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Antonio Tempesta (attr.), Leopard Hunt, 1600

40,00 

Caccia al leopardo it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line.
In basso è presente una scritta in latino, che aggiunge un tocco di storicità all’opera.

  • Sheet size: cm. 22×8 approx.
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Tapir Hunt(?), 1600

40,00 

Caccia al tapiro it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace e dettagliata, riflettendo lo stile caratteristico dell’artista.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Bear Hunt, 1600

40,00 

Bear hunting it is an engraving attributed to Antonio Tempesta, made in 1600.
This work, characterised by a lively representation of the hunt, is a significant example of the art of the period.

  • Sheet size: cm. 22×8 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Antonio Tempesta (attr.), Hyena Hunt, 1600

40,00 

Hyena hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, an etching on laid paper, presents a dynamic and fascinating subject, typical of the artist's style.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Fox Hunting, 1600

40,00 

Caccia alla volpe it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare il movimento e l’energia del momento.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Duck Hunting, 1600

40,00 

Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line. The engraver, Antonio Tempesta, did not sign the work, but there is a Latin inscription at the bottom.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent

Antonio Tempesta (attr.), Duck Hunting, 1600

40,00 

Duck hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di caccia, riflettendo l’abilità dell’incisore nel catturare momenti dinamici.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Notes: Riflato alla linea marginale, non firmato, con scritta in latino in basso.

Antonio Tempesta (attr.), Monkey Hunting, 1600

40,00 

Monkey hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presents a lively and intriguing scene, typical of the engraver's style.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

The engraving is trimmed to the marginal line and features a Latin inscription at the bottom.

Antonio Tempesta (attr.), Ibex Hunting, 1600

40,00 

Hunting the ibex it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, represents a hunting scene and stands out for its dynamic and detailed style.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antonio Tempesta (attr.), Ostrich Hunt, 1600

40,00 

Ostrich Hunting it is an engraving attributed to Anthony Tempest, made in 1600.
This work is an example of etching on laid paper, trimmed to the marginal line.
The engraver, known for his highly detailed works, left a Latin inscription at the bottom of the engraving.

  • Sheet size: cm. 22×8 approx.
  • Condition: Excellent
  • Support: Laid paper

Antonio Tempesta (attr.), Animal Market, 1600

40,00 

Mercato degli animali it is an engraving attributed to Anthony Tempest, made in 1600.
This work, performed in etching, presenta una scena vivace di un mercato di animali, riflettendo la vita quotidiana dell’epoca.

  • Sheet size: cm. 22×8 approx.
  • Support: Laid paper
  • Condition: Excellent
  • Notes: Refined on the marginal line, unsigned; at the bottom there is a Latin inscription.

Antonio Tempesta Dragon Hunt, 1590

80,00 

Caccia al drago It is an engraving made by Anthony Tempest nel 1590, parte della serie Diverse cacce, pesche e combattimenti di animali.
Questa opera è un esempio significativo della maestria di Tempesta, noto per le sue rappresentazioni vivide e dinamiche della fauna.

  • Sheet size: mm. 94×145 circa
  • Engraving size: alla battuta del rame con margini minimi
  • Support: Laid paper
  • Condition: Buone condizioni generali, con qualche macchia sul retro

Antonio Tempesta Caccia al Leopardo, 1590

80,00 

Caccia al Leopardo It is an engraving made by Anthony Tempest tra il 1590 e il 1610, parte della serie Diverse cacce, pesche e combattimenti di animali.
This work, performed in etching, presenta una scena vivace e dettagliata di una caccia al leopardo, tipica dello stile del maestro fiorentino.

  • Sheet size: mm. 94×145
  • Condition: Good general condition
  • Support: Laid paper
  • Notes: Retro con qualche macchia e margini molto piccoli

Antonio Tempesta Caccia al serpente, 1590

80,00 

Caccia al serpente It is an engraving made by Anthony Tempest tra il 1590 e il 1610, parte della serie Diverse cacce, pesche e combattimenti di animali.
This work, performed in etching, presenta una dimensione di mm. 94×145, con margini minimi alla battuta del rame.

  • Sheet size: mm. 94×145
  • Condition: Buone condizioni generali, con qualche macchia sul retro
  • Support: Laid paper

Antonio Tempesta Bulls, 1620

60,00 

Tori It is an engraving made by Anthony Tempest nel 1620, proveniente dalla Nuova raccolta de li animali più curiosi del mondo.
This work is a fine example of etching, stampata su carta vergellata.

  • Sheet size: cm. 15×21 approx.
  • Engraving size: mm. 96×140 circa
  • Support: Laid paper
  • Condition: Good general condition

Antonio Trasmondo, 1842

15,00 

Antonio Trasmondo It is a lithograph made in 1842, taken from the work Picturesque Polyorama, an important Neapolitan publication aimed at spreading useful knowledge to all social classes.
This print, measuring 11x10 cm, has almost no margins and includes writing around and on the back. You will receive the entire page of the book containing the print.

  • Sheet size: Small
  • Print Size: cm. 11×10 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

Anthony van Dyck, 1830

30,00 

Anthony van Dyck, 1830 It is an etching made on paper, which portrays the illustrious Flemish painter known for his portraits.
Van Dyck, who became the leading court painter in England, had an important influence on European portraiture after his stay in Italy.

  • Sheet size: cm. 23×15
  • Engraving size: cm. 10×8
  • Support: Paper
  • Condition: Excellent

Anthony van Dyck, 1830

30,00 

Anthony van Dyck, 1830 it is an etching made on laid paper, which represents a significant work by one of the most famous Flemish portraitists.
Van Dyck, known for his elegant style and his ability to portray the nobility, became the first court painter in England after a long stay in Italy.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Anthurium, Chromolithograph, 1887

30,00 

Anturio it's a chromolithography made in 1887, coming from the prestigious Horticultural Review of Paris.
Questa splendida stampa è caratterizzata da un design molto decorativo e vivace, perfetta per gli amanti della botanica e dell’arte.

  • Sheet size: cm. 25×16 approx.
  • Support: Thick paper, white back
  • Condition: Excellent state of preservation

Antwerp, The Cathedral, 1838

15,00 

Antwerp, The Cathedral It is a lithograph made in 1838, which represents an important view of the cathedral of Antwerp.
This print is taken from the work Picturesque Polyorama, a periodical dedicated to the dissemination of artistic and cultural knowledge.

  • Sheet size: cm. 18×12 approx.
  • Margins: Almost absent
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Anzio, 1834

25,00 

Anzio, 1834 It is an engraving made with the technique of burin on steel, which represents a fascinating forest interior with animals.
This work is taken from Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×110 plus margins
  • Condition: Good condition
  • Support: Lightweight paper, white back

Anzio, Albani Villa, 1834-1837

25,00 

Anzio, Albani Villa It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

This view is lively and decorative, perfect for art and history lovers.

Aosta, 1833-35

30,00 

Aosta, 1833-35 It is an engraving made by James Duffield Harding, a well-known English landscape painter.
This etching on steel è tratta da The Landscape Annual di Londra, pubblicato tra il 1833 e il 1835.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Questa suggestiva veduta di Aosta è caratterizzata da un nitido contrasto e da un’animazione che cattura l’attenzione dello spettatore.

Aosta, 1835

30,00 

Aosta, 1835 è un’incisione in rame realizzata da Grundmann, con la collaborazione di Audot e Lhuillier.
This panoramic view offre una rappresentazione decorativa e animata della città di Aosta, catturando l’essenza del paesaggio urbano dell’epoca.

  • Sheet size: cm. 16×26 approx.
  • Engraving size: cm. 17×11 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

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