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Alessandro Volta, 1841

20,00 

Alexander Volta it's a lithography made by G. Riccio in 1841, which portrays the famous Italian scientist.
This work is taken from the volume Picturesque Polyorama, published in Naples.

  • Sheet size: cm. 11×13 approx.
  • Engraving size: smaller margins
  • Support: Paper
  • Condition: Excellent state of preservation

Alexis, 1833

30,00 

Alexis, 1833 It is a steel engraving by JD Harding, taken from The Landscape Annual of London.
This suggestive view of the coast of Genoa is characterised by a sharp contrast and an attention-grabbing animation.

  • Sheet size: mm. 140×95 approx.
  • Support: Light paper
  • Condition: Excellent

Alexander Pope, 1840

20,00 

Alexander Pope It is an engraving made in 1840, which portrays the famous English poet.
This work is an example of etching small in size, glued onto cardboard, typical of the 19th century.

  • Sheet size: cm. 7×6 approx.
  • Condition: Excellent condition
  • Support: Cardboard

Alexandre-Gabriel Decamps, 1861

15,00 

Alexandre-Gabriel Decamps, 1861 It is a woodcut made in 1861, taken from the Picturesque Store, published in Paris.
This work, approximately 15x20 cm in size, is printed on light paper and features text on the back, making it an interesting piece for collectors and enthusiasts.

  • Sheet size: cm. 15×20 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

Ensigns Victor, 1857

30,00 

Ensigns Victor It is an original etching made in 1857, part of the prestigious Italian Iconoteca, a collection of sixty portraits of illustrious Italians.
This work, which measures 140x180 mm on a sheet of 23x32 cm, is printed on strong paper with white back.

  • Condition: It has some light rust stains on the edges, which do not affect the engraving.

Ensigns Victor, 1872

20,00 

Ensigns Victor, 1872 it is an original woodcut engraving depicting Vittorio Alfieri while declaiming the Myrrh to the Countess of Albany.
This work is taken from The Popular Illustration, published in Milan by the Treves Brothers in 1872.

  • Sheet size: mm. 110×140
  • Support: Light paper
  • Condition: Good, with writing on the back

Alfonso of Aragon, 1844

15,00 

Alfonso d’Aragona è una litografia realizzata nel 1844, tratta dal Picturesque Polyorama, published in Naples.
Questa stampa rappresenta Alfonso d’Aragona, Duca di Bisceglie e Principe di Salerno, noto per il suo legame con Lucrezia Borgia.

  • Sheet size: cm. 12×13 approx.
  • Support: Light paper
  • Condition: Excellent
  • Text on the back: Sì, estratto dal libro

Alfonso D'Avalos, 1839

15,00 

Alfonso D'Avalos It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This small print measures approximately cm. 7×8 and has almost no margins.

  • Sheet size: Small
  • Engraving size: cm. 7×8
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.

Alphonse de Lamartine, 1839

20,00 

Alphonse of Lamartine It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
This print, which measures approximately 14 x 12 cm, has almost no margins and is contained within the book page, with writing on the back.
The full page containing the print is shipped, offering a unique piece of literary and artistic history.

  • Sheet size: Small
  • Engraving size: cm. 14×12 approx.
  • Technique: Burin
  • Support: Paper
  • Condition: Excellent

Alfonso Henriques, 1844

15,00 

Alfonso Henriques it is a lithograph made in 1844, taken from the volume Picturesque Polyorama of Naples.
This print depicts Alfonso I, known as the Conqueror, who was the first king of Portugal.

  • Sheet size: cm. 14×18 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

Alfonso II of Este, 1844

15,00 

Alfonso II of Este It is a copper engraving made in 1844, taken from the Picturesque Polyorama.
This lithograph measures approximately 12 x 10 cm and features text both around the edge and on the back.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Alfonso II d'Este, born in Ferrara on 22 November 1533 and died on 27 October 1597, was the fifth Duke of Ferrara, Modena and Reggio, reigning from 1559 until his death.
Having had no legitimate children, upon his death Ferrara returned to the sovereignty of the Papal States, while Modena and Reggio passed to a cadet branch of the House of Este. He was also an important protector of the poet Torquato Tasso.

Alphonse Lamartine, 1848

15,00 

Alphonse Lamartine, 1848 It is a lithographic engraving taken from Picturesque Polyorama, published in Naples in 1848.
This work depicts Alphonse Marie Louis de Prat de Lamartine, an important French poet, writer, historian and politician.

  • Sheet size: cm. 12×13 approx.
  • Support: Light sheet, printed back
  • Condition: Excellent condition

The full page containing the print is sent.

Algoia, St.Munster, 1614

60,00 

Algoia, St.Munster, 1614 it's a view of Bavaria Algow, located in Germany, taken from the famous work Cosmography Universalis by Sebastian Munster.
This woodcut is an important cartographic testimony of the 17th century, made on watercolour laid paper.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12.5×15 approx.
  • Support: Laid paper
  • Condition: Excellent

Alimena, Mountains of the Salt Pans, Saint-Non, 1781-86

40,00 

Alimena, Saline Mountains It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The animated view offers a fascinating glimpse into Sicily, making this engraving a valuable piece for collectors and art enthusiasts.

At the Window, 1850

15,00 

Alla finestra è un’incisione realizzata nel 1850, che cattura un momento di intimità e riflessione.
This work is performed with the technique ofetching and burin su carta di medio spessore, presentando un retro bianco.

  • Engraving size: cm. 12×15 senza margini
  • Condition: Excellent condition

At the Fountain, Children, 1875

20,00 

At the fountain, Children It is an engraving made in 1875 by Ludwig Dill, a well-known German painter and designer.
This woodcut, part of the volume Italy Pictorial Journey from the Alps to Etna, is characterized by a format of 17x11 cm, with reduced margins and printed back.

  • Sheet size: Small
  • Engraving size: cm. 17×11 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

At the Fountain, painting by Egisto Ferroni, 1886

30,00 

At the Fountain It is an engraving made by Egisto Ferroni in 1886, published in theItalian Illustration in Milan by Fratelli Treves Editori.
This work features a beautiful decorative print, with writing around and on the back of the sheet.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Alla Fontana, W.French, 1840-50

20,00 

At the Fountain It is an engraving made by W. French between 1840 and 1850.
This work, entitled The Chiotin at the Fountain, is an etching on medium-thickness paper, published in Payne's Universum und Buch der Kunst in Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

In Search of the Mouse, 20th Century

30,00 

In search of the mouse it's a chromolithography made in 20th century, which captures attention with its beautiful representation.
This work measures cm. 19×16 without margins and features an unidentified signature at the bottom right.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Medium thickness paper

Alpresn Frank exlibris

5,00 

Alpresn Frank Exlibris it is an engraving of erotic theme, made with the technique of woodcut.
This small-sized exlibris is a fascinating example of engraving art, perfect for collectors and enthusiasts.

  • Sheet size: cm. 6×11
  • Support: Light paper
  • Condition: Excellent

Alsace, St.Munster, 1614

60,00 

Alsace, St. Munster It is a woodcut extracted from the Cosmography Universalis by Sebastian Munster, published in Basel in 1614.
This map represents Alsace, specifically the region of Lower Alsace, with the city of Speir in Germany.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 9×13 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Amalfi, 1835

25,00 

Amalfi, 1835 è un’incisione in rame che cattura la bellezza della celebre località costiera.
Realizzata da C. Strahlheim, questa opera è parte del volume The Wundermappe oder Sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs, pubblicato a Frankfurt am Main nel 1835.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent condition

Amalfi, 1835

25,00 

Amalfi, 1835 It is an engraving made at burin su acciaio, che cattura la bellezza di Amalfi.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Amalfi, 1840

35,00 

Amalfi, 1840 è un’incisione in acciaio che cattura un affascinante scorcio del monastero di Amalfi, con monaci in processione.
Questa opera, pubblicata nel 1840 nel volume Picturesque Italy dall’editore Ernst Kollmann di Lipsia, è caratterizzata da ampi margini e da una qualità di incisione finissima e ben contrastata.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 155×103
  • Support: Paper
  • Condition: Excellent

Questa incisione è considerata rara e rappresenta un pezzo significativo della storia artistica del XIX secolo.

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