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The Holy Virgin of Kasan, 1854

20,00 

The Holy Virgin of Kasan it's a lithographic printing made in 1854, taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
This print, measuring approximately 14x16 cm on a sheet of 30x20 cm, was cut from the book and features writing on the back. The full page containing the print is sent, offering a broader context of the work.

  • Era: XIX
  • Technique: Lithography
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

La Santa Vergine, Raffaello Sanzio, 1850

20,00 

La Santa Vergine è un’incisione realizzata da Raffaello Sanzio nel 1850, riprodotta con la tecnica dell’Etching.
This work, which measures cm. 10×15, presenta un’incisione di mm. 77×113, ed è stata incisa da W. Hessloehl.

  • Condition: Excellent condition
  • Support: Strong paper

La sarta, xilografia dell’800

25,00 

La Sarta è una xilografia dell’800 che rappresenta un’affascinante scena di vita quotidiana.
Questa incisione è tratta da un testo della fine dell’800 e misura circa cm. 8×11, su un foglio di cm. 27×18.
La pagina intera, contenente la stampa, verrà spedita estratta dal libro e presenta testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 8×11 approx.
  • Support: Paper
  • Condition: Excellent

The Discovery of Moses, Kohler, 1846

30,00 

The Discovery of Moses It is an engraving made by Kohler in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Burial, Daniel Crespi, 1846

30,00 

La Sepoltura è un’incisione realizzata da Daniel Crespi nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Burial, Daniel Crespi, 1846

30,00 

La Sepoltura è un’incisione realizzata da Daniel Crespi nel 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Evening at the Lake, AHPayne, 1840-50

20,00 

Evening at the lake It is an etching made by AH Payne between 1840 and 1850.
This work depicts an enchanting evening scene by a lake, capturing the tranquil and evocative atmosphere of the landscape.
Published in Payne's Universum und Buch der Kunst, Leipzig and Dresden, the engraving is signed lower right by AH Payne.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: not specified
  • Support: Medium thickness paper
  • Condition: Excellent condition

La Serenata di Roma, Pinelli, 1840

25,00 

La Serenata di Roma It is an engraving made by Bartholomew Pinelli in 1840.
Questa opera, non firmata, è un esempio pregevole della sua arte incisoria, realizzata con la tecnica del burin on steel.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Excellent state of preservation

The engraving is taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840.
Pinelli, noto per la sua vasta produzione artistica, ha saputo catturare l’essenza di Roma e dei suoi abitanti, rendendo le sue opere un’importante testimonianza etnografica.

La serenata, F.Palizzi, 1853

60,00 

The Serenade It is an engraving made by Philip Palizzi In the 1853, performed with the technique of Burin and enriched with a delicate watercolor.
This work is part of the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper, white back
  • Condition: Excellent state of preservation

The Cumaean Sibyl, 1839

20,00 

The Cumaean Sibyl It is an engraving made in 1839, which represents the Cumaean Sibyl accompanying Aeneas into Hell.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli and published in Naples by the Omnibus printing house.

  • Sheet size: cm. 15×10 approx.
  • Support: Paper, almost no margins
  • Condition: Excellent, with writing on the back

The print is shipped with the full page that contains it.

La Sibilla Cumana, Domenichino, 1889

15,00 

The Cumaean Sibyl è un’incisione realizzata da Domenichino nel 1889.
Questa xilografia è tratta dall’illustrazione Italiana, pubblicata dai Fratelli Treves di Milano.

  • Sheet size: mm. 190×250
  • Support: Paper
  • Condition: Good

The print has almost no margins and was cut from the book, with writing on the back.

La slitta russa, A.H.Payne, 1850

20,00 

La Slitta Russa It is an engraving made by A.H. Payne nel 1850, che rappresenta una veloce slitta trainata da tre cavalli sulla neve.
Questo lavoro è stato eseguito con la tecnica del burin and it is part of the volume Paynes Universum.

  • Sheet size: mm. 168×135 circa
  • Condition: Good state of preservation
  • Support: Medium engraving paper

La Spezia, 1833

30,00 

La Spezia, 1833 It is a steel engraving by JD Harding, taken from The Landscape Annual, published in London in 1833.
This evocative view of the coast of La Spezia, near Genoa, is characterised by a sharp and well-contrasted illustration, which captures the animation of the landscape.

  • Sheet size: mm. 140×95 approx.
  • Support: Light paper
  • Condition: Excellent

La stampatrice, xilografia dell’800

25,00 

La Stampatrice è un’incisione in xilografia dell’800, proveniente da un testo della fine del secolo.
Questa opera rappresenta un’importante testimonianza della storia della stampa e verrà spedita con la pagina intera, contenente la stampa, estratta dal libro.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 10×11 circa
  • Support: Paper
  • Condition: Excellent

La stiratrice, xilografia dell’800

30,00 

La Stiratrice è una xilografia acquarellata dell’800, che rappresenta un’affascinante scena di vita quotidiana.
Questa stampa è tratta da un testo della fine dell’800 e presenta un’accurata incisione di cm. 16×12 circa, su un foglio di cm. 27×18.
La pagina intera, contenente la stampa, verrà spedita estratta dal libro, con testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×12 approx.
  • Support: Paper
  • Condition: Excellent

The Massacre of the Innocents 1830-1850

25,00 

The Massacre of the Innocents It is an engraving made by J. Rogers, published between 1830 and 1850.
This extraordinary work is part of the Scripture Gallery of Engraving and was published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back with editorial frame and vignettes

La strage degli innocenti, 1845

20,00 

The Massacre of the Innocents è una litografia realizzata da Giuseppe Simonelli nel 1845.
This work is taken from Picturesque Polyorama, una pubblicazione periodica napoletana dedicata alla diffusione di conoscenze utili per tutte le classi sociali.

  • Sheet size: cm. 20×15 approx.
  • Support: Paper
  • Condition: Excellent

La stampa presenta margini quasi assenti e include scritte al verso. Viene spedita l’intera pagina contenente la stampa.

The Massacre of the Innocents, Guido Reni, 1846

30,00 

The Massacre of the Innocents It is an engraving made by Guido Reni In the 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son, Queen Street, Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent condition

The Massacre of the Innocents, Guido Reni, 1846

30,00 

The Massacre of the Innocents It is an engraving made by Guido Reni In the 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, pubblicato da Blackie and Son, Queen Street, Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent condition

La Suocera, 1850

20,00 

La Suocera It is a lithograph made in 1850, representative of 19th century art.
Questa opera si distingue per le sue dimensioni di cm. 24×15 e per il suo supporto in thick paper, incollata su un altro supporto cartaceo.

  • Sheet size: cm. 24×15 approx.
  • Era: 19th century
  • Technique: Lithography
  • Condition: Good
  • Support: Thick paper

La suonatrice di Liuto, Mieris, 1840-50

20,00 

La Suonatrice di Liuto è un’incisione realizzata da F. van Mieris tra il 1840 e il 1850.
Questa opera, che rappresenta una giovane donna intenta a suonare il liuto, è stata pubblicata nella Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Tarantella, 1853

60,00 

The Tarantella è un’incisione realizzata nel 1853, utilizzando la tecnica del Burin al delineato acquarellato.
Questa opera è firmata in lastra da Duclere e proviene dal volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25
  • Condition: Perfect state of preservation
  • Support: Medium paper, white back

La taverna, A.H.Payne, 1850

20,00 

La Taverna è un’incisione realizzata da A.H. Payne nel 1850, che cattura una vivace scena di un interno di taverna tedesca.
Questo bulino, prodotto dalla Verlag d. Englischen Kunstastalt A.H. Payne di Lipsia e Dresda, presenta una dimensione della battuta di cm. 17×14, esclusi i margini.

  • Sheet size: cm. 17×14 approx.
  • Support: Medium engraving paper
  • Condition: Good state of preservation

Albert Henry Payne, incisore e disegnatore inglese, nacque a Londra nel 1812 e morì nel 1902 a Lipsia, dove fondò una casa editrice, l’Istituto d’Arte Inglese, nel 1838.

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