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Pinelli, The Scrivener, 1820

40,00 

Lo scrivano è un’incisione realizzata da Bartolomeo Pinelli nel 1820, che rappresenta una scena vivace in piazza Montanara a Roma.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Pinelli, Sailors on the Naples Pier, 1815

70,00 

Sailors on the Naples Pier It is an engraving made by Bartholomew Pinelli in 1815, which portrays sailors intent on listening to the Istoria di Rinaldo.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching
  • Support: Paper
  • Condition: Excellent state of preservation

Pinelli, Sailors on the dock of Naples, 1815

80,00 

Marinari sul molo di Napoli it is an engraving made by Bartolomeo Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 28×19 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent state of preservation

Pinelli, Masks, 1820

40,00 

Masks of the Carnival of Rome it is an engraving made by Bartolomeo Pinelli in 1820.
This work is taken from the Collection of various compositions and some motifs, Picturesque Costumes of Rome and its surroundings, published by Tommaso Cuccioni in Rome.

  • Sheet size: cm. 19×25 approx.
  • Engraving size: cm. 10×14 approx.
  • Technique: Etching, colored with watercolor
  • Condition: Excellent condition, with slight stains of color on the back

Pinelli, Trasteverino, 1810

40,00 

Trasteverino it is an engraving made by Bartolomeo Pinelli in 1810.
This work is part of the New Collection of fifty Picturesque Motifs and Costumes of Rome, etched and colored with watercolors.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Support: Paper
  • Condition: Good

L’incisione è firmata in basso a sinistra con “Pinelli inv e incise”.
Si segnala che il foglio presenta alcune imperfezioni, come una riparazione al verso e macchie di colore.

Pinerolo, View of the Waldensian Theatre, 1890

20,00 

Pinerolo, View of the Waldensian Theatre it's a woodblock print built in 1890, which offers a fascinating view of the Teatro Valdese.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Pino Silvestre, 1860

20,00 

Pino Silvestre, 1860 it's a chromolithography su carta leggera, realizzata nel 1860.
This work is taken from Anne Pratt, “THE FLOWERING PLANTS OF GREAT BRITAIN WITH COLOURED PLATES”, published in London and New York by FREDERICK WARNE & CO.

  • Sheet size: cm. 15×24
  • Condition: Good condition
  • Support: Light paper

La composizione floreale è bella e decorativa, rendendo quest’opera un’aggiunta affascinante per collezionisti e appassionati di botanica.

Pino, Cromolitografia, 1867

25,00 

Pino (Pinus Excelsa) it's a chromolithography realizzata nel 1867, proveniente da Neerland's Plantentuin, Groningen.
Questa splendida stampa è caratterizzata da un design decorativo e dettagliato, stampata su carta spessa con retro bianco.

  • Sheet size: cm. 26×17 approx.
  • Condition: Excellent state of preservation
  • Support: Thick paper

Pine, J.Miller, late 18th century

30,00 

The Yen Tree It is an engraving made by J. Miller at the end of the 18th century.
This work, performed with the technique of Burin and watercolour, presents a fascinating and detailed subject.

  • Sheet size: cm. 30×24 approx.
  • Engraving size: cm. 23×19 approx.
  • Support: Laid paper
  • Condition: Good condition, with some stains

Pio VII scomunica Napoleone, 1841

20,00 

Pio VII scomunica Napoleone è un’incisione realizzata nel 1841, che rappresenta un momento cruciale della storia europea.
This work is taken from the work Histoire des Papes e combina le tecniche dell’Etching and of the Burin.

  • Sheet size: cm. 15×23 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

Pioggia di primavera, Leitghton Brothers

30,00 

Pioggia di primavera it's a beautiful one chromolithography made by Leitghton Brothers.
This work, which measures approximately 22×15 cm, is printed on thick paper con retro bianco, rappresentando un esempio affascinante dell’arte del XX secolo.

  • Sheet size: cm. 22×15 approx.
  • Technique: Chromolithography
  • Condition: Excellent
  • Support: Thick paper

Piombino, 1865

20,00 

Piombino, 1865 è un’incisione xilografica su legno di testa che rappresenta una graziosa veduta del marina presso Piombino.
This work is taken from Picturesque Emporium, published by Sonzogno in Milan in 1865.

  • Size of the joke: mm. 230×160
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo raro e affascinante per collezionisti.

Pipistrelli, 1890

30,00 

Pipistrelli It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, un’enciclopedia edita in Germania a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.
Questa stampa fa parte di una vasta serie di illustrazioni concepite per arricchire questa celebre enciclopedia.

  • Sheet size: cm. 29×23
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

Piramo e Tisbe, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Pyrrhus and the Elephants, 1870

20,00 

Pirro e gli Elefanti è un’incisione del 1870 che rappresenta una scena storica significativa.
Made in woodcut, quest’opera offre un’illustrazione vivace e dettagliata del famoso re macedone Pirro e dei suoi elefanti.

  • Sheet size: cm. 18×24 approx.
  • Image size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent condition

Pisa, 1840

30,00 

Pisa, 1840 è un’incisione al bulino realizzata dall’incisore Rouargue, che offre una beautiful view of the city.
Questa opera è caratterizzata da un great contrast e da una vivace animazione, rendendola un pezzo affascinante per gli amanti dell’arte.

  • Sheet size: cm. 17×26 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

Pisa, 1840

25,00 

Pisa, 1840 It is a burin engraving that offers an uncommon view of the city, animated by vivid details.
Made around 1840, this work is based on a German book and features a joke. mm. 95×150 on a sheet of paper mm. 262×180.

  • Sheet size: mm. 262×180
  • Engraving size: mm. 95×150
  • Support: Medium paper
  • Condition: Excellent

Pisa, Baptistery, 1881

25,00 

Pisa, Battistero It is an engraving made by Dieudonne Lancelot nel 1881.
Questa incisione xilografica su legno di testa presenta una bella veduta decorativa e animata del Battistero di Pisa.

  • Sheet size: mm. 160×220
  • Condition: Excellent condition
  • Support: Paper
  • Notes: Margini quasi assenti, ritagliata da un libro tedesco con scritte sul retro

Pisa, Baptistery, 1890

20,00 

Pisa, Battistero It is a woodcut made in 1890 by A.Quantin, an engraver and publisher active in Paris at the end of the 19th century.
This beautiful print, animated and in excellent condition, è stata tratta da un libro francese di fine ‘800.

  • Sheet size: cm. 10×16
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Pisa, Baptistery, Cathedral, 1835

30,00 

Pisa, Battistero, Cattedrale It is an engraving made with the technique of burin on steel in 1835.
This work offers a beautiful view della famosa piazza di Pisa, con il Battistero, la Cattedrale, la Torre e il Cimitero, presentata in modo nitido e ben contrastato.

  • Sheet size: mm. 195×130 plus margins
  • Support: Light paper
  • Condition: Good condition

Pisa, Baptistery, Cathedral and Tower, 1835

20,00 

Pisa, Baptistery, Cathedral and Tower It is an engraving made in 1835, which offers an iconic view of the famous square in Pisa.
This work is taken from Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and is made with the technique of burin on steel.

  • Sheet size: mm. 130×90 approx.
  • Support: Lightweight paper with white backing
  • Condition: Good condition

Pisa, Campo Santo, 1834

25,00 

Pisa, Holy Field è un’incisione in acciaio realizzata nel 1834, che cattura la bellezza del celebre Campo Santo di Pisa.
This work is taken from Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Pisa, Campo Santo, 1834-1837

25,00 

Pisa, Holy Field It is a steel engraving made between 1834 and 1837.
This work comes from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Questa veduta è caratterizzata da un aspetto animato e decorativo, rendendola un pezzo affascinante per collezionisti e appassionati di arte.

Pisa, Campo Santo, 1835

25,00 

Pisa, Holy Field It is an engraving made with the technique of burin on steel in 1835.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 195×130 plus margins
  • Condition: Good condition
  • Support: Lightweight paper, white back

The view of the interior is particularly beautiful and clear, making this engraving a fascinating piece for collectors and art enthusiasts.

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