Italian City Views

Showing 2425–2448 of 2919 results

Coat of arms of Camerino, 1866

25,00 

Coat of arms of Camerino it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Carrara, 1866

25,00 

Coat of arms of Carrara it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Casale Monferrato, 1866

25,00 

Stemma di Casale Monferrato It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Coat of arms of Cremona, 1866

25,00 

Stemma di Cremona it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Cuneo, 1866

25,00 

Stemma di Cuneo It is an engraving made in 1866, using the technique of Xilografia colorata a mano with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Coat of arms of Fermo, 1866

25,00 

Stemma di Fermo it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Ferrara, 1866

25,00 

Coat of arms of Ferrara it is a hand-colored woodcut in watercolor and tempera, made in the contemporary period in 1866.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Foggia, 1866

25,00 

Stemma di Foggia è un’incisione realizzata nel 1866, una hand-colored woodcut ad acquarello e tempera in epoca coeva.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Gaeta, 1866

25,00 

Stemma di Gaeta it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Coat of arms of Lucca, 1866

25,00 

Stemma di Lucca è un’incisione realizzata nel 1866, una xilografia colorata a mano ad acquarello e tempera, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.
Questo stemma, con dimensioni di cm. 10×8 circa, è presentato su un foglio di cm. 25×17, con retro bianco.

  • Sheet size: cm. 25×17 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Messina, 1866

25,00 

Coat of arms of Messina it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Modena, 1866

25,00 

Stemma di Modena It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Napoli, 1866

25,00 

Stemma di Napoli è un’incisione realizzata nel 1866,
una xilografia colorata a mano ad acquarello e tempera in epoca coeva, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Palermo, 1866

25,00 

Coat of arms of Palermo It is an engraving made in 1866, from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.
This woodcut was hand-colored with watercolor and tempera in contemporary times, presenting a refined and detailed design.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Parma, 1866

25,00 

Stemma di Parma it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Piacenza, 1866

25,00 

Coat of arms of Piacenza it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stemma di Pisa, 1866

25,00 

Stemma di Pisa it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Coat of arms of Siena, 1866

25,00 

Stemma di Siena It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Engraving size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Coat of arms of Spoleto, 1866

25,00 

Coat of arms of Spoleto It is an engraving made in 1866, using the technique of hand-colored woodcut with watercolour and tempera in contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

Stemma di Torino, 1866

25,00 

Stemma di Torino it is a hand-coloured woodcut, made with watercolour and tempera in the contemporary period.
This work is taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore in 1866.

  • Sheet size: cm. 25×17 approx.
  • Coat of arms dimensions: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent condition

Stra, The Palace, 1890

20,00 

Stra, The Palace it's a woodcut made in 1890, from a late nineteenth-century French book.
This beautiful print features a lively animation and comes in excellent condition.

  • Sheet size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Stradella, Pavia, 1890

20,00 

Stradella, Pavia it's a woodblock print risalente al 1890, che rappresenta la piazza e la torre con campanile di Stradella.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta testo attorno all’immagine e al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent

Subiaco, 1840

30,00 

Subiaco, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

The engraving has small margins and is in excellent general condition, attesting to the quality of the work of Frommel and Winkles, who contributed to its creation.

Subiaco, Cascate, 1850

40,00 

Subiaco, Cascate è un’incisione realizzata nel 1850, che offre una splendida veduta delle cascate di Subiaco.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Questa incisione si distingue per la sua nitidezza e vivacità, rendendola un pezzo d’arte affascinante per collezionisti e appassionati.

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