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Ancona, E. Finden, 1834

30,00 

Ancona It is an engraving made by E. Finden in 1834, taken from the volume Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
This work was designed by H.Gasteneau and engraved by W. Brockedon, a well-known British painter and writer.

  • Sheet size: cm. 23 x 16 approx.
  • Engraving size: cm. 13 x 9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

This animated view features a white back, making the work particularly appreciable.

Ancona, Fountain of the Horses, 1890

20,00 

Ancona, Fontana dei Cavalli it's a woodblock print made in 1890, coming from the work Illustrated geographical Italy by P. Premoli.
This engraving measures cm. 12×9 and it is printed on light paper, con testo presente attorno e al verso.
The print has been extracted from the book and will be shipped with the full page, thus preserving the original context of the work.

Ancona, The Trial of the Millions, 1886

30,00 

Ancona, il Processo dei Milioni It is an engraving made in 1886, taken from the prestigious publication The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta un’immagine di dimensioni significative, cm. 29×41, arricchita da scritte intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 29×41 circa
  • Engraving size: cm. 29×41 circa
  • Support: Paper
  • Condition: Excellent

Ancona, Panorama, 1890

25,00 

Ancona, Panorama it's a woodblock print made in 1890.
This work comes from the volume Illustrated geographical Italy by P. Premoli.
The print, of dimensions cm. 16×25, is on light paper and has text around and on the back.
Please note that the print has been removed from the book and the full page will be sent.

Ancona, Plebiscito Square, 1890

20,00 

Ancona, Plebiscite Square it's a woodblock print made in 1890, which represents an important scene of city life in Ancona.
This work is taken from an Italian text from the late nineteenth century and presents an image measuring approximately 10x12 cm, surrounded by descriptive text.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The entire sheet containing the print will be shipped.

Ancona, Porta Pia, 1890

20,00 

Ancona, Porta Pia, 1890 it's a woodblock print from the late nineteenth century, which represents an important historical testimony.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with further information on the back of the sheet, which measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be shipped.

Ancona, Prefecture, 1890

20,00 

Ancona, Prefecture it is a woodcut print made in 1890, which represents the Arch of the Government Palace of Ancona.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Ancona, Coat of Arms, 1871

15,00 

Ancona, Coat of Arms it's a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
This print represents an important testimony of 19th century Italian culture and art.

  • Sheet size: cm. 8x9 approx.
  • Support: Light sheet
  • Condition: Excellent condition
  • Notes: The print was removed from the book and has writing on the verso.

Andernach, Germany, 1843

15,00 

Andernach, Germany, 1843 it's a lithography che rappresenta una veduta del monumento militare in Baltimora.
This print comes from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 11×14 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è contenuta nella pagina del libro, con scritte attorno e al verso. Viene spedita l’intera pagina contenente la stampa.

Andjana, wife of Vayou, 1840

40,00 

Andjana sposa di Vayou è una litografia realizzata nel 1840, raffigurante una divinità indiana.
Questa opera, di epoca XIX secolo, è caratterizzata da un’elegante rappresentazione e un’accurata lavorazione.

  • Sheet size: cm. 27×19 approx.
  • Technique: Lithography
  • Support: Cardboard
  • Condition: Excellent condition

Andrea de Leone, 1842

15,00 

Andrea de Leone, 1842 It is a lithographic engraving taken from Picturesque Polyorama, published in Naples in 1842.
This work measures cm. 12×14, with smaller margins, and is printed on a light sheet, printed on the back.

  • Sheet size: cm. 12×14 approx.
  • Condition: Excellent condition
  • Support: Light paper

Andrea de Leone, born on 1 December 1733 in Forino (AV) and died in 1792 in Naples, was an important rector of the University of Salerno and Naples.
The full page containing the print is sent.

Andrea Disertori (Florence 1927-2008)

10,00 

San Giorgio It is an engraving made by Andrea Disertori, artista fiorentino attivo dal 1927 al 2008.
Questa opera, caratterizzata da una tecnica di woodcut parzialmente colorata con pennarello, rappresenta il celebre santo.

  • Sheet size: mm. 94×132
  • Support: Medium paper
  • Condition: Excellent

Andrea Doria, 1840

15,00 

Andrea Doria It is a lithograph made in 1840, taken from Picturesque Polyorama, published in Naples.
Questa stampa rappresenta Andrea Doria, un importante ammiraglio e politico della Repubblica di Genova, nato a Oneglia il 30 novembre 1466 e deceduto a Genova il 25 novembre 1560.

  • Sheet size: cm. 12×14 approx.
  • Support: Light paper
  • Condition: Excellent

La litografia è stata estratta dal libro e presenta testo al verso. Viene spedita l’intera pagina del libro.

André Masséna, 1839

15,00 

André Masséna, 1839 It is a copper engraving portraying the famous French general, Marshal of the Empire.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.

  • Sheet size: cm. 13×11 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the engraving will be sent.

Andrea Palladio, 1857

30,00 

Andrea Palladio It is an original etching made in 1857, taken from the Italian Iconoteca, a collection of sixty portraits of illustrious Italians.
This work depicts Andrea Palladio, pseudonym of Andrea di Pietro, a Renaissance architect of great importance, known for his influence on Western architecture.

  • Sheet size: cm. 23×32
  • Engraving size: cm. 14×18
  • Support: Strong paper
  • Condition: Good, with some light rust stains at the edges, which do not affect the engraving.

Andrea Schiavone, Dead Christ, 1786

70,00 

Cristo Morto it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
È tratta dalla Gallery of the Palais Royal, che presenta opere delle diverse scuole artistiche, accompagnata da un riassunto della vita dei pittori e una descrizione storica di ciascun quadro, a cura dell’abbé de Fontenai.

  • Sheet size: cm. 24×37 approx.
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper
  • Published by: J. Couche; Parigi; 1786

Andrea Schiavone, Jesus Before Pilate, 1786

70,00 

Jesus Before Pilate it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper with watermark, coming from the Gallery of the Palais Royal.

  • Engraving size: cm. 24×37 (including the editorial frame)
  • Margins: Good irregular margins
  • Condition: Excellent condition, nice proof with good contrast
  • Published by: J. Couche, Paris, 1786

Andromeda del Tempio delle Muse del 1676, xilografia 1882

30,00 

Rappresentazione delle costellazioni, taken from Les Étoiles et les Curiosités du Ciel Of Camille Flammarion, pubblicato a Parigi nel 1882.
Questa affascinante stampa xilografica illustra una rappresentazione antica delle costellazioni, accompagnata da testo descrittivo. L’incisione è parte di una pagina originale del celebre trattato astronomico di Flammarion, autore noto per la sua opera di divulgazione scientifica. La pagina ha testo  intorno all’immagine e sul verso.

  • Era: 19th century
  • Technique: Woodcut
  • Page size: Medie (cm 25×16 circa)
  • Support: Paper
  • Condition: Good
  • Characteristics: La stampa verrà spedita nella pagina intera originale

Un’interessante testimonianza della tradizione astronomica ottocentesca, ideale per collezionisti e appassionati di storia dell’astronomia.

Andromeda Perseo Cassiopea, 1882

30,00 

Rappresentazione delle costellazioni, taken from Les Étoiles et les Curiosités du Ciel Of Camille Flammarion, pubblicato a Parigi nel 1882.
Questa affascinante stampa xilografica illustra una rappresentazione antica delle costellazioni, accompagnata da testo descrittivo. L’incisione è parte di una pagina originale del celebre trattato astronomico di Flammarion, autore noto per la sua opera di divulgazione scientifica. La pagina ha testo  intorno all’immagine e sul verso.

  • Era: 19th century
  • Technique: Woodcut
  • Dimensions: Medie (cm 25×16 circa)
  • Support: Paper
  • Condition: Good
  • Characteristics: La stampa verrà spedita nella pagina intera originale

Un’interessante testimonianza della tradizione astronomica ottocentesca, ideale per collezionisti e appassionati di storia dell’astronomia.

Andromeda, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Andromeda, Perseus, Cassiopeia, 1882

25,00 

Andromeda, Perseus, Cassiopeia It is an 1882 engraving representing the zodiac constellations.
This woodcut, with an image measuring 13x18 cm, is printed on a sheet of 17x26 cm and features text on the verso, taken from a 19th century French work on astronomy.

  • Sheet size: cm. 17×26
  • Engraving size: cm. 13×18
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Anemone, Chromolithograph, 1887

30,00 

Anemone it's a chromolithography made in 1887, coming from the prestigious Horticultural Review of Paris.
This work, signed by Godard and lithographed by G. Severeyns, features a splendid and very decorative design, ideal for lovers of botany and art.

  • Sheet size: cm. 25×16 approx.
  • Support: Thick paper with white backing
  • Condition: Excellent state of preservation

Anfiteatro a Pola, Croazia, A.H.Payne, 1840-50

25,00 

Incisione realizzata all’acquaforte da A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Image size: cm. 11×15 circa con ampi margini
  • Support: Medium thickness paper
  • Condition: Excellent condition

Amphitheatre of the Boboli Gardens, Florence, 1826

20,00 

Amphitheatre of the Boboli Gardens, Florence it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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