la bellezza della figura femminile.

  • Era: XIX secolo (1840-1850)
  • Technique: Etching
  • Sheet size: Grandi (cm 20×30 circa)
  • Image size: cm 12×18 circa
  • Support: Medium thickness paper
  • Condition: Good

Una stampa raffinata e affascinante, perfetta per collezionisti e appassionati di arte classica e mitologica.

Daniel in the Lions' Den, J.Ziegler, 1846

30,00 

Daniel in the lions' den It is an engraving made by J. Ziegler in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

David Teniers, Basan, 1771

30,00 

David Teniers, Basan, 1771 è un’incisione realizzata da Pierre-François Basan, che riproduce opere del celebre pittore fiammingo David Teniers il Giovane.
This engraving is part of the volume Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise da opere del Duc de Choiseul, pubblicata a Parigi nel 1771.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

David Teniers, Basan, 1771

30,00 

David Teniers, Basan, 1771 è un’incisione realizzata da Pierre-François Basan, che rappresenta un’opera del famoso pittore fiammingo David Teniers il Giovane.
Questa incisione fa parte del Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise da opere del Ducato di Choiseul, pubblicata a Parigi nel 1771.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

David Teniers, Basan, 1771

30,00 

David Teniers, Basan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del Ducato.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

David and Goliath, L.Orbetto, 1840-50

20,00 

David and Goliath It is an engraving made by L. Orbetto between 1840 and 1850.
This work, performed in etching on strong paper, it represents an iconic scene of the fight between David and Goliath.
Published in Payne's Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of 19th-century engraving art.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

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