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Enea Vico (1523 -1567) – Vaso alto e decorato con scene mitologiche, 1543

80,00 

Enea Vico (1523 – 1567) – Vaso alto e decorato con scene mitologiche è un’incisione realizzata nel 1543, parte della serie Differenti soggetti di Vasi dall’antico.
Questa opera rappresenta un esemplare del secondo soggetto della serie, caratterizzato da una splendida decorazione mitologica.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Support: Contemporary laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523 -1567) – Vaso con manico a forma di cane, 1543

80,00 

Vaso con manico a forma di cane It is an engraving made by Aeneas Vico nel 1543.
Questo pezzo fa parte della serie “Different subjects of Vases from the ancient” ed è un esemplare del secondo.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523 -1567) – Vase decorated with naked men, 1543

80,00 

Enea Vico (1523 – 1567) – Vase decorated with naked men it is an engraving made in 1543, dated and monogrammed on the plate at the bottom.
This work is part of the series “Different subjects of Vases from the ancient”, representing the second specimen.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Support: Contemporary laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523-1567) Vase with decorations, 1543

80,00 

Vase with decorations It is an engraving made by Aeneas Vico in 1543, part of the series “Different subjects of Vases from the ancient”.
Questa opera è datata e monogrammata in lastra in basso, rappresentando un esemplare di grande valore artistico.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Support: Contemporary laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523-1567) Vase with decorations, 1543

80,00 

Vase with decorations It is an engraving made by Aeneas Vico In the 1543, part of the series “Different subjects of Vases from the ancient”.
This work represents the second example of the series and stands out for its splendid test, imprinted on laid paper contemporary without watermark.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523-1567) Vase with a snake-shaped handle, 1543

80,00 

Vase with snake-shaped handle It is an engraving made by Aeneas Vico in 1543, part of the series “Different subjects of Vases from the ancient”.
This specimen, dated and monogrammed on the lower plate, is a splendid proof printed on laid paper contemporary, without watermark and with good margins.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Condition: Excellent state of preservation

Enea Vico (1523-1567) Vaso con manico a forma di vipera, 1543

80,00 

Vaso con manico a forma di vipera It is an engraving made by Aeneas Vico in 1543, part of the series “Different subjects of Vases from the ancient”.
Questo esemplare, datato e monogrammato in lastra, è una splendida prova impressa su carta vergellata coeva, priva di filigrana.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523-1567) – Vaso con manici a forma di cigno, 1543

80,00 

Vaso con manici a forma di cigno It is an engraving made by Aeneas Vico nel 1543, appartenente alla serie Differenti soggetti di Vasi dall’antico.
Questo esemplare è il secondo della serie ed è datato e monogrammato in lastra in basso.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523-1567) – Vase decorated with lions, 1543

80,00 

Vase decorated with lions It is an engraving made by Aeneas Vico in 1543, a work that is part of the series “Different subjects of Vases from the ancient”.
This example, dated and monogrammed on the plate, features a rich and detailed design, typical of Vico's style.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Excellent state of preservation

Eng e Chang gemelli siamesi, 1841

15,00 

Eng e Chang, gemelli siamesi è una litografia del 1841, tratta dall’opera Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
Questa stampa, realizzata a Napoli dalla tipografia e litografia del Poliorama Pittoresco sotto la direzione di Filippo Cirelli, presenta margini quasi assenti e misura cm. 17×10.

  • Sheet size: Small
  • Print Size: cm. 17×10
  • Technique: Lithography
  • Condition: Good
  • Support: Paper

The print is contained on a page cut from the book and has writing on the back and back. The entire page containing the print will be shipped.

Enna, Sperlinga Castle, Saint-Non, 1781-86

40,00 

Enna, Castello di Sperlinga It is a magnificent engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
Questa opera proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta una bella veduta animata del castello di Sperlinga, ben conservata e di grande valore storico.
Jean-Claude Richard de Saint-Non, noto come Abate di Saint-Non, è stato un importante disegnatore e archeologo francese, la cui opera ha influenzato la percezione dei regni di Napoli e Sicilia.

Enna, Castrogiovanni, 1850

35,00 

Enna, Castrogiovanni è un’incisione in acciaio realizzata da W.L. Leitch nel 1850.
Questa opera rappresenta una bella veduta decorativa della storica città di Castrogiovanni, oggi conosciuta come Enna, animata da personaggi che ne arricchiscono il contesto.

  • Sheet size: cm. 28×22 approx.
  • Engraving size: cm. 19×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Enna, Surroundings of Castrogiovanni, Saint-Non, 1781-86

40,00 

Enna, Surroundings of Castrogiovanni It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent condition

The animated view offers a fascinating look at the surroundings of Castrogiovanni, representing an important testimony of the Sicilian cultural heritage.

Enna, Surroundings of Castrogiovanni, Saint-Non, 1781-86

40,00 

Enna, Surroundings of Castrogiovanni It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Questa incisione offre una bella veduta animata della Sicilia, ben conservata e di grande valore storico.

Enna, Surroundings of Leonforte, Saint-Non, 1781-86

40,00 

Enna, Dintorni di Leonforte It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving proviene dalla prima edizione del celebre Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18x25 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent state of preservation

Questa incisione offre una bella veduta animata dei dintorni di Leonforte, rappresentando un’importante testimonianza della Sicilia del XVIII secolo.

Enrico Belsunce, 1840

15,00 

Enrico Belsunce it's a lithographic printing realizzata nel 1840, tratta dall’opera Picturesque Polyorama, an important Neapolitan publication aimed at spreading useful knowledge to all social classes.
This print measures cm. 10×9 e presenta margini quasi assenti. È contenuta in una pagina estratta dal libro, con scritte al verso.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The entire page containing the print is sent.

Henry of Burgundy, Count of Portugal, 1844

15,00 

Henry of Burgundy, Count of Portugal it's a lithographic printing built in 1844.
This work comes from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Printed part dimensions: cm. 14×12
  • Margins: almost absent
  • Typography: Lithograph of the Poliorama Pittoresco, Naples
  • Director: Philip Cirelli
  • Condition: Excellent
  • Support: Paper

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Enrico Graziano Bertrand, 1845

15,00 

Enrico Graziano Bertrand It is a copper engraving made in 1845, taken from the volume Picturesque Polyorama.
Questa opera presenta un’incisione di dimensioni cm. 12×18 approx. e include testo sia intorno che al verso.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Henry III of Valois, 1843

15,00 

Henry III of Valois It is a copper engraving made in 1843, taken from the volume Picturesque Omnibus, published in Naples.
This work represents a half-length of the king, who was the last ruler of the Valois dynasty.

  • Sheet size: cm. 12×13 approx.
  • Support: Paper, back printed
  • Condition: Excellent

Enrico IV di Borbone, 1843

15,00 

Enrico IV di Borbone è un’incisione in rame realizzata nel 1843, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa stampa rappresenta Enrico IV, noto come Enrico il Grande, primo re di Francia della dinastia Borbone.

  • Sheet size: cm. 8×16 approx.
  • Support: Paper
  • Condition: Excellent

The print was cut from the book and has writing on the back.

Enrico Vannuccini bookplate

20,00 

Exlibris di Enrico Vannuccini è un’incisione realizzata nel 1985, utilizzando la tecnica dell’etching.
Questo exlibris è dedicato alla BNEL e presenta un design distintivo che riflette l’arte incisoria dell’autore.

  • Sheet size: mm. 140×190
  • Support: Medium thickness paper
  • Condition: Excellent

Entry of Charles V into Antwerp, H. Makart, 1887

30,00 

Entry of Charles V into Antwerp It is an engraving made by H. Makart in 1887.
This woodcut represents an important historical scene and comes from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: cm. 46×27 approx.
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Epafo e Fetonte, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Epiphyllum, Cromolitografia, 1887

30,00 

Epiphyllum it's a beautiful one chromolithography realizzata nel 1887, proveniente dalla Horticultural Review of Paris.
Questa opera presenta un design decorativo e vivace, tipico delle illustrazioni botaniche dell’epoca.

  • Sheet size: cm. 25×16 approx.
  • Support: Thick paper with white backing
  • Condition: Excellent state of preservation

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