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Pappagalli, 1890

20,00 

Pappagalli It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was published by the Bibliographischen Instituts, with branches in Leipzig and Vienna, starting in the second half of the 19th century.

  • Sheet size: cm. 29×23
  • Condition: Fair condition, with light yellowing and central crease
  • Support: Paper

Il retro del foglio è bianco e presenta una piega centrale poiché in origine era inserito ripiegato nel volume dal quale è stato tratto.

Pappagallo, 1830

20,00 

Pappagallo è una litografia con coloritura manuale realizzata nel 1830 circa da Pretre e Aubert.
This work represents the Psicattus agilis ed è caratterizzata da una vivace rappresentazione del pappagallo.

  • Sheet size: mm. 130×200
  • Engraving size: mm. 58×95
  • Support: Medium paper with white back
  • Condition: Discrete condizioni, presenta qualche macchia

Pappagallo, 1830

20,00 

Pappagallo, 1830 è una litografia con coloritura manuale che rappresenta l’amazone a tête blanche, Psittacus leucocephalus, realizzata intorno al 1830 da Pretre del e Malbeste.
Questa opera si distingue per la sua vivace rappresentazione del pappagallo, un soggetto molto apprezzato nell’arte ornitologica.

  • Sheet size: mm. 130×200
  • Engraving size: mm. 58×95
  • Support: Medium paper with white back
  • Condition: Fair condition

Paradise (Livigno), 1819

25,00 

Paradisino (Livigno) It is an engraving made in 1819 by TO THE CASTELLAN, a well-known French painter and engraver.
This etching, part of the volume Letters on Italy, presenta una misura della battuta di mm. 105×140, con piccoli margini irregolari e retro bianco.

  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato decorato con la Legion d’onore e membro dell’Accademia di Belle Arti. È noto per i suoi paesaggi, in particolare per le opere incluse in View of Italy And View of the Alps.

Paradise, Canto II, Dante and Beatrice, 1757

40,00 

Paradiso, Canto II, Dante e Beatrice It is an engraving made in 1757, which represents a significant moment in the Divine Comedy by Dante Alighieri.
This work is part of the volume THE DIVINE COMEDY OF DANTE ALIGHIERI WITH VARIOUS ANNOTATIONS AND COPIOUS COPPERWORKS ADDED, dedicated to Empress Elizabeth Petrovna of all the Russias.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Carta vergellata frusciante
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, 1757

40,00 

Paradise, Dante and Beatrice It is an engraving made in 1757, which illustrates an iconic scene of the Divine Comedy by Dante Alighieri.
This work is taken from the volume THE DIVINE COMEDY OF DANTE ALIGHIERI WITH VARIOUS ANNOTATIONS AND COPIOUS COPPERWORKS ADDED, dedicated to Empress Elizabeth Petrovna of all the Russias.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, 1757

40,00 

Paradise, Dante and Beatrice It is an engraving made in 1757, which represents an iconic moment of the Divine Comedy by Dante Alighieri.
This work is taken from the volume The Divine Comedy by Dante Alighieri with various annotations and copious adorned branches, dedicated to Empress Elizabeth Petrovna of all the Russias.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Paradise, Dante and Beatrice, 1757

40,00 

Paradise, Dante and Beatrice It is an engraving made in 1757, a work that draws inspiration from the famous Divine Comedy by Dante Alighieri.
This etching on laid paper is part of a volume dedicated to Empress Elizabeth Petrovna of all the Russias, published in Venice by Antonio Zatta.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, 1757

40,00 

Paradise, Dante and Beatrice It is an engraving made in 1757, which represents an emblematic moment of the Divine Comedy by Dante Alighieri.
This work is taken from the volume THE DIVINE COMEDY OF DANTE ALIGHIERI WITH VARIOUS ANNOTATIONS AND COPIOUS COPPERWORKS ADDED, dedicated to Empress Elizabeth Petrovna of all the Russias.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, 1757

40,00 

Paradise, Dante and Beatrice It is an engraving made in 1757, which represents a significant moment in the work The Divine Comedy by Dante Alighieri.
This etching is part of a volume dedicated to Her Sacred Imperial Majesty Elizabeth Petrovna, Empress of All the Russias, and features a richly detailed illustration.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, 1757

40,00 

Paradise, Dante and Beatrice It is an engraving made in 1757, which represents an iconic moment of the Divine Comedy by Dante Alighieri.
This work is taken from the volume THE DIVINE COMEDY OF DANTE ALIGHIERI WITH VARIOUS ANNOTATIONS AND COPIOUS COPPERWORKS ADDED, dedicated to Empress Elizabeth Petrovna of all the Russias.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, Angels, 1757

40,00 

Paradise, Dante and Beatrice, Angels It is an engraving made in 1757, which illustrates a significant moment in the Divine Comedy by Dante Alighieri.
This work is part of a volume dedicated to Empress Elizabeth Petrovna of Russia, printed in Venice by Antonio Zatta.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante and Beatrice, Faith, 1757

40,00 

Paradise, Dante and Beatrice, Faith it is an engraving made in 1757, part of the famous work The Divine Comedy by Dante Alighieri.
This etching on laid paper measures 20x13 cm at the copperplate edge, on a 28x21 cm sheet.

  • Sheet size: cm. 28×21
  • Engraving size: cm. 20×13
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

This work is dedicated to the Sacred Imperial Majesty of Elizabeth Petrovna, Empress of all the Russias, and was published in Venice by Antonio Zatta.

Paradise, Dante, Beatrice, Jesus, 1757

40,00 

Paradise It is an engraving made in 1757, which represents a significant moment in the Divine Comedy by Dante Alighieri.
This work, dedicated to Empress Elizabeth Petrovna of all the Russias, is an example of 18th-century engraving art.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Paradise, Dante, Holy Theology, 1757

40,00 

Paradise, Dante, Holy Theology it is an engraving made in 1757, part of the famous work The Divine Comedy by Dante Alighieri.
This etching is dedicated to Empress Elizabeth Petrovna of all the Russias and features a fine line on laid paper.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 20×13 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Porec, Istria, New Theatre, 1886

30,00 

Porec, Istria, New Theatre It is an engraving made in 1886, taken from the illustrious publication Italian Illustration, published in Milan by Fratelli Treves Editori.
This work presents an image measuring 10x15 cm, with decorative writing around it and annotations on the back of the sheet.

  • Sheet size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Parga, Greece, 1842

15,00 

Parga, Greece, 1842 it is a lithograph that represents Il Castello di Parga.
This work is taken from Picturesque Polyorama, un’importante pubblicazione dell’epoca, diretta a diffondere conoscenze utili in tutte le classi sociali.

  • Sheet size: cm. 12×15 approx.
  • Support: Paper
  • Condition: Excellent

The print has almost no margins and is contained within a page of the book, with writing around and on the back. The entire page containing the print will be shipped.

Paris, P.Lachaise Cemetery, 1841

15,00 

Paris, P.Lachaise Cemetery, 1841 It is a lithograph representing the monument of Abelard and Heloise, located in the famous Père-Lachaise cemetery.
This print is taken from the work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 13×9 approx.
  • Support: Paper
  • Condition: Excellent

The lithograph is contained in a page extracted from the book, with writing on the verso, and is shipped with the entire page.
Père-Lachaise Cemetery is the largest cemetery in Paris and one of the most famous in the world, welcoming over three million visitors each year.

Parigi, Giardino del museo di Cluny, 1861

20,00 

Xilografia realizzata nel 1861, tratta dal Picturesque Store of the same year.

Dimensioni del foglio: cm. 28×18 circa
Dimensioni dell’immagine: cm. 23×15 circa
Support: Carta leggera, con scritte attorno alla immagine e al verso della stampa.
Condition: Ottima
The entire page containing the print will be sent.

Il Magasin Pittoresque è stato pubblicato per la prima volta nel gennaio 1833 sotto forma di libretto di otto pagine, illustrato con incisioni, venduto per due soldi, otto giorni dopo, seguì un nuovo numero, e così via, ogni settimana, per diciotto anni, vale a dire, fino alla legge sul francobollo del 16 luglio 1850.
Il Magasin pittoresque era una sorta di enciclopedia popolare che, senza tralasciare importanti scoperte moderne, si occupava soprattutto di far rivivere il passato. La descrizione di “Magazzino” voleva indicare che la collezione conteneva un po’ di tutto: morale, storia, archeologia, arte, scienze naturali, industria, viaggi, tutti argomenti, in una parola, che, rivolgendosi al cuore, all’immaginazione e al gusto, sarebbero stati di natura tale da arricchire il tempo libero della vita interiore e del focolare domestico con puro e istruttivo divertimento.

Parigi, La Fontana di S. Michele, 1861

25,00 

Xilografia realizzata nel 1861, tratta dal Picturesque Store of the same year.

Dimensioni del foglio: cm. 28×18 circa
Dimensioni dell’immagine: cm. 20×15 circa
Support: Carta leggera, con scritte attorno alla immagine e al verso della stampa.
Condition: Ottima
The entire page containing the print will be sent.

Il Magasin Pittoresque è stato pubblicato per la prima volta nel gennaio 1833 sotto forma di libretto di otto pagine, illustrato con incisioni, venduto per due soldi, otto giorni dopo, seguì un nuovo numero, e così via, ogni settimana, per diciotto anni, vale a dire, fino alla legge sul francobollo del 16 luglio 1850.
Il Magasin pittoresque era una sorta di enciclopedia popolare che, senza tralasciare importanti scoperte moderne, si occupava soprattutto di far rivivere il passato. La descrizione di “Magazzino” voleva indicare che la collezione conteneva un po’ di tutto: morale, storia, archeologia, arte, scienze naturali, industria, viaggi, tutti argomenti, in una parola, che, rivolgendosi al cuore, all’immaginazione e al gusto, sarebbero stati di natura tale da arricchire il tempo libero della vita interiore e del focolare domestico con puro e istruttivo divertimento.

Paris, Les Invalides, 1837

20,00 

Paris, The Invalides It is a lithograph made in 1837, which portrays the Hospice des Invalides, an important Parisian monument.
This work is taken from the volume Universal Pictorial Warehouse, published in Genoa.

  • Sheet size: cm. 21×28 approx.
  • Lithograph dimensions: cm. 12×17 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Paris, Les Tuileries, Paris, 1850

25,00 

Paris, The Tuileries It is an engraving made in 1850, which offers a splendid view of the famous Parisian garden.
This work is an etching on light paper, from a book from the mid-19th century.

  • Image size: cm. 10×15 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Light paper

Parma, The Taro Bridge, 1835

25,00 

Parma, The Taro Bridge It is a copper engraving made in 1835, which represents a fascinating glimpse of the bridge over the Taro river.
This work is taken from The Wundermappe oder Sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs by C. Strahlheim, published in Frankfurt am Main.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Parma, The Cathedral, 1890

25,00 

Parma, La Cattedrale it's a woodblock print built in 1890, which represents an important testimony of the Italian artistic heritage of the late nineteenth century.
Questa opera presenta un’immagine di dimensioni cm. 17×14 circa, circondata da testo e con ulteriori informazioni al verso del foglio, che misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×14 approx.
  • Support: Paper
  • Condition: Excellent

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