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Tailor's atelier, 19th century woodcut

25,00 

Atelier di sarto è una xilografia dell’800, ispirata a una stampa antica del XVIII secolo realizzata da Chodoviccki.
Questa xilografia è tratta da un testo della fine dell’800 e presenta un testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 9×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Athens, Acropolis, C.Frommel, 1829

25,00 

Athens, Acropolis It is an engraving made by Carl Frommel In the 1829.
This work is taken from the volume 50 Bilder zu Virgils Heneide…, which features engravings of great artistic value.

  • Sheet size: cm. 21×26 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Athens, Acropolis, Greece, 1842

15,00 

Athens, Acropolis, Greece It is an 1842 lithograph depicting the iconic Acropolis of Athens.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 12×15 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Athens, Athen, 1850

25,00 

Athens, Athen It is an engraving made in 1850, which offers a beautiful view of the city.
This work is an etching on light paper, from a mid-nineteenth-century book.

  • Sheet size: cm. 11×17 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Light paper

Athens, Franciscan Convent, Residence of Lord Byron, 1832

25,00 

Athens, Franciscan Convent, Lord Byron's Residence It is an engraving made in 1832.
This etching represents an important artistic testimony of the first half of the 19th century.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Athens, Greece, 1842

15,00 

Athens, Greece, 1842 it's a lithographic printing which represents an important work of the 19th century.
This print is from Picturesque Polyorama, a periodical work dedicated to the dissemination of knowledge useful to all social classes.

  • Sheet size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

The print has almost no margins and is contained within a page of the book, with writing around and on the back. The entire page containing the print will be shipped.

Athens, The Temple of Jupiter Olympus, 1832

25,00 

Athens, The Temple of Olympian Zeus It is an engraving made in 1832, which captures the grandeur of one of the most famous temples of antiquity.
This work is an example of an etching from the first half of the 19th century, characterized by refined details and a harmonious composition.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent state of preservation

Atlante trasformato in montagna, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Atrani, Panorama, 1890

20,00 

Atrani, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text, with additional text on the back of the sheet. The complete sheet measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Atri, Cathedral, 1845

20,00 

Atri, Cattedrale it's a lithographic printing made in 1845, che offre una suggestiva veduta della Cattedrale di Atri.
This work is taken from the volume Picturesque Polyorama, a periodical publication that aimed to spread useful knowledge across all social classes.

  • Sheet size: cm. 17×18 circa
  • Condition: Excellent
  • Support: Paper

La stampa è stata ritagliata dal libro e presenta scritte al verso; viene spedita completa di passepartout. Un’opera affascinante per collezionisti e appassionati di arte.

Beware of the Wolf, 1850

30,00 

Attenti al lupo è una litografia realizzata nel 1850, che cattura l’attenzione con la sua vivace rappresentazione.
Questo pezzo d’arte è un esempio significativo della produzione artistica del 19th century, incollato su un cartoncino di supporto.

  • Sheet size: cm. 16×20 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Cardboard

Attività Mineraria, Fonderia, Forno, 1850

40,00 

Questa stampa rappresenta i seguenti soggetti:

1 Flammkuchen.
2 forni di forgiatura.
3-5 tini con 2 stampi.
Forno a tino con 4 stampi.
14 Capannone del forno a tino (estrazione scorie, spillatura).
15 e 16 forno per vetro colorato bianco.
Forno per occhiali
9 vasche di scorie con carrelli.
18-21 distillati di zinco.
10 stampi con ugello.
11 Stampo per acqua con ugello.
22 fornace al mercurio.
23 forno salino al bismuto.
12 Caricamento del forno a tino.
24 Forno per acido acetico all’antimonio.
13 stand eolici
Bollitori Pattinson 25 e 26.
17 sublimirofene.
27 Gezőh al Pattinsonian.
28 Forma del braccio principale.
29 Stampo in piombo.

Stampa e pubblicazione a cura di F. A. Brockhaus a Lipsia.

This work is taken from the volume Bilder-Atlas, published in Leipzig by FA Brockhaus in 1850.

  • Sheet size: cm.26×32
  • Dimensioni dell’incisione: cm.20×30
  • Technique: Woodcut
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

 

Attività Mineraria, Fonderia, Forno, 1850

40,00 

Questa stampa rappresenta i seguenti soggetti:

1 mulino per timbri.
2 fonti di shock.
3 set di setacci.
Carbonizzazione.
5 forni a coke.
6 e 7 forni per arrosti e torrefazioni. Forno a 9 fiamme.

Stampa e pubblicazione a cura di F. A. Brockhaus a Lipsia.

This work is taken from the volume Bilder-Atlas, published in Leipzig by FA Brockhaus in 1850.

  • Sheet size: cm.26×32
  • Dimensioni dell’incisione: cm.20×30
  • Technique: Woodcut
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

 

Attività Mineraria, Fonderia, Minatori, 1850

40,00 

Questa stampa rappresenta i seguenti soggetti:

10 laminatoio.
2 maglie metalliche.
3-6 dispositivi per il miglioramento.
7 Rifugio Bessemer. e forno per cemento.
Occhielli in acciaio fuso
12 crogioli in acciaio fuso.

Stampa e pubblicazione a cura di F. A. Brockhaus a Lipsia.

This work is taken from the volume Bilder-Atlas, published in Leipzig by FA Brockhaus in 1850.

  • Sheet size: cm.26×32
  • Dimensioni dell’incisione: cm.20×30
  • Technique: Woodcut
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

 

Attività Mineraria, Fonderia, Minatori, Forno minerario, 1850

40,00 

Questa stampa rappresenta i seguenti soggetti:

1 e 2 barili di amalgama.
11 3 e 4 forno per tostatura in pietra di ferro
Zoccolo. Condotto del vento.
20 Trappola per gas d’altoforno.
8 Apparecchio per il riscaldamento del vento. Luppensquescher.
23 forno di saldatura.
9 . 10 cubilotto con altoforno. Laminatoio a 24 rotaie.
24 magli a vapore. 26 forbici.
11 Fonderia.
43 12 e 13 forno di puddellaggio.
14-19 pozzanghere, difficile.
20 nuovi incendi.
21 Martello frontale.

Stampa e pubblicazione a cura di F. A. Brockhaus a Lipsia.

This work is taken from the volume Bilder-Atlas, published in Leipzig by FA Brockhaus in 1850.

  • Sheet size: cm.26×32
  • Dimensioni dell’incisione: cm.20×30
  • Technique: Woodcut
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

 

Crossing the ford, 1850

20,00 

Attraversando il guado è un’incisione realizzata nel 1850, che rappresenta un momento suggestivo tratto dalla collezione reale.
This work was created using the technique ofEtching and Burin e proviene dall’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Audot père, L'Italia descrizione, 1834-38 complete work in 8 volumes

1.400,00 

AUDOT LOUIS EUSTACHE (FATHER): Italy, Sicily, the Aeolian Islands, the Island of Elba, Sardinia, Malta, the Island of Calypso, etc.
Work in 8 volumes in 4° format (Turin, Giuseppe Pomba, 1834-1838), first Italian edition enriched with additions and corrections. This important work represents one of the most complete descriptions of 19th century Italy, combining historical, artistic and customs information.
Of particular note is the iconographic apparatus, which includes 329 plates in excellent condition, made on the basis of works by illustrious artists such as Haudebourt-Lescot, Horace Vernet, Granet, Isabey, Ciceri, Pinelli, and many others. Despite slight peeling on the bindings, the copy is complete and preserved in good general condition.

  • Era: 19th century
  • Technique: Lithography
  • Dimensions: Large (4th size)
  • Support: Paper
  • Condition: Good overall condition, boards in excellent condition

This rare edition is a treasure for collectors and enthusiasts of Italian history and culture.

Audot, Italy described… 1837 Pomba publisher 5° vol 54 plates States of Sardinia

350,00 

Italy described by Audot – Volume V (1835) is the fifth volume of the prestigious work published by the publisher Pomba, dedicated to the States of the King of Sardinia. This volume includes 54 plates, many of which with double engravings, which illustrate cities and landscapes of great charm such as Villafranca, Savona, Genoa, La Spezia, Cagliari, Sassari, Oristano, Isolabella, Domodossola, Vercelli, Turin and numerous other locations in Piedmont, Liguria and Sardinia.
The work stands out for its historical and artistic value, enriched by high-quality engravings taken from the works of renowned artists such as Haudebourt-Lescot, Horace Vernet and Pinelli.

  • Author: Louis Eustache Audot
  • Year of publication: 1835
  • Publisher: Pomba
  • Content: 54 plates with full-page engravings (many double)
  • Main topics: States of the King of Sardinia, monuments, landscapes and urban centers
  • Condition: Good overall condition; slight peeling to the binding, presence of foxing and small stains
  • Iconographic apparatus: Engravings by artists such as Haudebourt-Lescot, Horace Vernet, Pinelli, and others

Aulitzky Erich (Germany)

7,00 

Owl by Aulitzky Erich è un’incisione su plastica realizzata nel 1990 dall’artista tedesco Aulitzky Erich.
Questa opera, monogrammata, rappresenta una civetta ed è stata commissionata da Karl-Heinz Morner.

  • Sheet size: mm. 90×100
  • Support: Light paper
  • Condition: Good

Aulitzky Erich (Germany)

10,00 

Aulitzky Erich It is a work created in 1956 by the German artist Erich Aulitzky.
This monogrammed engraving has dimensions of 150×150 mm and was commissioned by Helmut Kenner.

  • Sheet size: mm. 150×150
  • Support: Light paper
  • Condition: Excellent
  • Price: € 10,00

Aulitzky Erich (Germany)

7,00 

Aulitzky Erich è un’incisione su plastica realizzata nel 1992 dall’artista tedesco Erich Aulitzky.
Questa opera, monogrammata, è stata commissionata da Paul Ultsch e presenta un formato compatto.

  • Sheet size: mm. 75×105
  • Paper Type: Light
  • Condition: Excellent

Aulitzky Erich (Germany)

5,00 

Owl by Aulitzky Erich It is a work created in 1981 by the German artist Aulitzky Erich.
This print, featuring a charming subject, represents an owl and is monogrammed.

  • Sheet size: mm. 80×57
  • Technique: Offset P7
  • Support: Light paper
  • Condition: Excellent
  • Client: Helmut Arnot

Aulitzky Erich (Germany)

7,00 

Owl by Aulitzky Erich It is an engraving made in 1987 by the German artist Erich Aulitzky.
This work, featuring a delicate subject of an owl, was commissioned by Rudolf Pribys and features a monogram of the author.

  • Sheet size: mm. 95×130
  • Engraving size: Small
  • Support: Light paper
  • Condition: Excellent

Aulitzky Erich (Germany)

7,00 

Owl by Aulitzky Erich è un’incisione realizzata nel 1987 dall’artista tedesco Aulitzky Erich.
Questa opera, caratterizzata da un soggetto affascinante come la civetta, è stata commissionata da Rudolf Pribys e presenta un monogramma dell’autore.

  • Sheet size: mm. 95×130
  • Engraving size: Small
  • Support: Light paper
  • Condition: Excellent

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